Aug 182025
 

(Comrade Aleks brings us the interview a member of the Greek clean-singing band Church of the Sea, whose second album Eva was released this past April by These Hands Melt.)

The second album of the Athenian band Church of the Sea, Eva, follows the same direction as their debut, Odalisque (2022). The trio consists of Irene (vocals), Vangelis (guitars), and Alex (synths and samples), and together they continue their dive into the hypnotic depths of doom metal with a hypnotic female voice and atmospheric samples.

In Eva, this doom-gaze serves as a frame for the story of the biblical Eve, reconsidering her role in the original canon, where she is shown as the first sinner, guilty of corrupting man. Eve is a rebel through Church of the Sea‘s perspective: a seeker of knowledge, accepting what religion or society considered “forbidden”; this is not a story about the fall of man, but about the rise of woman. Continue reading »

Aug 132025
 

(The long-running Russian band Psilocybe Larvae will release a surprising new EP on August 15th, and on the eve of that release we now present Comrade Aleks‘ interview with founding member Vitaly Belobritsky.)

Psilocybe Larvae, once one of the key teams of the Russian underground extreme scene, are confidently approaching their thirtieth anniversary. But there is still a year left before that date, so I did not expect any news from the band, and therefore I was surprised with the news about their new EP Novyi Divnyi Mir (Новый Дивный Мир/“Brave New World”).

Throughout their entire discography Psilocybe Larvae have tried different things, and in order to make life easier for themselves and the public, they defined their style as “manic-depressive metal”. This concept included a combination of melodic doom, death, and black-metal, with straightforward extreme vocals. Therefore, the material of this EP shocked me at first. Continue reading »

Aug 042025
 

(We present Comrade Aleks‘ interview of Nicolas Miquelon from the Canadian band Norilsk, whose new album Antipole is out now on Hypnotic Dirge Records, accompanied by photos credited to Nick Richer.)

Canadian Norilsk was deliberately named by the band’s ideologist Nicolas Miquelon in honor of the most densely populated city beyond the Arctic Circle. Nicolas, who is familiar with Russian culture firsthand, wanted the name to reflect the harshness of the North. Norilsk initially embodied this idea in death-doom, but over time they enriched the musical landscape with elements of sludge and post-metal.

Let’s take the title track of their new album Antipole: it seems to obtain the spirit of ’90s death-doom, but Norilsk go beyond it, avoiding to step too far into well-known post-metal territory at the same time. “Antipole” is atmospheric doom metal, but there is something strange, atypical, and at the same time naturally revealing the essence of the genre. In “D’ombre et de glace (l’asphyxie)” Norilsk progress further: there is a lot of growling, a lot of thematic transitions.

But “Locus Sanctus” shows that this is not the limit: the rolling riffs are preceded by a dark acoustic intro with clean declamation, and Nicolas continues the story further, replacing the whisper with a growl. Solemn, upset riff cycles alternate with solo guitar interludes and acoustic themes, until a melody of a cosmic scale bursts into the narrative. The aggressive contrast of “Nunataks” seems unusual for Norilsk, but the name comes to the rescue here. “Nunatak” is a rocky peak surrounded by ice in the language of the Inuit, and the stubborn, rebellious melody justifies the name. It helps to get through the death-doom hummocks and the pumping mid-tempo post-doom hit “La fonte”; Norilsk know how to surprise.

Everything ends, however, with the dirge “Un chant pour les morts”, nothing can be done about it – “a song for the dead”. Not everything is clear about the album, and as a good tradition – I offer you this interview with Nicolas Miquelon, another good chat about good music. Continue reading »

Jul 152025
 

(In this new interview our Russian contributor Comrade Aleks talks with one of the members of the Russian black metal band Tsaretvoretz (Царетворец), whose second album was released in May by Svanrenne Music.)

The official press-release of this melancholic black metal from Russia states: “Tsars are created with blood, committing palace coups. Or with impulses of the soul, perversely evolving into the creation of idols for themselves. But after the fire, only ashes remain. Tsaretvoretz is a straightforward black metal with fiery melodies and atmospheric melancholic passages of post-black, absorbing all the best from Russian and Scandinavian examples of the coal genre. For connoisseurs of Morokh, Second to Sun, Downfall of Gaia”.

Laconic yet informative – as well as this interview with one of Tsaretvoretz’ founders we did due to the release of their second album Kostmi Usypana Zemlya / The Ground Is Strewn with Bones.

Continue reading »

Jun 122025
 

(Today we present Comrade Aleks‘ interview of Graf von Beelzebub from the long-running German black metal band Mystic Circle. They have been on a creative hot streak, with a just-released album named Kriegsgötter MMXXV following up 2023’s Erzdämon, and yet another album headed for release this coming Halloween. So, lot’s to talk about.)

Well, it’s a kind of an awkward situation, because the interview with one of the oldest German black metal bands Mystic Circle was initiated due to their new release Kriegsgötter MMXXV, which was scheduled on June 6th by Rock of Angels. Indeed it is a kind of compilation, and the band’s followers find there a lot of well-known covers and other stuff, and the band updated this material and you’ll read about it in the interview below.

But during the interview it was discovered that Graf von Beelzebub (vocals, guitars, bass, keyboards) and A. Blackwar (drums, guitars, keyboards) had prepared new album, Hexenbrand 1486. And we’ve dug out a few facts about it as well. Continue reading »

Jun 062025
 

(We present Comrade Aleks‘ interview of Alexey Rumyantsev from the Russian death metal band Dig Me No Grave, whose new album is set for co-release by Satanath Records and Metal Race Records on June 15th.)

It’s difficult to add something to Islander’s overview of Dig Me No Grave’s fourth album Necrocosmic Ceremony. Yet this interview was planned long ago indeed for this Russian band that performs quite old school death metal focused on Lovecraftian horror and Robert Howard’s most grim fantasies. So let’s consider it as a logical addition to the review, and I hope that Alexey Rumyantsev, as the band’s vocalist and founder, will help to dig into it deeper. Continue reading »

Jun 032025
 

(We present Comrade Aleks‘ interview of Johan Langquist, vocalist of Candlemass and mastermind of the solo project Johan Langquist – The Castle, whose debut album, accompanied by talented allies and digitally released last year, will receive physical releases on June 27th of this year via I Hate Records.)

It’s hard to imagine what the landscape of the world doom scene would be like if the Swedish band Candlemass hadn’t recorded the legendary Epicus Doomicus Metallicus in 1986. This and the following two albums became a source of inspiration and an unattainable quality mark for many bands who worked on the doom path for a long time.

Although Johan Langqvist, who left Candlemass immediately after recording the debut, was only a guest vocalist, this did not stop fans from dreaming about his return for many years, and dreams came true in 2018 when the band reunited in almost “the same” line-up. Who would have thought that today, against the backdrop of Candlemass’s 40th anniversary and the release of their new EP, the news about the release of Johan’s first solo album would be lost? We’ll correct this omission. Continue reading »

May 022025
 

(Today Season of Mist is releasing the monumental 11th album by the Greek metal band Nightfall, with cover art by Eliran Kantor, and in anticipation of that Comrade Aleks conducted an extensive interview with founder and frontman Efthimis Karadimas. It is an excellent read, and we have it for you below.)

Nightfall was always one of those charismatic Greek bands that had its own identity despite all the changes in style. Once they were neck-deep into a rebellious seething stream of death and black metal, then they entered territories of doom and gothic metal. Always on the move, always searching. It’s not a surprise that Efthimis Karadimas (vocals, bass) is the only original hand of Nightfall who has stayed with his creature since the day it was born back in 1991.

However, the band returns with its eleventh album – Children of Eve – full of power and boiling artistic intention. This epic album carries on traditions of ancient Greek metal and keeps its grim identity untouched. However, I find it stupid to tell a lot of pompous words about the band, as we have Efthimis here, and this interview turned out to be a pretty in-depth one. So enjoy Nightfall. Continue reading »

Apr 082025
 

(Today we share Comrade Aleks‘ interview with Dmitry “Dym Nox”, the drummer, bassist, and vocalist of the Russian death metal band Pyre, whose latest album has been out for a couple of months on the Osmose label.)

Pyre is probably the most powerful and recognized Russian death metal band, and the release of their third album Where Obscurity Sways at the end of January on Osmose Productions was an event.

The previous album Chained to Ossuaries was recorded five years ago by Dmitry “Dym Nox” (drums, bass, vocals), Roman Rotten (guitars), and Fred Obsinner (guitars). It was a strange experience for the band: Pyre were then on a tight deadline, there were problems with the drummer, and they, as never before, wrote and recorded all the material in a year, and it was immediately released. And Dmitry considers Where Obscurity Sways as a spontaneous continuation of its predecessor, but on a different level both in general and in production.

According to him, the band is currently euphoric about the result, especially since the new material was recorded with drummer Oleg “Malleus”, with whom Pyre had been playing together for a long time and testing out ideas. The result is impressive. I interviewed Dmitry for the Dark City magazine, and as soon as the current issue is released, I’d like to share this interview with you.

Continue reading »

Apr 042025
 

(In February we had the pleasure of premiering and reviewing the newest album by the French doom band Carcolh, which is out now on Sleeping Church Records. Today we present Comrade Aleks‘ new interview with Carcolh vocalist Sébastien Fanton, and he again proves to be a wonderful conversationist.)

Five men from Bordeaux love and know how to make smart, traditional, almost textbook doom metal. And why not! Most of them did it years before Carcolh, and, let’s face it, they are professionals in their field.

“Carcolh” is a mythical half-snake, half-snail from French folklore, but this does not mean that the guys are “barely dragging their feet.” They managed to tell six stories in the 46 minutes of their third full-length Twilight of the Mortals, revealing in their own way the nature of human tragedies in the sublunary world.

This album shows that Carcolh maybe do not progress in a global sense of the word, but confidently move forward enriching their soundscapes with a lot of new nuances and semi-colours. All the instruments sound heavy, clear, rational, and tasteful. Sébastien Fanton’s vocal lines are harmonious and noble, matching the themes performed by his colleagues. Twilight of the Mortals is far from monotonous; its pace varies from the furious gallop of “The Battle Is Lost” to the crushing dirge of “My Prayers Are for Rain” or the twelve-minute long, multifaceted, and saturated “Empty Thrones”.

This material isn’t something one could easily digest in a case you aren’t into traditional doom metal, yet we did the interview with Sébastien, and it may help you to get how cool Carcolh are. Continue reading »