Jan 262026
 

(written by Islander)

On March 20th Transcending Obscurity Records will release θελημα (Thelema), the second album by the Greek black metal band Decipher. T.O. introduces the album this way:

Decipher released a sublime album in Arcane Paths to Resurrection, which was steely and composed, enriched with melodic undertones. It was the timeless kind of black metal that was largely inspired by the classic black metal bands and yet didn’t sound too dated. Two years later, the Greeks return with a new opus, elaborating on the music forged on that album, adding better nuance and structure to the songs whilst retaining the sound and appeal.

Allowed better expression, the songs are comparatively longer and have a narrative quality to them without straying too far from the core sound. The riffs are drenched in emotions without being overtly melodic as the music marches ahead resolutely with its steely demeanour. This is the kind of black metal that gets its priorities straight – with the right focus on riffs, feeling, intensity, and passion.

To verify these claims, what we have for you today is the premiere of a lyric video for the album’s second single, a dramatically powerful and harrowing song called “Litany“. Continue reading »

Jan 262026
 

(written by Islander)

On February 27th Meuse Music will release a new album by the band Ennui from Tbilisi, Georgia. Titled Qroba, it’s the first full-length from the band in more than seven years. In early January we hosted the premiere of a song from the album named “Antinatalism“, and today we’re premiering a second song — “Decima“.

We’ll begin introducing it by again sharing this statement from the label and Ennui:

Qroba means “Vanishment”. It is a story of coming to terms with the inevitable, told through melancholy and contemplation. The fifth full-length album by Ennui blends atmospheric funeral doom and death metal with Georgian poetry and the spirit of the land it was born from. Slow, heavy rhythms, cold harmonies, and haunting melodies evoke a descent into stillness, where pain and peace become one. This is music about the beauty of disappearance, majestic, inevitable and timeless.

Continue reading »

Jan 242026
 

(written by Islander)

A quick note before embarking on the new songs and videos I’ve collected for today: Tomorrow there will probably be no SHADES OF BLACK column. I’ll be over the water in Seattle tonight for a big annual party. Between getting ready, getting there, partying, and getting back, I won’t have much time for NCS and I don’t expect I’ll have a clear head whenever I wake up tomorrow.

And then tomorrow will also serve up a couple of NFL playoff games I want to see, especially the second one.

As for what I’ve picked for today’s roundup, out of a really mammoth week of new releases, I’ve leaned further into shades of black metal than usual because of the likely absence of the Sunday column, and for the same reason I’ve made this collection bigger than usual. I’ve also probably leaned pretty hard into music that seems in line with my perception that the world is going to hell even faster than I thought it would, with way too many people beginning the year still thinking thoughts like these. Continue reading »

Jan 232026
 

(written by Islander)

Yeah, Skulld dropped the “e” from their name but it still sounds the same and it still accurately portrays how their music may leave you feeling, i.e., skulled, and you won’t need an exam in a blue concussion tent on your playing field to provide confirmation. Your inability to form a complete sentence will be sufficiently diagnostic (except for those of you have that problem all the time).

But in truth, Skulld’s new album Abyss Calls To Abyss has a great many other things going on in the music besides furiously ramming your head until you wake up to the most abominable conditions of life as many people must now endure it. Unquestionably, it is indeed a loud and angry deathpunk wake-up call, but it has deeper dimensions as well, in both its lyrical themes and its musical spectrum.

Below, we’ll dig into those depths and altering dimensions, but the main thing we’re doing is proudly giving you the chance to hear the album from front to back in advance of its January 30 release by Time To Kill Records. Continue reading »

Jan 232026
 

(written by Islander)

In yesterday’s segment of this list I was explaining about the challenges I face in preparing it. Even though not one solitary soul asked me to do that, I knew you were hungry for the information — though maybe I was sensing a desire for pita bread and a big tub of hummus or a rack of ribs, and I just misinterpreted things. Desires don’t always reach me through the ether in their original form.

Anyway, I mentioned that one of the challenges was figuring out how to group together songs in these daily segments. Even within my odd mind there’s no particular rhyme or reason to many of the groupings, but sometimes there is, and today is one of those times. The first and third songs below just rock the fuck out, and even the one in the middle felt like it belonged, albeit for somewhat different reasons than rocking the fuck out.

All three of these songs were ones I was convinced I’d have to find a place for in this list from the first time (of many times) I heard them. Continue reading »

Jan 232026
 

(We have our contributor Chile to thank for the following vivid review of the debut demo from California’s Voidhämmer, which was released earlier this month by Caligari Records.)

Yes, the temperature outside is about to go down below -20°C or -4 on the Fahrenheit scale for all you non-followers of the International System of Units (which somehow makes it more tolerable on paper, just barely), and with spring thaw still months away, what better way to warm up than to fire up some filthy, rotting death metal.

You could argue that your everyday central heating would suffice, but nothing warms the heart and soul as hearing those riffs pounding down from your speakers and into your orifices. Newcomers in the Californian outfit of Voidhämmer, who are not really newcomers (see below), understand this very well and offer a variety of putrid riffs on their debut EP/demo Noxious Emissions. Continue reading »

Jan 222026
 

(written by Islander)

For most people (definitely including this writer) the name Tjaktjadálvve will be a tongue-twister. Apart from wondering how it is pronounced, I also wondered what it meant, and so I spent some time searching for an answer.

One thing I found was an interview from last fall in a Hungarian publication of Matthew Bell, the Australia-born but Sweden-residing musician behind the black metal project he named Tjaktjadálvve. With some help from an online translation tool, I saw that Bell gave this answer about the word’s meaning:

The word means “autumn winter” in the Sámi language. A lot of my music is based on my experiences in northern Sweden, so the name seemed perfectly fitting. Continue reading »

Jan 222026
 

(written by Islander)

I always confront two challenges in making this list — which songs to include overall, and which ones to group together in each segment. In trying to solve the second conundrum I sometimes conceive of connections that make the grouping seem logical, though at times my “logic” must certainly seem perplexing to others.

Tomorrow will be a decent example of an intentional combination, for reasons I’ll explain then. Today really isn’t that, but more just a grabbing of three songs I thought belonged on the list as they jumped out at me from the early part of my alphabetical list of candidates when I scanned through it for the umpteenth time since December. Continue reading »

Jan 222026
 

(Andy Synn takes a deep dive into the new album from Greece’s Sevengill, out now)

They say that you should never judge a book – or an album – by its cover.

And while I’ve yet to receive a satisfactory explanation of who “they” actually are – or, indeed, why any of us should listen to “them” – it’s been my experience that they’re not actually wrong.

After all, I’m sure we’ve all encountered an array of albums whose terrible/cheap/tacky (delete as appropriate) cover art has failed to reflect the actual quality of the music contained within (and vice versa).

That being said, an eye-catching album cover… such as, say, the one you can see above which adorns the front of the recently-released new album by Greek Post-Metal trio Sevengill… can definitely help capture the attention of potential new listeners before they’ve even heard a note.

Continue reading »

Jan 212026
 

(written by Islander)

On January 23rd, just a couple days from now, Iron Fortress Records will release a new EP by the Massachusetts brutal death metal trio Matriphagy, digitally and in a CD edition that also includes songs from a previous Matriphagy split and an EP as bonuses. What we have for you today is a premiere stream of all the songs on the new EP.

This EP, titled From Nothing to Nothingness, includes three tracks, the last of which is Matriphagy’s demented and demolishing re-working of the Cryptopsy song “Benedictine Convulsions“. All three songs are ruinously punishing, unhinged in various ways, and frequently as head-spinning as they are traumatic. Continue reading »