Nov 282018


(Today we premiere a full stream of the third album by the blackened death metal band Bane, which is recommended for fans of Dissection, Behemoth, and Rotting Christ. It will be released on November 30th by Black Market Metal Label, and we introduce our premiere with a guest review of the album by Caleb Newton.)

The once Serbia-based and now Canadian experimental black metal outfit Bane present a complex and nuanced but ruthless sonic monster that demands some digestion via Esoteric Formulae, their November 30 full-length on Black Market Metal Label. The album hinges on some truly ambitious concepts, to the point that rather than sticking with the human morbidity that other similarly styled albums tack their themes to, this record focuses on the cosmos.



As such, the release feels as though careful understanding should underlie an appreciation of the work, which might turn off some listeners looking for a quick fix — but that has no consequence for the music itself. In its own right, the record succeeds at charting a relentlessly thick sonic course.

At least in the first couple of listens, that endlessly energetic metallic course takes center stage. There’s less of a focus on any individual blast-beat fusillades, or riffs — although Bane do include some welcome and thoughtful-sounding instrumental breaks — and there’s more of a focus on the band’s metallic cavorting. There’s an occasional traditional-metal tone, but overall they drag a grindcore sensibility through the muck, creating at times truly unique sounding and exciting music.

They even embrace an element of noise in their work, which keeps their sound dynamic, although it doesn’t take center stage and instead sits alongside some other styles including the aforementioned grind. Esoteric Formulae leaves little on the extreme metal palette out of its final presentation, and the wildly dynamic combination really works in the end because Bane succeed in unifying the ingredients.

Harsh and vicious vocal work — but actually rather clear, by metal standards — lays atop the devilish mixture, ties the work together, and helps keep it moving forward. Their occasional cosmic black metal feel and raw grind create an interesting contrast that the band present between the soaring and the brutal, which in the end just adds to the huge ambitiousness of their work.

Bane’s music feels hardly set for the casual listener, but the footholds are there if you look for them. Somewhat like its name implies, Esoteric Formula is a huge, unusual monster of a work that somehow manages to establish itself despite the “noise,” for which the band deserve major props.


(The YouTube stream below begins with the album’s first track, but will automatically move from one track to the next as you reach the end of each song.)





  1. Thanks for posting. This. Is. Awesome.

  2. This is good. It is like a mix of 80% Dissection and 20% Insomnium. I do not hear any grindcore or noise at all though.

  3. These guys are definitely on my radar.

  4. Saw these guys on tour with UADA a little while back and they put on a fun live show. I have to disagree with the characterization of the music though. Far from being particularly noisy, harsh or experimental, this is pretty straightforward melodic death metal with harsh vocals in the good old tradition old In Flames, In Thy Dreams or Year of Our Lord (although the Dissection comparison from the intro makes sense). The embedded song is a great example. That said, it’s very competently done melodic death metal. Just don’t be fooled by the band’s aesthetics into thinking this is something that it isn’t.

  5. the lord on a cutting board, this is like mdma in sonic form. It’s like they loved Dissection so much, they decided to make an album where Reinkaos left off.

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