Aug 012025
 

Recommended for fans of: The Monolith Deathcult, Sigh, The Project Hate

Some people get a little mad when you make too many (or, in some cases, any) references to other bands when writing an article like this.

But when you’re dealing with a group whose creative palette is as wide as this one – the band themselves cite, in addition to the artists mentioned above, the likes of Arcturus, Atheist, Edge of Sanity, Thy Catafalque, and many more, as influences – it’s pretty much unavoidable.

So, without further ado, allow me to introduce you to the Avant-Garde/Progressive “Death Metal” of Azure Emote, a band whose main songwriter is actually their vocalist/keyboardist (Mike Hrubovcak, ex-Monstrosity) which perhaps goes some way towards explaining their more unusual and unorthodox approach to extremity!

Continue reading »

May 032025
 

(written by Islander)

It should be called “Bandcamp Week” instead of “Bandcamp Friday”. Every week ending in one of those Friday’s, including last week, tends to see a greater than usual volume of new-music releases, a reflection of the principle that “recency is primacy” when it comes to spending decisions. This “Bandcamp Week” phenomenon further complicates the preparation of these Saturday columns, but I’m still glad Bandcamp is continuing the tradition this year.

While I have your attention, I want to add a note about changes planned for NCS next week before we get to the new metal I picked for today. Continue reading »

Apr 292013
 

(NCS contributor Austin Weber provides this review of the second album released earlier this month by Philadelphia’s Azure Emote.)

As far as death metal supergroups go, Azure Emote certainly has not only a killer line-up but more importantly a willfull intent to make music outside the confines of their genre, an aim they achieve by taking death metal hostage and lifting it to unconventional heights of sonic ecstasy.

The Gravity of Impermanence is largely the brainchild of vocalist Mike Hrubovcak (Monstrosity, Vile), who brings more then just potent beastly roars to the table. He is responsible for the electronic elements — ranging from keyboards to diverse orchestral synths and electronica — on all but three of the tracks, and he also contributes some creepy harmonica playing to the sounds of pigs being murdered on “Sunrise Slaughter”.  The way the electronic elements build up the music and flourish instead of being an afterthought is a large part of what gives The Gravity Of Impermanence such a unique identity for a death metal record.

All this talk of keyboards is not to imply that guitarist Ryan Moll (Rumpelstiltskin Grinder, Total Fucking Destruction) is lacking. He isn’t. He lays down a plethora of razor-sharp, heavy-as-hell riffs, colorful leads, and spiraling solo’s. A lot of his riffs subtly remind of old school death metal, though I had a hard time pinning down who I thought they sounded like. Rounding out the trio is the always fantastic Mike Heller (Malignancy, Fear Factory), whose steady blasting and interesting patterns strongly drive the rhythm section into overload, enhancing both the mid-paced moments and the faster, all-out assaults. Continue reading »

Feb 222013
 

Last night, by chance, I listened to six new songs in a row that really grabbed me. In different ways, they were all horrific . . . and horrifically good. The first three were featured in Part 1 of this post earlier today, and here are the next three — from Gravewurm, Plague Widow, and Cursed Altar.

GRAVEWURM

Gravewurm are a band who started life in Pennsylvania in the early 90’s and now appear to be based in Virginia. They’ve released eight albums and a slew of demo’s, splits, and EPs — yet I’m fairly certain that last night was the first time I’ve ever listened to their music. My education continues.

The track I heard last night is named “Mistress of Blood and Fire”. It’s available for download on Bandcamp and will appear on the band’s next album, Infernal Minions, which is due for release by Hells Headbangers on May 14. I got a Bandcamp alert about the appearance of this song yesterday, and once I saw the name Hells Headbangers, I knew I had to check it out. Damned glad I did. Continue reading »

Jan 082013
 

Yesterday brought many items of news and new music that caught my attention, so many that I’m funneling them your way in a couple of posts this morning, this being the first.

THE BLACK DAHLIA MURDER

Last night the above image appeared on the Facebook page of The Black Dahlia Murder, with no further explanation. Preceding the appearance of this visual announcement, the gents at Metal Sucks posted some studio photos and a few more details, speculating that the band would have a new album ready by June — which turns out to be a good guess.

Presumably, the above image is simply a flyer of sorts and not the album cover, yet I’m intrigued by the absence of color and by the album’s title — Everblack. Not that I really needed anything further to cause eager anticipation for the band’s next work. That was a given.

Next, we move from a band whose name has become something of a household word in the realms of extreme metal to one I had never heard of before last night — and whose new album I’m now anticipating just as eagerly as new BDM. Check out this arresting album cover: Continue reading »