AN NCS ALBUM PREMIERE (AND A REVIEW): TJAKTJADÁLVVE — “ENCOMPASSING NOTHING”

 Album Reviews, Premieres  3 Responses »
Jan 222026
 

(written by Islander)

For most people (definitely including this writer) the name Tjaktjadálvve will be a tongue-twister. Apart from wondering how it is pronounced, I also wondered what it meant, and so I spent some time searching for an answer.

One thing I found was an interview from last fall in a Hungarian publication of Matthew Bell, the Australia-born but Sweden-residing musician behind the black metal project he named Tjaktjadálvve. With some help from an online translation tool, I saw that Bell gave this answer about the word’s meaning:

The word means “autumn winter” in the Sámi language. A lot of my music is based on my experiences in northern Sweden, so the name seemed perfectly fitting. Continue reading »

OUR LIST OF 2025’S MOST INFECTIOUS EXTREME METAL SONGS (PART 15): ABDUCTION, BLACK RABBIT, ANZV

 MOST INFECTIOUS SONGS-2025  No Responses »
Jan 222026
 

(written by Islander)

I always confront two challenges in making this list — which songs to include overall, and which ones to group together in each segment. In trying to solve the second conundrum I sometimes conceive of connections that make the grouping seem logical, though at times my “logic” must certainly seem perplexing to others.

Tomorrow will be a decent example of an intentional combination, for reasons I’ll explain then. Today really isn’t that, but more just a grabbing of three songs I thought belonged on the list as they jumped out at me from the early part of my alphabetical list of candidates when I scanned through it for the umpteenth time since December. Continue reading »

SEVENGILL – PENUMBRA

 Album Reviews  No Responses »
Jan 222026
 

(Andy Synn takes a deep dive into the new album from Greece’s Sevengill, out now)

They say that you should never judge a book – or an album – by its cover.

And while I’ve yet to receive a satisfactory explanation of who “they” actually are – or, indeed, why any of us should listen to “them” – it’s been my experience that they’re not actually wrong.

After all, I’m sure we’ve all encountered an array of albums whose terrible/cheap/tacky (delete as appropriate) cover art has failed to reflect the actual quality of the music contained within (and vice versa).

That being said, an eye-catching album cover… such as, say, the one you can see above which adorns the front of the recently-released new album by Greek Post-Metal trio Sevengill… can definitely help capture the attention of potential new listeners before they’ve even heard a note.

Continue reading »

AN NCS EP PREMIERE (AND A REVIEW): MATRIPHAGY — “FROM NOTHING TO NOTHINGNESS”

 Album Reviews, SHORT BUT SWEET  No Responses »
Jan 212026
 

(written by Islander)

On January 23rd, just a couple days from now, Iron Fortress Records will release a new EP by the Massachusetts brutal death metal trio Matriphagy, digitally and in a CD edition that also includes songs from a previous Matriphagy split and an EP as bonuses. What we have for you today is a premiere stream of all the songs on the new EP.

This EP, titled From Nothing to Nothingness, includes three tracks, the last of which is Matriphagy’s demented and demolishing re-working of the Cryptopsy song “Benedictine Convulsions“. All three songs are ruinously punishing, unhinged in various ways, and frequently as head-spinning as they are traumatic. Continue reading »

OUR LIST OF 2025’S MOST INFECTIOUS EXTREME METAL SONGS (PART 14): THE OMINOUS CIRCLE, VENUS STAR, HAVUKRUUNU

 MOST INFECTIOUS SONGS-2025  No Responses »
Jan 212026
 

(written by Islander)

We’ve reached Part 14 of this list today, which includes three songs I think are exceptional for reasons beyond their addictive qualities.

I’ll also report that I’ve been able to spend enough time with other candidates on my gargantuan list of 2025 songs that I’ve succeeded in mapping out all the remaining Parts of this list except the last one. Figuring out the last one is always a daunting and distressing challenge, and I’ll be agonizing about that one probably right up to the eve before I post it at the end of next week. Continue reading »

AN NCS INTERVIEW: BINAH

 Interviews  No Responses »
Jan 212026
 

(We present Comrade Aleks’ interview of Ilia Rodriguez from the death metal band Binah — a very eloquent and moving discussion that focuses on Binah’s new album Ónkos, which was released last October by Osmose Productions.)

The underground champions Ilia Rodriguez (vocals, guitar, synthesizers) and Andrews McIvor (guitar, bass, synthesizers) have performed with numerous bands, but for 14 years now they’ve remained faithful to their joint brainchild, Binah. Rarely but effectively, they produce their technical death metal pieces, and Ónkos is the third full-length in Binah’s discography.

The duo recorded Ónkos with a guest-drummer – Dan Mullins, who’s involved in several other bands, notably Blasphemer and My Dying Bride. While Binah’s previous albums had a standard structure (intro, outro, eight tracks in between), the new work consists of two gargantuan tracks, “Mount Morphine” and “The After Evermath,” totaling 43 minutes. The songs vary from ambient intros to persistent and abstract death metal constructions and bulldozer riffs in death-doom vein.

This is an album with a real story behind it, and we’re going deep into it together with Ilia. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): KARLOFF — “REVERED BY DEATH”

 Album Reviews, Premieres  No Responses »
Jan 202026
 

(written by Islander)

Reportedly, the German band Karloff “formed in 2018 initially as a means for erstwhile Graveyard Ghoul member Tom Horrified to blow off some punk-oriented steam with a couple close comrades.” But they’ve obviously turned out to be more than a one-and-done “let’s do this for the hell of it” outfit.

Not only have Karloff followed up their initial 2018 demo with five more releases, including an EP, a handful of splits, and their 2022 debut album The Appearing, they’ve persistently evolved their music in ways that most listeners probably wouldn’t have expected based solely on their first couple of releases.

And they’ve done that again on their forthcoming second album Revered by Death, as you’re about to discover for yourselves based on our full streaming premiere of the record today. Continue reading »

OUR LIST OF 2025’S MOST INFECTIOUS EXTREME METAL SONGS (PART 13): HOODED MENACE, GRAND CADAVER, DOOMSDAY

 MOST INFECTIOUS SONGS-2025  No Responses »
Jan 202026
 

(written by Islander)

Triskaidekaphobia is a recognized affliction, but no one should fear this 13th installment of our infectious song list. Instead, it should be relished, though in the case of some aspects of the following music it may be worth remembering that in the tarot deck, XIII is the card of Death, often depicting the Pale Horse with its rider. You’ll probably relish those aspects too. Continue reading »

ORACULUM: “HYBRIS DIVINA”

 Album Reviews  2 Responses »
Jan 202026
 

(Our contributor Chile (that’s his nickname, not his country of origin) has chosen to review the recently released debut album by the Chilean band Oraculum, recently released by Invictus Productions.)

If there is one truth about any given year when it comes to metal, it’s that we are constantly on the lookout for greatness. Sometimes it comes unexpectedly like a stranger in the night trying to pass us by in a dark alley, and other times it rams you head-on like a raging bull stomping over your mangled body.

You know already where we are going with this. Some bands are all about stomping and show us absolutely no mercy, which is also the reason why we appreciate them for that very feeling of might and strength. That is the story of Chile’s (the country) Oraculum. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): BARBARIAN — “REEK OF GOD”

 Album Reviews, Premieres  No Responses »
Jan 192026
 

(written by Islander)

From everything we’ve read about the members of Barbarian over the last 15 years or so, they’re a trio of die-hard metal maniacs whose heads are filled to the brim with music from a variety of classic eras throughout heavy metal history. They have also consistently demonstrated a rare ability to let that array of influences almost instinctively flow through their own songwriting in ways that are familiar but never formulaic, so much so that you never know quite what they’re going to do from one album to the next, or even within individual songs, except you know it’s going to light a bonfire in your head.

Undoubtedly, the songwriting process of these Italians begins with riffs — because the songs are usually packed to the brim with them — but it’s also clear they devote a lot of care to refinement of their initial ideas, with the objective of leaving no one bored, and least of all themselves.

To repeat, you never know quite what’s going to happen, or even which inspirations might work their way into the music, but you can be damn sure the results will be interesting… and exhilarating… and heavy metal to the core.

Which brings us to Barbarian’s new album Reek of God, which we’re excited to share with you from start to finish today in advance of its January 23 release by their new label Dying Victims Productions. Continue reading »

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