Dec 292025
 


L-R: Thomas Ohlsson, Rogga Johansson

(On December 19th Emanzipation Productions released This Life Is A Grave, the latest album by Rogga Johansson’s long-running melodic death metal band Dead Sun. And that event led Zoltar to contact Rogga for the interview you’ll find below. We’ve stitched in some of Dead Sun’s new music too, which is well worth your time.)

Oh yeah. Rogga Johansson. Like again. I know what you’re thinking: with no less than 48 (!) bands/projects listed as ‘active’ on his metal archives page, and don’t get me started on those considered ‘inactive’ as there are as many, it may be hard sometimes from an outsider point of view to take the man seriously. I mean, who does have 48 bloody different aliases, especially since in most cases it more or less is to do the same kind of chuggin, old-school and full of ‘ugh!’ style of death metal whose foundations were laid out by his main band PAGANIZER back in 1998? Isn’t it all the same all over again?

Well, as one of the few psychos who own, if not all, say, most of his works (give or take, over 120 + albums dude), I (slighty) beg to differ. Yep, you need first of all to be a sucker like me for this brand of Swedish mid-tempo rudeness but believe me when I tell you you’ll find different flavors here and there, that is if you know where to look.

Case in point being DEAD SUN: next to his solo albums or EYE OF PURGATORY, this is probably as close as ‘melodic death metal’ goes, Rogga Johansson-style. Meaning: catchy as fuck, because let’s face it, the man knows a thing or two about coming up with instantly memorable in-your-face crusty riffs. Yes, This Life Is A Grave is their (his?) official ninth full-length, but next to the criminally overlooked 2019 Night Terrors one of their best under that moniker. Plus it’s DEAD SUN’s first under the banner of Emanzipation Productions, who already has a long history of partnership with Mr. Johansson thanks to STASS or THORIUM.

So come on, don’t be shy, come on and have a taste! Continue reading »

Dec 312022
 


Deiquisitor

Today we’ve already presented Andy‘s last SYNN REPORT of 2022, but I also wanted to throw at you one last round-up of new songs, especially because new metal has continued to drop throughout this last odd week between Christmas and New Year’s Eve – a time when some people kept working and others took time off, when some people reflected on the events of 2022 and others just wished the fucking thing would end, in the hope that turning the page would bring improvements.

The title of this post is literally true. Everything I chose to recommend was something I listened to for the first time this morning. I also thought it would be fitting to focus exclusively on music that emerged just this past week.

Before I forget, I also want to take this opportunity to thank everyone, both our writers and our visitors, for sticking with us in 2022. Please stay safe tonight, whatever you choose to do. We need you back with us in 2023. Hollering into a void is a less appealing prospect than hollering at people who are paying attention and might find some rays of light (and abyssal pits) in the music we’ll be yelling about. I won’t wish you a Happy New Year yet. I’ll do that tomorrow, in our first post of 2023. Continue reading »

Jun 232020
 

 

This song doesn’t go where you think it will. How it starts and how it ends are two completely different experiences. The band build a bridge between these two places over the course of the passing minutes, using the sound to carry you across a chasm — though what’s really happening, as you’ll discover, is that their bridge is carrying you into that chasm.

The song we’re presenting is the title track to A/B, the debut album of the Chicago band Dead Sun, which will be released on August 21 by Flesh and Bone Records. Their music is a bit off our usual beaten paths here at NCS — “slowcore/doomgaze” is one genre descriptor you might see, and there’s singing. But the emotional darkness in the music suits our tastes, and the phased transition that happens within this particular track has proved to be persistently enthralling even after many listens. Continue reading »