SEEN AND HEARD ON A SATURDAY: INCANDESCENCE, SPEGLAS, PIGPEN, HEIR CORPSE ONE, DEADWOOD, PATRIARCHS IN BLACK, EXHUMED

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Jan 102026
 

(written by Islander)

I’m obviously still doing what I usually do around here, picking out some new songs and videos to share with you this weekend. But in addition to being overwhelmed by the sudden January surge in new music, the task has been especially difficult because I’ve been so infuriated and depressed by the murder in Minneapolis, the outrageous bald-faced lies spouted about it by Trump and his minions, including the fabricated demonizing of the deceased, and the likelihood that the murderer will face no accountability at all. Only ten days into the New Year, and 2026 already looks devastatingly dark here in the U.S.

I haven’t listened to new music over the last couple of days to take my mind off these events, or other terrible events both here and around the world. I do often immerse myself in music for that very reason, as many people do — to get some relief from more awful aspects of existence. But not now. The rage and the sadness aren’t going to be diverted. Now, I’m just trying to keep my head down and carry on because I don’t have any better ideas, even though it seems on days like this that what we’re doing here is unimportant in the grand scheme of things.

Well, sorry for unloading like that. I still want you to listen to all the songs I picked for today. In my humble estimation, they’re all very good, even though I suspect I’ll appreciate them even more on some distant and brighter day. Continue reading »

SHADES OF BLACK: WOE, INNER CLOISTER, PILLAR AMONGST WILLOWS

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Jan 042026
 

(written by Islander)

I had grand ambitions for this column but they were derailed when I spent more than five alcohol-assisted hours yesterday afternoon and evening watching an especially important football game with my spouse and friends, and then celebrating the outcome. When all was said and done I must have needed a really long period of sleep, because that’s what I got. As I write this, the day is well underway but my head hasn’t caught up yet.

Well, enough about me. I should turn to the music I’d like to recommend, even though the lateness of the hour and the slowness of my mind have conspired to make this column shorter than originally planned. Continue reading »

SEEN AND HEARD ON A SATURDAY: FROST, EXCAVATED GRAVES, DWELLNOUGHT, A LIGHT WITHIN, GROS ENFANT MORT, NEON SCAFFOLD

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Jan 032026
 

(written by Islander)

Here we have the first Saturday NCS roundup of new songs and videos in 2026. It’s a temporal and stylistic mix of things. Temporally, some of it is from records released in 2025 and some from releases slated to happen this year. Stylistically, it will jump you around like popcorn kernels getting hot, including one new song and video that’s well outside our usual musical focus and a closing selection that’s beyond categorization.

I don’t expect everyone to enjoy everything I’ve assembled here, even though I do. That would be too much to expect. I do hope you’ll find at least one thing to brighten your day (i.e., to darken it like a storm cloud). Continue reading »

SEEN AND HEARD ON A NEW YEAR’S DAY: KARLOFF, TOMBSEEKER, HEXER, 1986, KATHAREIN, HURSAN

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Jan 012026
 


Seattle Space Needle in the fog, Dec. 31, 2025, photo by Akash Pamarthy for The Seattle Times

(written by Islander)

Yesterday a newsletter I subscribe to (“This, Not That“) compiled quotations by many famous writers about New Year’s Day and the ending of the previous year, some of them humorous, some of them depressing, some of them wise. One of the quotes, by Charles Lamb, seemed to sum up all the others: “No one ever regarded the First of January with indifference.”

I’m certainly not indifferent. I’m determined… determined not to let the day go by without posting here about new music, notwithstanding the likelihood that many people are too hungover or sleep-deprived to wreck their heads with our preferred sonics today. It’s a compulsion of long standing, one that has resulted in our making some kind of music post 365 days a year, or close to that, with fewer than a dozen missed days over the 16+ years of our site’s existence.

As it always does, the new year of heavy music won’t waste much time taking off and achieving orbit velocity. We’ve already seen and spotlighted lots of songs from albums slated for release in the new year’s first quarter, and more will begin surfacing at an accelerated rate after this relatively slow week ends. I’ve picked an array of recent surfacings in this New Year’s Day column.

But, for better or worse, we haven’t completely finished reflecting in other ways on the music that 2025 brought us, including a few of today’s picks. Continue reading »

SHADES OF BLACK: GATES OF DAWN, HANDFUL OF HATE, THE BLOOD MOUNTAIN BLACK METAL CHOIR, ISLEPTONTHEMOON, WOUNDS OF RECOLLECTION

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Dec 282025
 

(written by Islander)

We’ve arrived at the last SHADES OF BLACK column for 2025.

If you read yesterday’s column (and surely you did, and no I’m not calling you Shirley) then you’ll know I’m flying the coop mid-morning today to watch a football game at the local sports bar (there’s only one), accompanied by my spouse and a good old friend. Despite that plan I did not wake up extra early (it is a Sunday, after all) to finish today’s column, and I wasn’t able to make much of a head start yesterday due to watching a very long movie set on a planet where the indigenous peoples have tails (watching in 3D, no less), followed by dinner at the very same sports bar where we’ll be returning in a couple of hours.

Given my limited time, I had to make some hard choices, but also some extremely impulsive ones. How impulsive? Well, despite the fact that I had my own very long list of candidates from which to select, I chose one thing I didn’t know about until this morning. However, the first thing below has been on my radar for a while. Continue reading »

SEEN AND HEARD ON A SATURDAY: JUODVARNIS, ANGERSEED, MAGNACULT, SKULLD, GAMO GRIND, GRAVETAKER

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Dec 272025
 

(written by Islander)

We all made it through Christmas week more or less intact, not just those of us who toil here at NCS but you too, or you wouldn’t be reading this. Taking some deep breaths, we now look ahead to the final five days of 2025. We have a few more year-end lists to share from friends of our site, although I think one or two of those won’t appear until on or after New Year’s Day. And somewhere around the first day of 2026 I’ll start rolling out the last part of our year-end LISTMANIA celebration, the only one I’m responsible for — our list of 2025’s Most Infectious Extreme Metal Songs.

In the meantime, here’s one last 2025 edition of SEEN AND HEARD, and tomorrow I hope to bring you the year’s last edition of SHADES OF BLACK (it’s more hope than promise because there’s a mid-morning start on Sunday to an NFL football game that will rivet my attention; one does not live by metal alone).

As usually happens, the flood of new music diminished during Christmas week, although there was plenty of actual flooding out here on the U.S. West Coast. However, the diminished music stream still included some very good offerings, on top of what had breached the levees in the weeks before that. As you try to recover from the week just ended and begin peering ahead toward 2026 with some combination of fear, loathing, and maybe glimmers of hope, I hope you’ll enjoy what follows. Continue reading »

AN NCS EP PREMIERE (AND A REVIEW): BLACK MOLD — “ANTINOMY”

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Dec 242025
 

(written by Islander)

On this Christmas Eve don’t worry that your stocking (mental or physical) will be filled with lumps of coal come the dawn. Worry instead that it will be filled with Black Mold. Although, depending on your tastes, that might be one of the best gifts you could hope for.

To be clear, we’re not talking about Stachybotrys chartarum, the fungus whose musty spores can cause mycosis or trigger illness or even death among those allergic to its spores. Instead, our subject today is a new outgrowth of punk-infused black metal by the Portuguese band Black Mold — seven poisonous new songs collected on an EP named Antinomy that’s set for tape release by Helldprod Records on Christmas Day, December 25th. Continue reading »

SHADES OF BLACK: LUNAR AMULET, MISERERE LUMINIS, FYRNASK, BLACK EDIFICE, KASM

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Dec 212025
 

(written by Islander)

Today is the Winter Solstice in the northern hemisphere. I suppose everyone knows its astronomical significance — that it is a day of transition between the year’s shortest and darkest day into a period of increasing daylight. That is the source of its symbolic and spiritual significance, an annual representation of rebirth that human beings in far-flung cultures have commemorated and celebrated since prehistory.

But obviously, the overnight change doesn’t happen dramatically. Where I live in the Seattle area, on this shortest day of the year the sun will rise at 7:55 a.m. and set at 4:20 p.m., bringing eight hours, 25 minutes, and 25 seconds of daylight — though the term “daylight” is misleading because the skies will be deep gray and sodden. Daylight hours will begin to grow longer, but at first very slowly, only a matter of seconds per day. By the spring equinox in March the change will peak at around three and a half minutes per day.

Apart from how gradually the change occurs, the days will actually seem darker because we will experience less and less twilight as we move through January and February, twilight being the time of day when the sun is just below the horizon, before sunrise and after sunset. Here at this northern latitude, we will actually lose about 10 minutes total of twilight (five minutes on each end) between New Year’s and the vernal equinox. On top of that, January is historically the coldest and cloudiest month of the year. Continue reading »

SHADES OF BLACK: PRISON OF MIRRORS, ERZ, MOTLJUS, LEBENSSUCHT

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Dec 142025
 

(written by Islander)

When you live with another person during “cold and flu season” there’s always the risk that one of you will get sick and then sicken the other a few days later. However, my wife and I gradually began getting sick at the same time last week and yesterday we both simultaneously had full-blown colds.

We’ve tried to figure out who we were both around outside the house when we got infected earlier this week (we’d hate to murder the wrong person). It was probably when we went to our local sports bar for drinks and dinner, but we know lots of regulars there plus the waitstaff, and we don’t remember anyone sounding sick so it’s tough to pin down the culprit. I suppose we could resort to the maxim attributed to Arnaud Amaury during the Battle of Béziers in 1209, but we’re both atheists so the faith-based solution doesn’t seem right. Oh well, guilty people often escape retribution. Continue reading »

AN NCS EP PREMIERE (AND A REVIEW): UPON THE ALTAR — “PROFANATION’S VAPOR”

 Album Reviews, Premieres, SHORT BUT SWEET  2 Responses »
Dec 102025
 

(written by Islander)

In thinking about the music from Upon the Altar’s side of a 2022 split with DeathEpoch, we wrote that it left “no doubt that Upon the Altar’s mission is to devour all light.” The music was often toxic, suffocating, granite-heavy, vicious, and vocally horrifying. They allowed very little wholesome light to shine in their second album, Descendants of Evil, which followed that split. What did shine through was the band’s talent for creating hateful musical horror — a complex of vile, malicious, oppressive, desolate, and violently furious experiences.

Those of us who’ve enthusiastically fallen beneath the previous malign assaults of this Polish band will be thrilled to learn that on December 12th Godz Ov War Productions will release a new Upon the Altar EP, a six-track manifestation of pitch-black ruin named Profanation’s Vapor — and even more thrilled to hear it today through our full streaming premiere. Continue reading »

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