AN NCS EP PREMIERE (AND A REVIEW): DUNGEON — “INTO THE RUINS”

 Album Reviews, Premieres, SHORT BUT SWEET  1 Response »
Sep 212023
 

For those of you who might be experiencing the music of the band Dungeon for the first time today, don’t misunderstand their name: They don’t play dungeon synth or creeping and rotten old school death metal. In fact, you’ll soon discover that they’re somewhere over on the opposite end of a spectrum that might include those other genres.

But surely many of you already know that, because Dungeon (whose members are divided between the UK and Germany) have already made their searing mark through three previous releases whose titles very openly brandish the kind of music they’ve been making: the Unholy Speed Attack demo in 2015, the English Hell demo in 2016, and the Purifying Fire EP in 2018.

Fans have waited five years for Dungeon‘s next audio attack, and today you’ll hear it through our full stream of a new EP named Into the Ruins that’s set for release tomorrow by Dying Victims Productions. Those five years, it turns out, have done nothing to quench the hellfire that burns in their songs. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): HAMMERFILOSOFI — “THE DESOLATE ONE”

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Sep 202023
 

The Norway-based duo Hammerfilosofi came together in the plague year of 2020 with the goal of creating primeval black metal that would represent a “cleansing fire that aims to eradicate every trace of the civilized, the harmless, and the mediocre”, and to function as “an instrument to initiate a violent cathartic inner journey – and a celebration of strength and vigor, of terror and strife, and of glorious death.”

The results of their dark and imperious endeavors are captured in a debut album entitled The Desolate One, which is set for an imminent release on September 22nd by ATMF. Did the band achieve their goals? You’ll be able to answer that question for yourselves through the music player below, which provides all six tracks and nearly 45 minutes of sound.

Of course, we have our own answers. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): MY LAMENT — “THE SEASON CAME UNDONE”

 Album Reviews, Exceptions to the Rule, Premieres  No Responses »
Sep 192023
 

The stories and ideas that inspire the lyrics and music in metal albums are, at least in the minds of most listeners, of secondary importance to an album’s audio sensations, even when those narratives and notions were vital to the people who created the album. The same is true of stories about how an album came to exist at all.

To be honest, many times (most of the time?) a metal album’s conceptual themes just aren’t that novel or compelling, or they’re poorly rendered, especially in the lyrics. Just as often, the events that brought a band together and led to the making of the music, usually involving the surmounting of myriad misfortunes, turn out to be not very interesting, which in many instances might mainly be the fault of how the story is told.

In all these respects, however, the comeback album of the Belgian death/doom band My Lament is an exception to the norm. Continue reading »

AN NCS PREMIERE: URANIUM — “PURE NUCLEAR DEATH”

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Sep 182023
 

It’s been an interesting day at our site today. We began with my compatriot Andy‘s review of a well-hyped death metal album that he lauded for (among other things) its “outlandishly proggy approach” and “indulgently weird wavelegths”. Now we’re following that with something that has all the elaborate nuance of a atomic detonation.

Don’t get the wrong idea — Uranium‘s weaponization of power electronics, industrial noise, and black metal (among other ingredients) does create weird, head-twisting experiences, but in service of channeling mental ruination and inflicting terror on a seemingly world-ending scale rather than exercising a listener’s higher faculties.

In their sonic assaults, Uranium grasp the “godliness” and horror of nuclear annihilation most famously summed up by Robert Oppenheimer‘s somber yet shattering (and all too accurate) reflection: “Now I am become Death, the destroyer of worlds“.

Not for naught, Uranium have named their new album Pure Nuclear Death, and it’s the album’s title track we have for you today. Continue reading »

AN NCS EP PREMIERE (AND A REVIEW): MAGNITUDO — “SCOTOMA

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Sep 182023
 

The first song on a new EP by the Italian band Magnitudo, and the first single from it released for streaming, is named “Monument“. As we wrote here when we first heard it, it proves to be a fitting title given the immensity of the sounds.

The band erect a towering wall of guitars above humongous pounding drums, and then they make the wall writhe as horrific roars and howls intrude. Bent on destruction, Magnitudo also inflict slugging jolts as the drums hammer the spine, and they also spin out sweeping waves of ominous melody and slowly slithering filaments of sonic poison that put the frighteners in the bloodstream while the band attempt to break every bone in your body.

And so with that one track Magnitudo don’t just demonstrate the worthiness of the song name, they make one wonder whether the EP’s other three songs create music of similar imposing magnitude. You’re about to get the answer to that question. Continue reading »

AN NCS VIDEO PREMIERE: HORTUS ANIMAE — “YOU’RE DEAD (PART 1)”

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Sep 152023
 

Twenty years ago Black Lotus Records released Waltzing Mephisto, the second album by the Italian progressive black metal band Hortus Animae. And on October 31st of this year, just in time for Halloween, Symbol of Domination and BlackHeavens Music will celebrate the anniversary with the release of Waltzing Mephisto 20th Anniversary, a special two-disc record that will please fans of this distinctive band and provide a fascinating introduction for newcomers.

The first CD includes a remastered edition of the Waltzing Mephisto album, along with two new bonus tracks. The second disc is Godless Years Live, which is a previously unreleased recording of a live performance by the band. Collectively, the two CDs include 23 tracks, packaged with new artwork.

Hortus Animae have a storied history of both recordings and performances that has made them a cult favorite among fans of unorthodox music. And the music definitely is unorthodox, intertwining “gothic atmospheres, progressive rock majesty, orchestral grandeur and the primal fury of black/death metal” (to quote the labels’ comments).

The band are also known for recording unusual cover songs, and the new 20th anniversary release includes several of them. One of those is a two-part cover of “You’re Dead” by Norma Tanega, a folk song first released in 1966 that many decades later has used as opening theme song for the What We Do in the Shadows TV series.

That two-part cover is included as the bonus tracks for the remastered edition of Waltzing Mephisto, and what we have for you today is “You’re Dead (Part 1)“. Continue reading »

AN NCS VIDEO PREMIERE: ECOCIDE — “METAMORPHOSIS”

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Sep 152023
 

The animation in the video you’re about to see creates images of disgustingly gruesome horror, but you would likely get visions of horror simply from listening to the song, because foul supernatural sensations ooze, stalk, and spasm in the music. The song is also a certifiable neck-ruiner.

The name of that song is “Metamorphosis“, and it’s the title track from the upcoming second album by the Dutch death metal band Ecocide, set for release by Memento Mori on October 23rd — more than a decade after the first one, with nothing but a few singles scattered across that long gap.

This one song, standing alone, proves how lucky we are that Ecocide are making their album-length return. Continue reading »

AN NCS VIDEO PREMIERE: OWDWYR — “EIN”

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Sep 142023
 

In introducing our song premieres I have a tendency to try to linguistically map what happens in the song, like a completely unnecessary tour guide trying to prepare impatient tourists for a jaunt that they’re completely capable of taking on their own. In the case of the OWDWYR song we’re premiering today, however, such an effort isn’t merely unnecessary, it would be doomed to failure.

“Ein” is a thoroughly head-spinning spectacle, so intricate, so elaborate, so stylistically kaleidoscopic, and so packed with unpredictable contrasts that carefully dissecting what happens from moment to moment, if that were even possible, would detract from the abundant thrills of the experience.

But if a careful mapping is out of the question, it still might be worth providing some other reasons why you should set aside the five minutes it will take to get your head thoroughly spun around. Continue reading »

AN NCS PREMIERE: HAGATIZ — “DROWN IN DARKNESS”

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Sep 142023
 

For those of us who enjoy our weekly or daily descents into the black metal underground, discovering the existence of a new band whose line-up includes members of Dauþuz, Häxenzijrkell, Abythic, and Lunar Chalice is an intriguing development. For those of us familiar with the music of those other entities, nothing more is needed to kindle the desire to listen to what this new formation — Hagatiz — has created.

The allure is even stronger because the label (Amor Fati Productions) that will unveil the Hagatiz debut album Cursed to the Night on October 11th has such a strong track record in choosing what to release.

Of course, even die-hard fans of those other groups named above will want to hear what Hagatiz has done, because it’s not predictable. And for the die-hards, and everyone else, we have an early sign today through our premiere of the album track “Drown In Darkness“. Continue reading »

AN NCS ALBUM PREMIERE: ALKALOID — “NUMEN”

 Premieres  2 Responses »
Sep 142023
 

Across all the many sub-genres of extreme and not-so-extreme metal, there’s an upper echelon of technical virtuosity — musicians who, through some combination of genetics, devotion to practice, and experience, are exceptionally good performers.

Across the same range of sub-genres there is also an upper echelon of composers who have a knack for writing songs that not only make an immediate impact but also get stuck in people’s heads and stay there — albeit for differing reasons.

To achieve success it’s not necessary for a band to combine both types of exceptionalism. For example, as the ongoing tech-death arms race demonstrates, some bands do quite well moving at ferocious speeds and demonstrating exceptional dexterity, even when there’s not much more than that on offer. On the other hand, other bands are capable of consistently leaving people humming, head-nodding, and remembering, with music that makes few technical demands.

But when a band not only achieves rarefied heights of technical skill at all positions but also conceives of songwriting ideas that are so far outside the ordinary as to be startling, and memorable for that reason, the results can be truly exceptional.

Which of course brings us to Alkaloid and their new album Numen. Continue reading »

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