Feb 172026
 

(We present Todd Manning’s enthusiastic review of a debut EP by Singapore-based Cryptid Spawn, released at the end of January by Iron Lung Records.)

When it comes to vicious hardcore punk, d-beat, and grind records, the label Iron Lung Records reigns supreme. However, it is rare that they release anything that falls more firmly in the metal camp. So when they do put something out that is unquestionably metal, it is something to take notice of. Such is the case with Black Phosphorous Dungeon, the new EP by Cryptid Spawn.

When we say that Cryptid Spawn is undeniably metal, we aren’t talking about Judas Priest, not that there would be anything wrong with that. Cryptid Spawn’s leather-gloved hands are sticky with the DNA of the darkest extreme metal forebears. Think early Bathory, Blasphemy, Sarcófago, and Hellhammer. “Gods of the Grim and Dismal World” shows how they are able to blend the relentless blur of war metal with actual, discernible riffs, the song held together by a primitive but memorable chord progression. The vocals spew blasphemous phlegm in the best possible way, and when the guitars slow down partway through the song, the riff is the best combination of death metal crawl and sludge-ridden filth.It’s an auspicious beginning to a short but devastating release. Continue reading »

Feb 172026
 

(Andy Synn has three more bite-sized blasts of brutality to share with you today)

As we all know, short-form releases (splits, EPs, and the like) tend to get the… ahem… short end of the stick when it comes to coverage (especially amongst the larger and/or more mainstream publications, who tend to prioritise full length albums, for obvious reasons).

Last year, however, I managed to reverse this trend a little, covering more EPs than I did the year before that… and in 2026 I’m hoping to continue expanding our coverage of releases best described as “short but sweet”.

Continue reading »

Feb 152026
 

(written by Islander)

Getting a late start today. In yesterday’s roundup I mentioned that I had a cold. I took some over-the-counter stuff last night to help me sleep through it. I woke up 10 hours later, so I guess it worked, and hence the late start.

I picked all of today’s recommendations yesterday, and though my head is infected, these songs proved to be both more viral and more virile than the rhinovirus. I’m very happy with the choices and hope you will be too.

By way of preview, things begin in what we might call avant-garde territory, and then move in more punk-influenced directions, and then you’ll get blistered and beaten. At the end is an album that’s outside the usual boundaries of this column, but I didn’t want to wait any longer to give it a further push. Continue reading »

Feb 142026
 

(written by Islander)

I felt a cold coming on yesterday when I woke up, and that was quickly followed by the discovery that anyone trying to get to NCS experienced frantic meltdowns from their browsers, which warned people that our site was insecure and might expose all their personal finances and identities to theft, might turn their children into ghouls, might cause cats to have sex with dogs, etc., etc. In other words, it seemed our site’s SSL security certificate had expired.

Or at least that’s what I concluded based on some googling, because I hadn’t received any advance notice or warning. I had forgotten what an SSL is, had no idea when we implemented it, and was completely clueless about what I was supposed to do to fix the problem. I e-mailed our IT consultant, who I think must have implemented SSL for NCS years ago (I still haven’t heard back from him).

I also opened a support ticket with our security provider, because our web host told me they maintain the site’s security certificate. I haven’t heard back from them either — though late yesterday afternoon the scary browser warnings stopped, so I guess they remewed our certificate, but I really am still in the dark about the whole incident. Which means I’m also in the dark about how to prevent this bullshit from happening again.

Oh, and my cold was also in full bloom by late afternoon yesterday. Continue reading »

Feb 082026
 

(written by Islander)

I was out with my spouse and two other couples last night. Didn’t get to bed until after midnight, didn’t wake up until the morning hours were well underway, didn’t feel very human at that point or at any other points leading up to the present.

Fortunately, I had already made my choices for this column yesterday. Unfortunately, I didn’t think I would be in the best position this morning to explain why I like them so much. But in listening to the songs again, they completely blew away the mental cobwebs. Continue reading »

Feb 062026
 

(Below we have Todd Manning’s review of a new EP by London’s Final Dose, released in late January by Wolves of Hades.)

Less than a year after the release of their full-length Under the Eternal Shadow (premiered and reviewed here at NCS), London’s Final Dose is back with a new EP, Endless Woe. Under the Eternal Shadow made it on my year-end list for 2025, so this latest release deserves some attention.

Most press refers to Final Dose as hardcore-influenced black metal. While that’s not necessarily wrong, it definitely minimizes what the group actually does. Certainly, they deliver the visceral assault such a descriptor implies. Opener “Golden Chalice” blends d-beats and punk moments with savage black metal, but Final Dose manages to maintain the atmosphere of black metal as well. The opening guitar figure evokes all the frost-bitten phantoms one can hope for, and then they segue into icy blasts. But just under two minutes in, a riff enters that splits the difference between Darkthrone and Minor Threat. It all works, whether one is meditating by candlelight or dancing in a pit; these guys have the magick. Continue reading »

Feb 052026
 

(Below we present our warren-dweller DGR’s review of the most recent release by the Dutch band Black Rabbit.)

Reminder for self at end of year when going backwards for year-end purposes: This is a review for a 2025 release.

I find myself musing on this constantly, if not just because it serves as a suitable cattle-prod to the brain to lure me from my “catch up on a whole year’s worth of sleep in two-weeks” stupor that the post-holiday season seems to have lulled me into. It is interesting that the first few releases of the year always find themselves entangled with a demented form of catch-up from the previous year.

Time being the non-infinite resource from a mortal standpoint, it has not allowed us to cover the myriad things we wish to write about. There will always be one more, one late discovery, and often we invent excuses to continue looking backwards because a signal cast off into space still exists in some form of radio wave. We quest to find it and ackowledge it, and so the tail end of one year hangs on like the most stubborn bastard out there, refusing to let us continue forward into the next series of unending car-crashes that we adoringly refer to as our favored musical genre.

We also, as a result, have compulsions and imagined debts that must be repaid and a mused-over line in a year-end list quickly becomes a one-way directive of something owed, whether a band is aware of it or not. Thus, it was promised that we would dive into Black Rabbit’s December-released EP Warren Of Necrosis and goddamnit here we are, only two months later – as opposed to say five or ten as our previous records have been – looking at the continuation of the death and thrash metal act’s conceptual universe, the follower EP to May 2025’s Chronolysis. Continue reading »

Feb 032026
 

(written by Islander)

Look around and you can find forms of entertainment (as well as real-world events) that are disgusting. Keep looking and you can find things that are more disgusting. And then there is Disgustingest.

Dictionaries and grammarians would frown on that word, but as metal band-names go, it works a lot better than MOST DISGUSTING.

But what were these Coloradans thinking when they picked that name? After all, the history of death metal is filled with big rotting piles of maggot-ridden, stomach-churning musical foulness. It’s a high bar to surmount (or if you prefer, a really low one to crawl under) to hold yourself out as Disgustingest. But these people do their damnedest to live up to the challenge, as you’re about to find out.

Today we’re helping announce that on February 20th Paper Wings Records will release Disgustingest’s second EP, aptly named Coagulating Putrescence, and we’re also premiering its first single, “Digital Cyst“. Continue reading »

Feb 012026
 

(written by Islander)

January is a schizophrenic month for the release of new music. Labels and bands seem to recognize that people aren’t focusing as much as usual on new music, because they’re diverted by things happening during the “holiday season” and then by the turbulence of returning to work and school, and so the pace of new releases in the early part of January is slower than usual. But after a week or two, the dam bursts, and new stuff starts flooding out in a fury. At least that’s how I see it from where I sit.

I had SO MANY new songs and records I was interested in checking out for purposes of this column, too many for me to realistically investigate, especially since our terribly unreliable internet service has been down since mid-day on Saturday. My phone has worked reasonably well as a hot-spot for some things, like typing what you’re reading now, but it doesn’t provide a very good platform for streaming music.

The result is that I defaulted to music I had already acquired for myself before our net service collapsed. Which is not a bad way to proceed, because there’s a reason why I had acquired all this music for myself — it’s all very good! Each selection is also very different from the other two. Continue reading »

Jan 292026
 

(written by Islander)

Near the end of last summer I came across a two-song debut EP named Subhuman Eschatology by the Polish band Wstręt. As I wrote at the time, it floored me. It was like someone spun the intensity dial until it wouldn’t go any further.

Those two songs warped together ingredients of black and death metal to create body-bruising blows and to inflict mind-shredding, needle-sharp riffing that dug in deep. The songs generated moods that were wrecking and wracked, terrorizing and tormented, exhilarating and oppressive, coupled with ragged, reverberating roars were heartless and harrowing.

Given the nature of that introduction to Wstręt, I found myself simultaneously frightened and thrilled to discover that Godz Ov War Productions would be releasing a second EP from them, this new one a 20-minute affair named Enlightened Misanthropy.

Now you’ll have a chance to form your own impressions about it through our full stream of these five new tracks in advance of the EP’s release tomorrow — though of course we have some impressions of our own to share first. Continue reading »