Feb 152018
 

 

Late last month The Obelisk premiered a song called “Pyre” from the forthcoming second album (In Chaos, Solace) by the genre-fracturing Baltimore band Snakefeast. When I heard the song, my eyes probably couldn’t have opened wider without my eyeballs falling out. The Obelisk’s take on the music seemed on-point:  “a fusion of jazz, metal, weighted-groove grind and post-hardcore, but however many subgenres they may or may not be throwing into their scorching aesthetic melting pot, they’re unquestionably working on a wavelength of their own….”

Having been so pleasantly surprised and bewildered by that track, I jumped at the chance to bring out another premiere, a song called “Itch” that’s just as boisterous, as disruptive, and as captivating as “Pyre”. Continue reading »

Jan 022015
 

 

Yesterday I noticed a Facebook post by Baltimore’s Grimoire Records about a forthcoming release by a Virginia band named Foehammer and a song from the album that had debuted on Bandcamp. So I visited the Grimoire Bandcamp page — and discovered three more forthcoming Grimoire releases that I didn’t know about (surprising as it may seem, I haven’t yet become omniscient). So I decided, what the hell, this seems like good fodder for the next MISCELLANY experiment. And since I haven’t written a MISCELLANY post in two months, I decided there’s no time like the present.

To remind you about the MISCELLANY rules, I randomly pick albums or EPs by bands whose music I’ve never heard (usually by bands I’ve never heard of either), I listen to a track or two, I write my immediate impressions — and then I stream the music so you can make up your own minds. Unlike everything else I write about at NCS, I don’t know in advance what the music’s going to sound like or whether it will be worth the attention. Don’t try this at home — I’m a trained scientific professional and I can handle the risks.

FOEHAMMER

Foehammer’s self-titled release appears to be a debut album, scheduled for discharge by Grimoire on March 3, 2015. The one song that’s streaming is a 10-minute track named “Stormcrow”. It’s one of three long-form tracks on the album. I like the album art (by Luciana Nedelea). Turns out that “Stormcrow” is quite likable, too. Continue reading »