Islander

Jan 032024
 

Today we welcome to our site (and to the rest of the world) a horror-themed death metal band from Buffalo, New York named Morgue Terror. It’s the work of two death metal fanatics — Dave (guitars) and Steve (bass and vocals) — who found their thematic inspiration in the Terrifier franchise of slasher films and their main antagonist, Art the Clown.

The movies left such a deep and gory mark that the band’s name is derived from a pivotal scene at the end of the first movie when Art the Clown emerges from a body bag, delivering a fatal blow to the coroner.

And beyond that, the five songs on Morgue Terror‘s self-titled debut EP, which we’re premiering in full today in advance of its January 5 release, delve into the murders and characters portrayed in both Terrifier movies.

As for the music itself, it’s an amalgam of varying death metal tropes, with each song deploying them in slightly different ways to create a dynamic — and demented — listening experience. Continue reading »

Jan 032024
 

The German musician Wiedergaenger (a member of Total Negation, Vargnatt, Absolutum, and other bands) has used his solo project NACHTS as a vehicle for moving through ever-changing sonic and lyrical terrains.

Beginning in 2009, he has released five demos and EPs under the NACHTS name, traversing lyrical themes that have included encounters in nocturnal in-between worlds, abysmal stories, and ruminations on death. Black metal has provided the musical framework, but through each release NACHTS has demonstrated an impatience with convention and an eagerness to explore different recording techniques and sound aesthetics.

At last, NACHTS will be releasing a debut album in late March of this new year. Entitled Privileg, it will come our way via the cooperation of two labels, Crawling Chaos and House of Inkantation, and today we’re presenting its first single, “Du Ewiger Hund“. Continue reading »

Jan 032024
 

(Axel Stormbreaker returns… with a vengeance? This year’s Dark-Horse list pays tribute to Bruce Willis and to the original Die-Hard Trilogy.)

Hey there, your favorite hero’s back, Edgelord Superfvvcker. You know, just once, I’d like a regular, normal Christmas with eggnog, a fuckin’ Christmas tree, and a little turkey. But, nooo, no love for mr. Stormbreaker. All I gotta do is crawl around in this filthy tin can till its rust seeps into my overly exhausted patience.

That being said, I’ve been feeling very sad and a bit dry, hence why you haven’t been reading about any of my absurd recommendations. But it’s the end of the year, I do love lists (Yippee Ki-Yay), so maybe I should put in some effort for all you weird-looking freaks out there. What I give you is my ultimate Top-15 Dark-Horse List of 2023’s Records No One Gives a Crap About. Or what bands I’ve been digging lately, ones hopefully truly worthy of your support.

And yes, of course I watch the original Die Hard trilogy every Christmas. What kind of question is that? Big fan of Moonlighting too. I’m an old fuck. Continue reading »

Jan 022024
 

(Today we present the fifth and final installment of Neill Jameson‘s 2023 year-end list. You can find the first four Parts by hitting this link and scrolling down.)

See the subtle change in the title? I’m building a narrative, I’m told that’s a good idea in writing. As far as I can tell (from constantly Googling myself), I’ve been doing year-end lists here since 2014. Initially I would only pick a few records each year, mostly because I was trying to shed light on things that other people may not have noticed throughout the year, which would grow somewhat each year until we made it to 2018, one of the most miserable years I’d had in a moment, and it showed in the lack of anything approaching enthusiasm in my writing. But once 2019 hit, it was like something opened up in me and I was actually interested in seeking out new music, the closest to approaching being passionate about anything I’d been in years. And from there I haven’t slowed down. 

I understand that these lists are read for a variety of reasons, to see if your band was in it, to disagree with it, to tell me I’m either an SJW cuck or a nazi, or (and this is the lowest number) to actually seek out new music that might interest you. Regardless of your reason, I hope you’ve found something you’re looking for out of this. I don’t really want to hear about it either way.

These were my favorite releases of the year not covered by my Invisible Oranges list, which was all album based. There’s a few here too, sure, but this is mostly EPs, demos etc. Not a lot of surprises if you’ve read any previous years. This will probably be wordy, even for me (“long winded” is another description I’ve read about myself) Enough from me, here’s the list: Continue reading »

Jan 022024
 

(For the years 2012 through 2015 an NCS supporter from India who went by the name deckard cain contributed some interesting year-end lists that we posted as part of our annual Listmania series, and he reviewed songs and albums for us too during that same interval. Then he drifted away, but returned with a year-end list in 2021, then drifted again, and returns once more with another very interesting 2023 list below.)

Greetings all!

These year-end lists are indeed great spaces to think through the year that was. Personally, it was a year of tumult. Moments of happiness of being able to spend time with family after many a year of living abroad were great and so were deeply harrowing experiences of loss and unwarranted suffering. Nothing new here! For life always gets back at us all with a sense of pendulous certainty.

Going full elegiac on the state of the world is beside the point. But the albums on year-end lists? Well, they fit in as signposts, reflective of one’s state of mind then, linking them in turn, to events and feelings. Perhaps a version of chronologically mapping your emotional states. And to that end all these records mattered one way or another, whether as anodynes to one’s pain, as chasers downed after moments of elation. and everything in between. In no particular order or rank and…..and as the last of the Horadrim says: Continue reading »

Jan 012024
 

Around the world, today is a day of firsts, because a new year has begun to bloom. And so it is the first day when everything you do is the first thing you will do in 2024. Here at NCS, we have our first post of the new year, our first premiere, our first review, our first effort to help an extreme metal band begin tearing apart 2024 like the hated thing it will probably become.

And not just any extreme metal band, but one whose storied history began 30 years ago, took a decade-long pause, and then came roaring back in 2023. And yes, it was just last summer when the Danish death/black metal band Panzerchrist released their comeback album Last Of A Kind, which we proudly premiered here.

To prove that they have no intention of returning to hibernation, Panzerchrist are quickly following that album with a new EP named All Witches Shall Burn. Emanzipation Productions, the same label that brought forth the band’s auspicious comeback record, will be releasing the new EP on January 5th, and we’re again in the fortunate position of hosting a full stream today.

The new EP proves to be an excellent way of beginning 2024, because it will clear out the morning-after New Year’s Eve gunk from your head right damned fast. Continue reading »

Dec 292023
 

Unsouling is a new musical entity, a small needle in a vast haystack of metal. The project’s debut release might easily have been overlooked amidst all the straw no matter how vividly the needle gleamed, but a few important factors make that much less likely:

Specifically: Unsouling is the solo work of Feral Light‘s frontman and songwriter A.S. (Andy Schoengrund); the album was chosen for release by I, Voidhanger Records; and the cover art was created by the wonderfully talented Luciana Nedelea (don’t tell us cover art doesn’t matter because you’d be whistling in the wind around here).

So, this needle sticks out even before the playing of the first notes. Because of the music, it sticks out more like an impaling spear than a needle. Continue reading »

Dec 292023
 

(One of the perennial highlights of our year-end LISTMANIA series are the articles Neill Jameson has contributed, and we’re very happy that he’s doing so again this year. This one is the fourth of five Parts we’ll be publishing. You can find the preceding parts if you go here and scroll down. To be clear, Neill wrote the title of this feature himself.)

I guess one of the (many) hypocritical things I’ve written over the years is how I shit on others for having huge end of year lists yet here I am with fifty things that were released in the last twelve months that I want to share with everyone.

But there’s a few things to consider here, the first being the sheer magnitude of music being recorded and released every day. I can compare it to getting ready for a colonoscopy, you can’t believe how much shit keeps coming out. And, to continue the charming metaphor, most of it is absolute liquid shit. So keep that statistic in mind, my fifty is equal to my ten or twenty a decade ago, adjusted for inflation.

My second point is that those other lists are mostly dreck.

I’ve been working on myself this year and practicing self-care. You can tell it’s working. Here’s the next batch: Continue reading »

Dec 292023
 

Today, December 29th, the Toronto band Phantom Lung are releasing the final EP in a trilogy of EPs that share the name Abhorrent Entity. The full title of the new one is Abhorrent Entity iii: solivagant, and to help spread the word we’re presenting a full stream of it for you.

We’ve previously shared our thoughts about the first two EPs in the trilogy. In an effort to sum up the first one, which was released last March, we wrote that it is “massive and mauling… so ugly and unhinged, so combative and confrontational, so ruthless and so exhilarating, that we can’t help but love it, even if the attitude might be interpreted as ‘fuck off and die!’”.

The second one, Abhorrent entity ii: moribund, was no less confrontational. As we wrote of that one, it was a ruinously destructive sonic demolition job – savage, corrosive, ravenous, and a brute-force slugfest too, yet with musical elements that at times also made the song sound grim and unearthly. Continue reading »

Dec 282023
 

(For the 13th year in a row, our friend Johan Huldtgren of the Swedish black metal band Obitus — whose 2017 album Slaves of the Vast Machine is still their latest release — has again allowed us to share with you his year-end Top 10 list, which originally appeared on Johan’s own blog.)

I rarely include this caveat, but sometimes it’s good to reflect on it. Lists like this are always snapshots in time, it’s the ten albums I picked at the time of writing whittled down from a longer list, and often times which get picked and which get left off is just mood dependent. And that is only the albums which I’ve heard; experience has taught me that I will sometime down the road find albums released this year which could easily have made the list. Regardless I hope you find something here you enjoy which you may otherwise have missed. Continue reading »