Andy Synn Archives - Page 22 of 151

PIAH MATER – UNDER THE SHADOW OF A FOREIGN SUN

Jul 082024

(Andy Synn takes a look at the new album from Brazilian Prog-Death dynamos Piah Mater, out now)

We are, each of us, the sum total of many different things.

I am both my father and my mother, and through them their parents, grandparents, and so on, down through the years.

At the same time, I am also the totality of my choices, my experiences, and a variety of unpredictable epigenetic factors which combine to form my sense of “self”.

But we are also, all of us, more than these things.

As are Piah Mater.

VIMUR – THE TIMELESS EVERPRESENT

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Jul 032024

(Andy Synn bows down before the timeless Black Metal magic of Vimur)

Now, according to official sources, the new album from US Black Metal warriors Vimur is scheduled for release this Friday.

But, apparently, it’s already available digitally via the group’s own Bandcamp page (with physical copies to follow via Avantgarde Music shortly).

So, here’s a little review to help clear up any confusion and encourage you all to check it out.

THINGS YOU MAY HAVE MISSED (BUT SHOULDN’T)

Album Reviews 1 Response »

Jul 022024

(Andy Synn picks out four more albums from last month you may have overlooked)

As always, thinning this column down to just four artists/albums was a hellish job, with the likes of Amarok, Inherits the Void, Perversity, Swelling Repulsion, Umbra Vitae, and Vomit the Soul all ending up (sadly) on the cutting room floor.

But that shouldn’t stop you checking them out… just maybe give the four bands featured in today’s column a look/listen first, and then come back, ok?

THE SYNN REPORT (PART 172): FRACTAL GENERATOR

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Jul 012024

Recommended for fans of: Replicant, Wormed, Afterbirth

There must be something in the water – or the maple syrup – up in Canada that triggers the extreme gene in certain bands.

How else do you explain the existence of acts like Gorguts, Cryptopsy and the subject of today’s article, Fractal Generator?

Taking a heap of inspiration from the aforementioned pair, along with a hefty helping of Hate Eternal, Morbid Angel, and Mithras, this terrible trio have already made something of a name for themselves with their punishingly technical, subtly dissonant, slam-tinged, grind infused, and synth-layered brand of Death Metal, and with their third (and best) album having just been released now seemed like the perfect time to dedicate a full feature to their works.

Look upon them, and despair…

200 STAB WOUNDS – MANUAL MANIC PROCEDURES

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Jun 282024

(Andy Synn sinks his teeth into the new album from 200 Stab Wounds, out now)

I’m sure we’re all familiar with the concept of “meat and potatoes” Death Metal.

You know the type – it’s not flashy or fancy, but it’s filling, flavourful, and satisfies your cravings (at least for a while).

Well, what if I told you that the new album from Cleveland crushers 200 Stab Wounds pretty much dispenses with the potatoes entirely and instead aims to load your plate with nothing but raw Death Metal meat?

ORGONE – PLEROMA

Album Reviews 2 Responses »

Jun 262024

(Andy Synn is here to tell you to open your minds to the outstanding new album from Orgone)

As I’m sure most of you are aware by now, I consider genre terms to be a useful tool – in the right hands, anyway – to help guide and inform listeners, whether in general or specific terms, about what to expect (or not) when listening to a new band or album.

That being said, I don’t think bands should necessarily be limited or confined by genre traits and tropes if they don’t want to be (even if creativity often thrives within constraints).

After all, bands are just people, and people – in all their infinite diversity and infinity combinations – cannot (and should not) be defined by just a few, simplistic terms.

The human condition, you see, is less of a spectrum and more of an endlessly cascading kaleidoscope, one which looks different to everyone… and so is the art we produce.

Which is why trying to pin down the avant-garde, genre non-binary approach of Pittsburgh experimentalists Orgone would be a mistake (and a disservice to both the band and their audience).

ƁLÓÐ – MARA

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Jun 242024

(Andy Synn finds himself haunted by the new album from France’s Blóð)

Let me start by saying that if I hadn’t already decided who I was going to feature for this month’s edition of The Synn Report (which will likely be published at the start of next week) then I very much would have liked to have done a deep-dive into the discography of doomy, devilishly blackened Sludge/Post-Metal duo Blóð.

But since I’m not going to have time/space to fully delve into the depths of their back catalogue here (though you should definitely do so when you get chance) we’ll just have to be satisfied with heaping praise on their recently-released third album, Mara.

CONSTRUCT OF LETHE – A KINDNESS DEALT IN VENOM

Album Reviews 1 Response »

Jun 192024

(Andy Synn has some kind, and some unkind, words for the new album from Construct of Lethe, out Friday on Transcending Obscurity)

There’s an argument to be made – in fact, I’m going to make it now – that Construct of Lethe‘s second album, 2018’s Exiler, is one of the best Death Metal albums of the last ten (and probably twenty) years.

But, after releasing such a milestone album (one which you might even be tempted to call a “masterpiece”, at least in the original sense of that word) what exactly was the band to do?

And the answer, it turns out, is to throw caution to the wind and construct an ambitiously flawed, yet absolutely fascinating (not to mention utterly ferocious) autobiographical concept album about the devastating doldrums of depression and suicidal ideation, split into 12 “chapters” (not all of which could be called “songs”), that is intended to be experienced as a singular, uninterrupted sequence.

So, without further interruption or delay… let’s dive in.

CRYPT SERMON -THE STYGIAN ROSE

Album Reviews 2 Responses »

Jun 172024

(Andy Synn goes on an epic journey with the new album from Crypt Sermon, out now)

I know what some of you are thinking – “but there’s clean singing in this!”

I know this because, without fail, someone will make some version of this comment on our social media without thinking, a) perhaps they’re fully aware of that, or b) maybe this suggests that the site’s name shouldn’t be taken entirely seriously?

Sure, we’re partly to blame (actually, it’s Islander who’s mostly to blame, as he’s the one who came up with the damn name as a response to the early 2000s trend of bands shoehorning in big clean-sung choruses in a desperate attempt to appeal to the mainstream) but… c’mon folks, if you’ve spent more than five minutes with us here at NCS you must have noticed that we cover a lot of bands who don’t just use harsh vocals.

And one of those bands, whom we’ve covered numerous times, is Crypt Sermon, who just released what might be the best album of their career so far.

KVAEN – THE FORMLESS FIRES

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Jun 132024

(Does the fire still burn, or have Kvaen started cooling off? Our own Andy Synn finds out)

Success, or so they say, can be a double-edged sword. And they’re not necessarily wrong.

It’s something you see even in our beloved Metal scene (where what counts as “success” tends to vary depending on who you ask) – from bands who suddenly get a taste of mainstream acclaim and end up having to simplify and sanitise their sound to satisfy their new audience, to artists whose debut album set such a high bar that everything else they subsequently produce is inevitably judged (and often found wanting) in comparison.

And while Kvaen (aka the solo project of multi-instrumental marvel Jacob Björnfot) haven’t encountered the former issue just yet, there’s definitely an argument to be made that the arc of their career thus far has erred more towards the latter – in the sense that, as good as 2022’s The Great Below was (I even said so myself) it ultimately didn’t quite reach the same heights, or possess the same staying power, as their outstanding debut.

But just because success can cut both ways doesn’t mean that lightning can’t strike twice… so maybe the third time will be the charm?

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