May 132025
 

(Here we present Zoltar‘s interview of Malte Gericke, bassist and vocalist of the pan-national death/thrashing band Sijjin, whose new album Helljjin Combat is out now on Sepulchral Voice Records.)

I couldn’t be happier man.Malte Gericke, aka Mors Dalos Ra, is relieved for probably the first time since the band’s split in 2021 not to be asked about Necros Christos, the cult and highly-mystical death/doom beast he led out and back to the abyss for over two decades. And he deserved the right to, as Sijjin, the to-the-point and proudly stuck in the ’80s thrash/death new band he had put together even before NC took their final bow, has proven not to be the expectative derivative but an entity on its own, far less entrenched in occult and cryptic atmospheres and doom-laden circumvolutions, way more straight-forward and unapologetically METAL, as in denim-and-leather-patches-furious-headbanging metal.

If their 2019 demo, later reissued on LP, and their debut album Sumerian Promises were treading on early Morbid Angel territories, as he once again puts it himself, their long-awaited sophomore and very riff-oriented album Helljinn Combat goes even more “back in time”. Old-school to the bone! Continue reading »

Mar 272025
 

(written by Islander)

Following up on their debut album Sumerian Promises, the German/Basque trio Sijjin are storming back this year with a new album named Helljjin Combat that Sepulchral Voice has marketed for release on April 25th. It is described (and accurately so) as an amalgamation of “the most antediluvian variety of death metal” and “a derivative of evil thrash with utmost evil intent,” conjuring “its own life of Satanic imagery, diabolical debauchery, and biblical fatalism.”

The album was recorded live, with a cutting sound that brings to mind ’80s analog-produced records, which is part of what links the songcraft on the new album to such hellish names as Infernäl Mäjesty, Nasty Savage, Possessed, and very early Slayer or Megadeth.

What you’ll also discover on the new album are songs that are not only diabolical in mood but also diabolical in their arrangements, with constant and technically impressive twists and turns that are a big part of why the album is going to keep listeners pumped up and right on the edge of their seats (or toes). You’ll understand that for yourselves when you hear the song “Dakhma Curse” that we’re premiering today. Continue reading »