(DGR reviews three releases by bands he came across while… face-planting.)
The idea that 2015 has been a year that has been moving in fits and starts in my neck of the woods has slowly become something of a mantra. With a sample size of the four or so years I’ve been kicking around these parts, I’ve usually got a backlog of albums about eight deep — which means that if I’m not spending a good chunk of my year listening to the same discs over and over again, telling myself I have to review them, to the point of nausea and then stressing out about it later when I come home so tired from work that I can’t even fathom typing — I figure that I’m fucking up.
However, since 2015 seems to be in a mode that consists of violent seizures of music and then absolutely nothing, I’d hazard to say that with the publication of my Wolfheart review, I was caught up with music for the moment — at least as far as the releases I’d been keeping an eye on were concerned.
The other goofballs that also staff this site have done a tremendous job keeping us up to date, but it also means I’ve been drifting for a bit. My method of drifting, though, usually involves a drunken stumble and a face-plant on the concrete or two, and this is how I tend to discover music these days. I try to keep track, but more often than not I seem to be face-planting into the yards of bands who’ve had releases that hit this year and who seem to be flying just under the radar — so we find ourselves once again sifting through three releases, via Bandcamp, of bands who run the gamut from death metal, to symphonic black and death, to low-end heavy deathgrind, and all three see us travelling a pretty good chunk of the globe.
So, I present to you, my latest edition of foibles that I believe we may find interesting to pick apart and dissect, ones that take us from Latvia, to the good ole’ US of A, and then to our buddies in Poland via Selfmadegod.