May 182010

As time has passed, we’ve found ourselves listening less and less to metalcore bands that really made a big impression on us a few years back. You could chalk it up partly to changes in our musical tastes and partly to our feeling swamped by the flood of generic metalcore bands trying to capitalize on what used to be the latest fad by combining chug-heavy riffs and growling with rancid emocore clean singing. In fact, we started this blog in part out of frustration with that phenomenon.

But listening less and less doesn’t mean no listening at all. There’s still something about metalcore (done right) that triggers the same positive feeling we had when the genre first emerged.

As I Lay Dying is one of those metalcore bands whose albums have consistently struck a chord with us — and in fact, we’re probably doing them an injustice with the metalcore label, because it’s become something of a bad word in our vernacular.

So, we’ll just toss that label aside and say this: The band’s new album, The Powerless Rise, is song for song their best one yet, and we’re really digging it.

The cool album cover by J. Bannon features a red-eyed skull exploding from below, and a similar image is on the fold-out CD insert, but with the explosion coming out the top of the skull. It’s a fitting image, because The Powerless Rise includes some serious skull-exploders — some of the most intensely aggressive music As I Lay Dying has yet produced. Take off your neck-braces and prepare to injure yourselves all over again, because this album overflows with music that will compel you to bang yo heads.  (more after the jump, including a track to stream . . .)

“Beyond Our Suffering”, “Without Conclusion”, “The Plague”, and “The Only Constant Is Change” feature no clean singing at all. They’re fast and hammering, a blend of thrash and groove-heavy melodic death metal with sharp-as-tacks sound from the rhythm section, Gothenberg-style dual-guitar harmonies, and some fiery solo work. The vocals belong entirely to Tim Lambesis, who proves all over again that he’s got a killer extreme-metal voice. It’s all vicious, but with great variety in tone and range.

Those songs are particularly welcome to our ears (which are used to being smashed with round-house blows), but the remaining tracks are also immensely appealing. They feature As I Lay Dying’s trademark mix of violence and melody, with clean choruses by bassist Josh Gilbert appearing in sharp contrast with Lambesis’ harsh roaring. The songs are embedded with sharp melodic hooks dipped in infectious poison. They rip and tear, but they also soar like birds in flight.

And that remains (at least for us) at the heart of why this band’s music has retained its appeal after five albums. There is still something irresistibly cool about the juxtaposition of fury and beauty, sledgehammer rhythms and melodic leads, in-your-face growling and clean choruses.

Fueled by powerful lyrics that protest indifference to injustice and plead for an awakening from our “over-fed but undernourished” existence, The Powerless Rise is also a passionate indictment of complacency. As Lambesis shrieks on “Anger and Apathy”, “I need to burn inside/I need to know you are alive.” At least half his wish has come true, because this album burns.

In our most humble opinion, there’s no one song on this new album that matches “The Darkest Nights” (from Shadows Are Security) in pure infectious genius, but “Anodyne Sea” comes close.  Check it out:

As I Lay Dying: Anodyne Sea

  2 Responses to “AS I LAY DYING”

  1. I think beyond our suffering is certainly better than darkest nights. This album is pure genius.

    • I actually like Beyond Our Suffering better, too. It just blazes — and it’s more the style of music I like. I was really limiting my comparison to “infectious” songs. I probably need to define better what I mean by that some day.

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