Jan 142014

(TheMadIsraeli reviews the debut album by a New Jersey band named Framework.)

Framework (formerly known as Exorbitance) are the kind of band you listen to if you miss that fast as fuck thrash-based style of melodic death metal you got from bands like Carnal Forge, The Absence, or the most obvious culprit, At The Gates.  Their debut under the Framework name, A World Distorted, is a fucking amazing record, showcasing these blood-hungry Americans’ ability to craft melodic death metal that retains the militancy and commitment to crafting brutal, yet epic songs that give you whiplash.

It’s very rare that you find a band playing just straight-up, no-nonsense melodic death metal this well and writing an album THIS good that doesn’t feel at all like a rehash, even if the influences are worn on their sleeves.  A World Distorted is frankly one of the best debuts from a melodic death metal band I’ve heard in YEARS.

The music is all about killer riffs, captivating melodies that make you want to charge into battle in slow motion, and those delicious old school Lindberg-esque snarls.  Guitarists Andrew Pevny and Devin DeCicco and bassist Chris DeBenedetto know their shit, and they know it so well that they sound like they were around during the inception of the Gothenburg scene itself.  Vocalist Glenn Ferguson sounds like he’s straight from the mid-nineties and drummer James Applegate is an insanely tight, precise, and brutalizing drummer to listen to.  These guys really bring back that Gothenburg vibe while retaining the developments by American counterparts like The Black Dahlia Murder and The Absence.

Just… just listen.  They’ve got the fucking riffs, the intensity, and the melodies.  Call this an early 2014 highlight and check these guys out.

Also the album’s pay whatever you want.  Which means it’s technically free, but these dudes seriously deserve the fat stacks.  No joke.



  1. Cover reminds me of Chaosphere.

  2. They kill it live too. Awesome band.

  3. A promising debut, the swedish influence is strong, they remember me “At The Gates” in some parts and as you wrote the riffs are killer, the melodies intense and the brutal side too, worthy to be heard from start to end.

  4. this sounds pretty killer, i like “Deadheart of Winter”

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