AN NCS ALBUM PREMIERE (AND A REVIEW): WAMPYRIC RITES — “UNDER THE TRAGIC FULLMOON OF THE VAMPIRE”

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Feb 122026
 

(written by Islander)

Vampires and other undead entities reputed to feed on the essences of living humans have figured in the folk mythologies of many cultures around the world for millennia. Fear of such creatures has led to episodes of mass hysteria, executions, the exhumation and decapitation of corpses, and of course the staking of suspected revenants through the heart.

(Many such incidents and more are documented in Killing the Dead: Vampire Epidemics from Mesopotamia to the New World, an exhaustive scholarly work by John Blair published just last November.)

Vampirism lives on in our imaginations (hopefully, only there), itself a deathless dream that the passage of millennia can’t exorcise. In our tiny corner of modern culture, black metal has kept the nightmares alive more than any other sub-set of metal, and one of the most prolific exponents over the last seven years has been the Ecuadorian band Wampyric Rites.

This band’s newest album, Under the Tragic Fullmoon of the Vampire, is now set for release by Inferna Profundus Records tomorrow — Friday the 13th of February — and on the eve of that dreadful event we have a full stream of the album for your consideration. Continue reading »

BEST OF BRITISH: 1986 / MOLOCH / UNMOTHER

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Feb 122026
 

(Andy Synn compiles three more albums from his “local” scene that he’d like you to check out)

As the resident Brit here at NCS, I’ve made it my mission to highlight as many bands from these green and (un)pleasant lands as I possibly can each year (with last year in particular being a big one in that regard).

And while this process hasn’t always gone smoothly – there have been at least a handful of bands over the years who haven’t taken kindly to my coverage, even though it always skews positive, because they didn’t think I praised them enough – generally speaking I’m proud of the fact that I’ve helped spread the word about our vibrant, versatile “scene”… even if that “scene” hasn’t always been kind to me in return.

Today’s triptych of recent and/or upcoming albums features a promising, if imperfect, debut (1986), an extremely ambitious second album that serves as something of a creative reboot/rebirth (Unmother), and the latest release in a long-running, uncompromising career of unrepentant ugliness (Moloch), all of which come with my personal recommendation.

Continue reading »

ULTIMA: “I: KATABASIS”

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Feb 112026
 

(Our Norway-based writer Chile reviews the debut album of the Spanish black metal band Ultima, released last month by Obscurant Visions.)

The beauty of loving different genres of music, and in particular, different genres of metal, gives us the opportunity and a benefit of reaching out for precisely that single piece of music that befits our current state of mind.

Be it something hellishly heavy, calmingly droning, or just something in the middle, no one can argue that the selection of riches is not adequate. We are talking about decades upon decades of talented musicians spoiling us for choice.

Moving through those boundless vasts, we are today travelling to Spain for a fresh dose of black metal conjured in the deepest dwellings of the psyche tailored for anyone bearing a heavy mind, courtesy of Ultima and their just released debut album I: Katabasis. Continue reading »

AN NCS SPLIT PREMIERE: FORCEFED HORSEHEAD AND SHAVING THE WEREWOLF — “FROM HORRID TO WORSE”

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Feb 112026
 

(written by Islander)

“Next Friday, February 13, two of Norway’s most unhinged entities collide as Forcefed Horsehead and Shaving the Werewolf unleash their split EP From Horrid to Worse, a violently inventive, no-rules document of chaos that feels less like a release and more like a controlled detonation.”

That’s how the press materials have announced this new split, and it’s spot-on. So is this further introductory comment:

On one side: Forcefed Horsehead, weaponizing grindpunk, death metal, hardcore and hysteria with apocalyptic precision. On the other: Shaving the Werewolf, twisting powerviolence, noise rock, nu-metal and mathcore into something deeply uncomfortable and disturbingly catchy. Together, it’s all bruises, whiplash, and creative malpractice of the highest order.

To back up these words, what we have for you today (along with introductory comments of our own) is a full stream of Horrid to Worse in all its apocalyptic and poisonous glory. Continue reading »

PONTE DEL DIAVOLO – DE VENOM NATURA

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Feb 112026
 

(Andy Synn crosses the devil’s bridge once more)

It was almost exactly two years ago that Italian diabolists Ponte Del Diavolo released their debut album, Fire Blades From the Tomb, and although I didn’t catch up to it immediately I did manage to pen a review as part of that month’s “Things You May Have Missed“.

This time around, however, I’m (just) ahead of the game, as their new album, De Venom Natura, is set to come out this Friday, meaning I get the chance to help set your expectations ever so slightly in advance.

So, without further ado… let’s see where this bridge takes us, shall we?

Continue reading »

BLOOD RED THRONE: “SILTSKIN”

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Feb 102026
 

(Soulseller Records launched Blood Red Throne’s latest album in December of last year, and of course we knew the time would eventually arrive when our DGR would write it up (because he loves this band’s music) — and now he has.)

This is a review for a 2025 release

A hair under two years is pretty quick turnaround time in the world of heavy metal. That doesn’t translate much to a layman’s way of thinking of course, as the old adage still holds true that creativity does not exist in a vacuum nor could you every try to put any time scale on inspiration. Some groups are prolific, others move at a snail’s pace – it’s a case of what works for some, may not work for others.

That said, it’s hard not to get a little spooked when turnaround time feels too quick between albums. Any number of events could take place in the background to cause it: new contracts may require new albums in a year, sometimes material gets backburnered or banked for future releases, but the year over year turn has just as often resulted in releases coming out as straight-shooting and “expected” as an album could be. Quick releases are likely the home of more solid-sevens out there than anything else.

But what then do you do when a band whose very existence is consistency, as if they themselves are the universal continuity upon which the world is built? Anything lesser would result in galactic cataclysm and anything more would equal a galactic sublimation. What if a band just exists on that line of “good-to-great” or “inarguably-solid-as-a-rock”? What then does a quick-feeling turnaround time do to them?

Even though the year may have ended, we still have to touch base with a few releases and one we weren’t about to let escape from our sight was the mid-December unleashing of Blood Red Throne’s latest album Siltskin. Continue reading »

OMINESS – OMINESS

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Feb 092026
 

(Andy Synn offers up a litany of praise for a brand new band you definitely need to check out)

Is there anything better than discovering a new band that you immediately want to start recommending to everyone else?

Well, yes, obviously… and if you said “no” then you’re probably just not doing it right… but that doesn’t make these discoveries any less special or enjoyable.

Case in point, the self-titled debut album from California Sludge/Doom quintet Ominess didn’t take long to grab my attention – I think it was less than a minute into opener “Cathedral” – and not much longer than that (probably around the time the first absolutely massive chord came crashing out of the speaker) for it to become clear that this was an album that more people needed to know about.

Continue reading »

SHADES OF BLACK: PILORI, SAILLE, DOODSWENS, FOGHAZER, PETRICHOR, 3 T

 Album Reviews, SHADES OF BLACK, SHORT BUT SWEET  No Responses »
Feb 082026
 

(written by Islander)

I was out with my spouse and two other couples last night. Didn’t get to bed until after midnight, didn’t wake up until the morning hours were well underway, didn’t feel very human at that point or at any other points leading up to the present.

Fortunately, I had already made my choices for this column yesterday. Unfortunately, I didn’t think I would be in the best position this morning to explain why I like them so much. But in listening to the songs again, they completely blew away the mental cobwebs. Continue reading »

FINAL DOSE: “ENDLESS WOE”

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Feb 062026
 

(Below we have Todd Manning’s review of a new EP by London’s Final Dose, released in late January by Wolves of Hades.)

Less than a year after the release of their full-length Under the Eternal Shadow (premiered and reviewed here at NCS), London’s Final Dose is back with a new EP, Endless Woe. Under the Eternal Shadow made it on my year-end list for 2025, so this latest release deserves some attention.

Most press refers to Final Dose as hardcore-influenced black metal. While that’s not necessarily wrong, it definitely minimizes what the group actually does. Certainly, they deliver the visceral assault such a descriptor implies. Opener “Golden Chalice” blends d-beats and punk moments with savage black metal, but Final Dose manages to maintain the atmosphere of black metal as well. The opening guitar figure evokes all the frost-bitten phantoms one can hope for, and then they segue into icy blasts. But just under two minutes in, a riff enters that splits the difference between Darkthrone and Minor Threat. It all works, whether one is meditating by candlelight or dancing in a pit; these guys have the magick. Continue reading »

BLACK RABBIT: “WARREN OF NECROSIS”

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Feb 052026
 

(Below we present our warren-dweller DGR’s review of the most recent release by the Dutch band Black Rabbit.)

Reminder for self at end of year when going backwards for year-end purposes: This is a review for a 2025 release.

I find myself musing on this constantly, if not just because it serves as a suitable cattle-prod to the brain to lure me from my “catch up on a whole year’s worth of sleep in two-weeks” stupor that the post-holiday season seems to have lulled me into. It is interesting that the first few releases of the year always find themselves entangled with a demented form of catch-up from the previous year.

Time being the non-infinite resource from a mortal standpoint, it has not allowed us to cover the myriad things we wish to write about. There will always be one more, one late discovery, and often we invent excuses to continue looking backwards because a signal cast off into space still exists in some form of radio wave. We quest to find it and ackowledge it, and so the tail end of one year hangs on like the most stubborn bastard out there, refusing to let us continue forward into the next series of unending car-crashes that we adoringly refer to as our favored musical genre.

We also, as a result, have compulsions and imagined debts that must be repaid and a mused-over line in a year-end list quickly becomes a one-way directive of something owed, whether a band is aware of it or not. Thus, it was promised that we would dive into Black Rabbit’s December-released EP Warren Of Necrosis and goddamnit here we are, only two months later – as opposed to say five or ten as our previous records have been – looking at the continuation of the death and thrash metal act’s conceptual universe, the follower EP to May 2025’s Chronolysis. Continue reading »

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