Oct 212025
 

(written by Islander)

Last year we had the ghoulish pleasure of reviewing and premiering a full stream of Infected Seed, the debut album from the Italian band Miasmic Serum, which we called “one of the most thrilling and accomplished death metal assaults of the year so far.”

We are fortunate that Miasmic Serum are already back with a new EP named Better Left Dead that will be released on October 24th by Iron Fortress Records, and equally fortunate to be the bearer of another full streaming premiere.

Whereas that debut album was thematically focused on poisons, venoms, and hallucinogens, for this new EP the band have drawn inspiration from H.P. Lovecraft, and in particular his short story “Herbert West – Reanimator” and the cult 1985 film adaptation Re-Animator. The EP also features the band’s new vocalist Riccardo Marconato (Afraid Of Destiny). Continue reading »

Oct 202025
 

(written by Islander)

In this feature we share with you a powerful new discovery, the Belarusian band Victim of Reality, and an excerpt from their forthcoming debut album The Dump of Human Hopes.

You can anticipate from the name of the band, the name of the album, and the record’s cover art that they don’t make happy music. Instead, they devote themselves to old school atmospheric doom/death, drawing influence from the likes of My Dying Bride, Swallow the Sun, Saturnus, Evoken, and Funeral.

Here is how the labels that will release the album portray the impact of the band’s music: Continue reading »

Oct 202025
 

(written by Islander)

Before anyone in the public at large heard a note, it was predictable that the new album by Glorious Depravity would get lots of attention. First and foremast, there’s the band’s lineup, which includes members of Pyrrhon, Gravesend, Woe, Scarcity, and more. And then… well hell… look at that extraordinary cover painting by Dan Seagrave. If you’re a fan of extreme metal, it’s damned tough to see that and not want to hear what’s inside.

The new album, Death Never Sleeps, isn’t this band’s first strike. They launched that with their Ageless Violence debut album on Translation Loss almost five years ago, and the solid strength of that one provided yet another reason to expect the new one would seize attention. This time around, the attention is even more well-deserved because the band have stepped up their game in multiple ways.

There’s commanding proof of Glorious Depravity‘s advancement in the two songs from the new album that have debuted so far, and we have further proof in our premiere today of a third one — “Necrobotic Enslavement“. Continue reading »

Oct 172025
 

(written by Islander)

Those of you who follow our weekend roundups of new music are aware that I’ve made many discoveries (and then shared them) through perusing the recommendations of Rennie Resin‘s starkweather Substack. His most recent collection of recommendations included thoughts about a new album from a band named Zabus that’s principally the work of Jeremy Moore from Washington, D.C. He followed that offering with these words about a band whose song we’re premiering today:

Zero Swann is another splinter from Jeremy Moore and Benefactor comes two years after the Amon Zonaris release. This project has similarities to Zabus in its approach to sound, using copious amounts of reverb and delay and vocals forward in the mix. While Zabus is decidedly post punk given the psyche treatment, Zero Swann is its more sinister, noisier, atavistic twin. Almost free form and nightmarish in approach where songs are spasms and rattles rather than crafted and honed into shape.

That was my introduction to Zero Swann, framed as only Rennie can do, and one thing led to another… the other thing being today’s video premiere of “Grave Wax Horticulture” from Zero Swann‘s Benefactor album — which is being released today on the Saccharine Underground label. Continue reading »

Oct 172025
 

(written by Islander)

The story behind Sakna’s forthcoming album De Syv Dødssynder, and the reasons why it is both the first and last album by this Canadian project, are fascinating (maybe even jaw-dropping, given the quality of the music) but also deeply sad. We should begin with that story.

As we’ve been told, Sakna is the solo work of Canadian multi-instrumentalist Solemn, a work that began in 2006, when Solemn was only 14 years old, as a musical adaptation of Dante Alighieri’s The Divine Comedy. By the age of 18, he had recorded all of the album’s vocals, guitars, bass, keyboards, organs, and drums himself, drawing on such varied influences as Windir, Mournful Congregation, Emperor, Wolves In The Throne Room, Cor Scorpii, and more.

In 2011, Solemn took his own life, before anything was done to release the album other than Solemn leaking an early preview single (“Del I – Helvete”) to YouTube in 2009. Continue reading »

Oct 172025
 

(written by Islander)

As we sometimes do, we’re going off most of our well-beaten paths with the song and video we’re about to premiere. No shrieking or guttural growling this time, but only singing. No blast-beats or brutality, but only the blues. But lest you think we’ve completely lost our way, these blues are very heavy — just as promised by the title of the album that includes the song — and very devilish too.

The name of the song is “Occult 5“, and it’s the latest single to be disclosed by the Denver band Malkasian from their new album Heavy Blues, which will be out on October 22nd. Continue reading »

Oct 162025
 

(written by Islander)

In case anyone is still puzzled by the meaning of the Finnish band DET‘s name, they’ve spelled it out in the title of their forthcoming debut album: Destructive Elite Terror.

The album is set for release by Dying Victims Productions on that most metal of dates, October 31st. It follows up DET‘s 2022 demo Death Night, their 2023 demo Vengeance, and their 2023 split with Krusifoitu. What we bring you today is the opportunity to hear — and get revved up by — the entire album. Continue reading »

Oct 152025
 

(written by Islander)

This band from the Pocono Mountains region of Eastern Pennsylvania aren’t trying to fool anyone. They call themselves Pile of Knives. They named their first EP No Light. The name of their new one is Driven By the Blade, and its cover art is a photo of meat cleavers and a gutting knife on a blood-soaked backdrop.

Their music is also unabashedly bludgeoning and brutal, and when they’re not trying to beat the living hell out of listeners, they’re furiously cutting them up and spraying the remains with acid.

Well, that’s one way of trying to capture Pile of Knives‘ amalgam of slam, death metal, beatdown hardcore, and deathcore, which invokes the legacies of such bands as Skinless, Dying Fetus, Internal Bleeding, Origin, and Through The Eyes Of The Dead, but also the likes of Crawlspace, Final Resting Place, Shattered Realm, and No Zodiac.

We’ll try out some other ways of capturing the experience in print as we discuss a song from Driven By The Blade that we’re premiering with a video today. Its name is… “LACERATION“. Continue reading »

Oct 152025
 

(written by Islander)

Just a couple of days ago we premiered a song by the one-person U.S. black metal band Storming off an album to be released on November 14th by Iron Bonehead Productions. We described that extensive track as a “spellbinding excursion” — immersive, ancient-sounding, glittering, haunting, and dangerous. And now we have a song from another U.S. black metal album to be released by the same label on the same day.

This time the band is Deogen, and the album is their second full-length, aptly titled The Graves and Ghosts of Yore. Although Deogen‘s fashioning of black metal significantly differs from that of Storming, there is in one sense a musical kinship, because it too is a kind of throwback in sound and style, and in its ancient and mythic moods — as you’ll discover by listening to “Desolation Bestowed“. Continue reading »

Oct 142025
 

(written by Islander)

Brainwave hail from Wellington, New Zealand, and they devote themselves to the kind of crossover music that blends thrash and hardcore, drawing influence from the likes of Drain, Mindforce, and Forced Order. Now a quintet, they’ll be releasing a record named Ill Intent on October 22nd, which follows up a sequence of short releases that began in 2020. In the band’s words:

“It’s an extremely personal record, albeit one set against the backdrop of a world tearing itself apart. It’s about hopelessness, the pain of loss, and the brutality of everyday life. But it’s also about conquering the summit, overcoming both yourself and your detractors.”

To help introduce Ill Intent to fans of heavy music (and this music is very heavy indeed), what we’ve got for you today is the premiere of a song from the new album named “Lost My Way“. Continue reading »