(We welcome back New Zealand-based metal writer and broadcaster Craig Hayes, who brings us this interview with Elise Gregg-Schofield of New Zealand’s Cephalopod, whose new EP was released this summer.)
Losing the primary songwriter from any band often means the demise of said band is sure to follow. However, although New Zealand metal band Cephalopod lost one of its key founding members a few years back, the group has ended up making a giant compositional leap on their new EP, A Bad Case of Unreality. The band’s last release, 2012’s Materialization, featured plenty of high-energy thrash mixed with vocalist Elise Gregg-Schofield’s howls. But when it came time to record A Bad Case of Unreality, Cephalopod clearly had a whole new set of goals.
Not only is A Bad Case of Unreality is more complex and adventurous release than Cephalopod’s previous EP, but Gregg-Schofield’s vocals are far more dynamic, too. Far from sounding like a band recovering from the exit of a key songwriter, A Bad Case of Unreality finds Cephalopod revelling in new energy and renewed enthusiasm. The EP sees Cephalopod inject intense layers of intricacy into ten-tonne pandemonium on “Ape Brain” and “Loose Teeth”.\, while “Blue and Righteous” and “A Bad Case of Unreality” dig into brutal technical mayhem like Cephalopod have never done before.
All up, A Bad Case of Unreality presents a band that’s free to experiment with a wider range of influences and creative inspirations. No Clean Singing recently caught up with Cephalopod vocalist Gregg-Schofield to discuss A Bad Case of Unreality, and those changes in the band’s sound and attitude.