Dec 132024
 

(Andy Synn finishes off “List Week” with his personal favourites of the year)

Well, here we are, finally at the end of “List Week”… and, let me tell you, I am ready to take some time off and recharge/reset my mental machinery.

Oh, I’ll probably end up writing one or two more things, here and there, before the end of the month – there’s a handful of Black Metal albums I really want to write more about, for one thing, and I’ve got to do my end of the month Synn Report, of course – but for the most part I’ll be turning the site back over to Islander, DGR, and whatever guests posts we have, for the rest of December.

Before then, however, I’ve got one more list up my proverbial sleeve… and this one, thankfully, is a lot easier and more laid back, seeing as it’s basically just the ten albums which “clicked” with me and monopolised my listening the most this year.

It’s not the “best” albums of the year, by any means – though many of them appeared on my “Great” list – it’s just my favourite full-lengths from the last twelve months (and you can see what my favourite EPs were here), and should give you some idea of where my personal tastes lay these last many months.

Continue reading »

Dec 122024
 

(written by Islander)

When I was a very young lad my mother gave me an illustrated book of Greek myths. One of the tales that especially captivated me was the legend of Jason and the Argoanuts’ quest for the Golden Fleece. Later, I was equally captivated by the classic film Jason and the Argonauts, which featured stop-motion animation visual effects by the great Ray Harryhausen.

I didn’t know then, and only learned recently thanks to the Italian band Harkane, that the principle source material for this legend was an epic Greek poem, The Argonautica, written in the third century BC by Apollonius Rhodius, who served as a scholar and librarian at the great Library of Alexandria.

I learned this because Harkane have made an ambitious concept album entitled Argo, soon to be released by the Dusktone label, that itself narrates this epic adventure, with express credit given to Appollonius. Continue reading »

Dec 122024
 

(Andy Synn does his best to remain objective while selecting his “Critical Top Ten” of 2024)

Out of everything I’ve written and published this week, this is the closest to a traditional “Best Of” list.

But, even so, it’s still a little different, as while it’s ostensibly a “Top Ten”, it’s purposefully not ranked… rather it’s meant to be a snapshot of the ten albums (drawn from yesterday’s “Great” list) which together form the best representation of the year in Metal, across all the different styles and sub-genres which make up our beloved scene.

I’ll grant you that ten albums isn’t enough to fully represent the sheer variety and vitality of the year – you’ll notice for example, that both Blood Incantation and Job For A Cowboy are notably absent – but I’ve still tried my best (while also trying to be as “objective” as possible, despite that being ultimately an exercise in futility, as there will always be some sort of subjective bias involved) to provide a hand-picked cross-section which hopefully illustrates the very best-of-the-best from the last twelve-ish months.

As always, in recognition that many of our readers may already be familiar with some of the albums selected for this year’s “Critical Top Ten”, I’ve also included a few “honourable mentions” – whose primary purpose is to highlight a few extra albums which, while they may not have made it into the Top Ten, still deserve more recognition and attention – so even if you think you know what to expect (and, hopefully, there’ll still be a few surprises) you might just discover a brand new favourite artist/album while you’re here!

Continue reading »

Dec 122024
 


Photos by ©Daphnea Doto / Solweig Wood

(We proudly present Comrade Aleks‘ excellent interview with Benjamin Guerry from the French band The Great Old Ones, whose new album is set for release in January by Season of Mist.)

As you noticed, there were almost zero interviews with Lovecraft-influenced bands in the previous two months. Hard times for those who follow the Cult, indeed! But the patient ones will be rewarded, as Season of Mist proclaimed that the fifth release of French black metal heroes The Great Old Ones, Kadath, will be released on January 24th!

Fifteen years of boiling activity, four full-length albums behind, a damn lot of live rituals served – the band has solid luggage and this entire experience was reworked and channeled through a concept album based on Lovercaft’s most psychedelic and bizarre Dream Cycle.

Benjamin Guerry (guitars, vocals) is the only founding member who stood at the dawn of The Great Old Ones and who remains its mastermind; it was sheer luck that we’ve caught him and got the interview done in the most operative way. Continue reading »

Dec 112024
 

(written by Islander)

Reading year-end lists that someone other than you made tend to provoke mixed feelings of validation, perplexity (which sometimes verges into anger), and discovery. The opportunity for discovery is the main reason we here at NCS devote so much space to our annual LISTMANIA extravaganza, even though we know those other feelings will also be in the mix of reactions. The list we’re re-publishing from Bandcamp Daily will probably be no different in any of these respects.

Bandcamp, of course, has become a vital platform for the digital release of music of all stripes (and physical merchandise as well) since its founding in 2007. Bandcamp used to release an annual compilation of performance statistics, but I haven’t found a similar report since the one they released for 2017. However, the main Bandcamp page today reports that “Fans have paid artists $1.42 billion using Bandcamp, and $194 million in the last year.”

Those are staggering totals, and some part of those enormous sums has been the result of Bandcamp’s laudable decision to continue the monthly tradition of “Bandcamp Fridays” that they began during the height of the pandemic. The last of those for 2024 occurred last week. We won’t know for a while whether it will be continued in 2025. It better be, or else! Continue reading »

Dec 112024
 

(written by Islander)

This is a tough list to share, not because it’s a bad list but because it’s the swan song of the Black Market column, which has been running at Stereogum on a monthly basis since February 2013. As the kids used to say, I has the sads about this news. Well, but let’s back up a bit, for those who might be unfamiliar with that now-defunct institution.

Stereogum easily qualifies as one of the “big platform” web sites whose year-end lists of metal we perennially include in our LISTMANIA series. Of course, the site appeals to an audience of music fans much larger than devoted metalheads, but its staff has included a talented and tasteful (though gradually dwindling) group of metal writers who have been responsible for the site’s monthly The Black Market column.

I’ve always looked forward to Stereogum‘s annual metal list prepared by the Black Market writers. The one for 2024 came out on Monday of this week. As usual it consists of only 10 entries, with accompanying reviews of the choices by Ian Chainey, Michael Nelson, Doug Moore, Wyatt Marshall.

The list feature also includes a retrospective about the column by Ian Chainey, and an entertaining but also poignant interview of all those old-timer writers listed above.

Continue reading »

Dec 112024
 

On November 29th of this year Consouling Sounds released Het Donkere Volmaakte Al, the compelling second album by the Belgian solo project Druon Antigon, a musical outlet for Lennart Janssen (who has also been one of the creative forces in Thermohaline). Here is the label’s evocative description of the album (or it might be Janssen‘s):

The new full-length Het Donkere Volmaakte Al (translating to both ‘The Dark Perfect Universe’ and ‘The Dark Perfected All’) aims to reflect that which lies beyond our own bubble of breathable air. Vast, majestic and beautiful. Uncaring, dark and inhospitable. A perfect and unchangeable system in which humanity is but an accidental stowaway. A clockwork of which the workings and origins are still largely a matter of speculation. Hic sunt dracones.

To help spread the word about the album, today we’re premiering a gripping video for a stunning song off the album named “Offer“. Continue reading »

Dec 112024
 

(Andy Synn continues his ongoing round-up of the year with his selections for the top tier albums)

We’re halfway through the week now and it’s time to take a look at the albums I thought represented the creme-de-la-creme of the year.

Before we get into it, however, it’s worth stating that if you don’t see an album listed here, or on yesterday’s “Good” list, then the most likely explanation for its absence is… that I simply didn’t get around to hearing it (or, alternatively, I didn’t have time to listen to it enough to form a proper opinion).

Case in point, I bounced off the new Inter Arma pretty hard when it was released, and never found time to go back to it, so you won’t be seeing that here (some people seem to love it, while others hate it, which is pretty par for the course with the band, actually), and I still haven’t heard a single note of the new Fleshgod Apocalypse (so I’m going to be relying on DGR to let me know more about that in his list).

Similarly, while I’m still enjoying immersing myself in the Hardcore scene all over again (musically, at least) I have to say that – while I don’t begrudge the band their ongoing success – for some reason everything by Knocked Loose just goes in one ear and out the other with me, and never seems to stick around long enough to keep my attention, and when it comes to Nails… well, they’ve just never really done it for me (and get more than enough press elsewhere anyway, so I doubt they’ll be harmed by their omission).

I am, however, particularly mad at myself that I never found (or made) the time to properly dive into the new one from Thy Catafalque, and I just realised that The Foreshadowing have a new one out as well… and I’ve completely overlooked it.

When it comes to what did make the final cut, however, I think you’ll find a lot to love here, from phenomenal first albums from brand new bands to riveting new releases from a variety of exceptional artists from across the Death/Black/Doom spectrum… and beyond (with members of the 20 Buck Spin and Transcending Obscurity rosters putting in a particularly good showing, both here and in the “Good” list, this year).

Continue reading »

Dec 102024
 

(written by Islander)

With chills and thrills galore, we welcome to our pages the Indonesian band Drain Death. A duo formed in the Yogyakarta region in early 2022, and with a three-song demo released that same year, they bring a mixture of old school death metal and crust punk, indirectly influenced by Nihilist, Nirvana 2002, and Autopsy, as well as Bombandfall, Anti Cimex, and Bastard Priest.

Early next year (a precise release date hasn’t yet been set), Drain Death will have their debut album Merciless Of Doom released in different formats by a quartet of international labels, and to help spread the word we’re today premiering a chilling and also electrifying album track named “Sacrifice Maste.” Continue reading »

Dec 102024
 

(written by Islander)

On January 10th of the impending new year Nine to Zero Productions will release Dauþalaikaz, the third album by the German black metal entity Urfeind. It includes re-recorded versions of the four songs present on the band’s 2021 EP Wraiþaz, preceded by five other new songs.

Through previous releases Urfeind has established its thematic connections to dark Germanic heathenism, misanthropy, and Anti-Cosmic Philosophy, interests that also seem to be reflected in the band’s very name, bearing in mind that “Ur-” is a German and Nordic prefix (or combining form) that refers to a primeval and primal stage of a phenomenon, the earliest stage, and in this case it’s combined with the German word “feind” — meaning “enemy”.

Well, to be clear, those are our own speculations about the significance of the band’s name, but they’re supported by the experience of the album track we’re premiering today. “Weaving the Abyss” is indeed primeval (and deeply chilling) in its atmosphere. It may also seem primitive in its construction — but only at first, because the music subtly but ingeniously and powerfully evolves, and it seamlessly morphs the mood as it does. Continue reading »