Jan 262024
 

This isn’t our site’s first encounter with Norway-based Defect Designer. The last time, in the context of premiering a track from their 2022 EP Neanderthal, we attempted to prepare people by explaining that the group “revel in severely discombobulating their listeners, and beating them almost senseless”.

Even Ian Miller‘s utterly bizarre cover art for that EP was only a hint of the sounds behind it, a “mutated and marauding amalgam of grindcore and death metal that’s as relentlessly head-spinning as it is viscerally obliterating”.

Now Defect Designer are returning, with a third full-length named Chitin that’s set for release on March 14th by Transcending Obscurity Records. What can you expect this time? In a nutshell, more madness, but mutated yet again. Continue reading »

Jan 252024
 

Dyssebeia‘s debut album Garden of Stillborn Idols was released last November by Transcending Obscurity Records. Like a chameleon in a hot house of flowering plants, its musical colors constantly shifted, revealing flashing shades of prog metal, melodic death metal, and black metal, richly embellished with technically impressive twists and turns by all the performers, animated by wild vocal savagery, and loaded with bursts of battering-ram groove.

With a clean yet powerful production behind it, the album incorporated swaths of beguiling melody, head-spinning fretwork fireworks (including glorious guitar soloing), frequent changes in tempo and mood, and the kind of rhythmic punch that might leave a listener checking for bruises and hairline fractures.

Fluid and elegant one moment, jarring the next, and spectacularly racing the next, it was (and still is) a thoroughly exciting roller-coaster ride of adventurous extremity, capable of rocketing to exhilarating heights and plunging to breathtaking depths, while veering around head-whipping turns with both abandon and aplomb.

It still is an album very much worth your time if you haven’t taken the full ride. As a reminder of its marvels for those who might have overlooked them, today we present a video for one of the album’s prize tracks, “Hatch“. Continue reading »

Jan 242024
 

Metal navel-gazers such as us here and many of our friends could probably kill hours debating whether “Vampiric Black Metal” is really a genre. It’s certainly a term we see thrown about in descriptions of music, but does it really mean anything?

It certainly has lyrical and inspirational meaning for some bands, who relish tales of the ancient undead and their horrid nutritional needs. Those tales are sometimes rooted in the folklore of an artist’s native region, but regardless of geography they’re also attractive to misanthropes who smile at the idea of human beings as cattle to be consumed, and to people drawn to visions of deepest nights and full moons, to graveyard mists and red eyes shining in the dark.

But the question remains, is there anything we can point to beyond lyrical themes and fonts of inspiration as a way of defining “Vampiric Black Metal”, anything in the music itself? Continue reading »

Jan 232024
 

After a break of nearly 20 days in our daily publishing of premieres due to this writer’s submergence in the awful pits of his day job, we mark our return to the sharing of new music in truly spectacular fashion, with a jaw-dropping sonic spectacle from a forthcoming EP by the Venetian blackened death metal band Obscura Qalma.

From the beginning, Obscura Qalma have done nothing by half measures. If it is worth doing, they seem to think, it is worth doing in ways a listener can’t possibly overlook, on scales that dwarf the daily scrabbling of human ants and with the kind of power that overwhelms. Their lyrical themes have been equally far from the mundane.

Some might suspect that what you’ve just read is linguistic hyperbole, especially if you haven’t yet encountered this band’s heavily orchestrated amalgam of black/death, but the song we’re presenting today — “Ophidian Enthronement” — should banish any such doubts (along with any sluggishness that might be afflicting your minds). Continue reading »

Jan 042024
 

Last month we did doing something we almost never do — premiered brief excerpts from songs off a forthcoming release, just a teaser of the full thing to come. The release in question is a 7″ split called Divinations that will be released by Sentient Ruin Laboratories on January 5th.

The split includes one song each from the U.S. black/death metal bands Aberration and Diabolic Oath. It is a timely release, not only because it helps kick off 2024 in obliterating fashion but also because the spring of 2024 will bring us new full-length albums from both bands, Aberration’s Refracture and Diabolic Oath’s still secretive but completed second full-length, and so the split functions as a precursor and taste of horrific things to come.

If you heard the teaser, you’ll probably understand why we agreed to share it despite our usual reticence to premiere anything but complete songs or full releases. But if you caught that teaser premiere, you also know that we promised to stream this split in full when the time was right. And the time is right now. Continue reading »

Jan 042024
 

Every day around the world vast numbers of people leave their home countries and migrate to another one, sometimes legally and sometimes illegally, sometimes easily and sometimes at the risk of their lives. There are thousands of reasons, but in every case emotional trauma undoubtedly accompanies such a fateful decision, with a sense of loss accompanying the desire to find something better.

That sense of loss probably accompanied the Iranian musician who calls himself Atash (a name that translates to “Fire“) when he left his homeland for Norway several years ago at age 16, but rage and rebellion were also in the emotional mix.

In his case, he sought a place where he could express himself musically in ways that were severely constricted by the oppressive religious totalitarianism imposed by the current regime in Iran. Where he found his own musical fires was black metal, and his solo project Kaaboos (کابوس), which stands for “Nightmare” in Farsi/Persian, has become the vehicle for that expression.

On Friday the 13th of October last year Atash performed black metal in front of the Iranian embassy in Oslo, as a public form of protest. One film of his performance, a cover of Taake‘s song “Nordbundet“, has already surfaced, and today we present another video from that protest performance — an electrifying original Kaaboos song called “Wrath of Gods“. Continue reading »

Jan 032024
 

Today we welcome to our site (and to the rest of the world) a horror-themed death metal band from Buffalo, New York named Morgue Terror. It’s the work of two death metal fanatics — Dave (guitars) and Steve (bass and vocals) — who found their thematic inspiration in the Terrifier franchise of slasher films and their main antagonist, Art the Clown.

The movies left such a deep and gory mark that the band’s name is derived from a pivotal scene at the end of the first movie when Art the Clown emerges from a body bag, delivering a fatal blow to the coroner.

And beyond that, the five songs on Morgue Terror‘s self-titled debut EP, which we’re premiering in full today in advance of its January 5 release, delve into the murders and characters portrayed in both Terrifier movies.

As for the music itself, it’s an amalgam of varying death metal tropes, with each song deploying them in slightly different ways to create a dynamic — and demented — listening experience. Continue reading »

Jan 032024
 

The German musician Wiedergaenger (a member of Total Negation, Vargnatt, Absolutum, and other bands) has used his solo project NACHTS as a vehicle for moving through ever-changing sonic and lyrical terrains.

Beginning in 2009, he has released five demos and EPs under the NACHTS name, traversing lyrical themes that have included encounters in nocturnal in-between worlds, abysmal stories, and ruminations on death. Black metal has provided the musical framework, but through each release NACHTS has demonstrated an impatience with convention and an eagerness to explore different recording techniques and sound aesthetics.

At last, NACHTS will be releasing a debut album in late March of this new year. Entitled Privileg, it will come our way via the cooperation of two labels, Crawling Chaos and House of Inkantation, and today we’re presenting its first single, “Du Ewiger Hund“. Continue reading »

Jan 012024
 

Around the world, today is a day of firsts, because a new year has begun to bloom. And so it is the first day when everything you do is the first thing you will do in 2024. Here at NCS, we have our first post of the new year, our first premiere, our first review, our first effort to help an extreme metal band begin tearing apart 2024 like the hated thing it will probably become.

And not just any extreme metal band, but one whose storied history began 30 years ago, took a decade-long pause, and then came roaring back in 2023. And yes, it was just last summer when the Danish death/black metal band Panzerchrist released their comeback album Last Of A Kind, which we proudly premiered here.

To prove that they have no intention of returning to hibernation, Panzerchrist are quickly following that album with a new EP named All Witches Shall Burn. Emanzipation Productions, the same label that brought forth the band’s auspicious comeback record, will be releasing the new EP on January 5th, and we’re again in the fortunate position of hosting a full stream today.

The new EP proves to be an excellent way of beginning 2024, because it will clear out the morning-after New Year’s Eve gunk from your head right damned fast. Continue reading »

Dec 292023
 

Unsouling is a new musical entity, a small needle in a vast haystack of metal. The project’s debut release might easily have been overlooked amidst all the straw no matter how vividly the needle gleamed, but a few important factors make that much less likely:

Specifically: Unsouling is the solo work of Feral Light‘s frontman and songwriter A.S. (Andy Schoengrund); the album was chosen for release by I, Voidhanger Records; and the cover art was created by the wonderfully talented Luciana Nedelea (don’t tell us cover art doesn’t matter because you’d be whistling in the wind around here).

So, this needle sticks out even before the playing of the first notes. Because of the music, it sticks out more like an impaling spear than a needle. Continue reading »