Mar 222024
 

(Didrik Mešiček wrote the following review of a new album by the Faroese band Hamferð, which is being released today by Metal Blade Records.)

The Faroe Islands, a harsh archipelago, technically belonging to Denmark, with a population of roughly 54k people has 14 bands listed on Metal Archives. Ten of those are active and one of those is Hamferð, which is the band whose new release, Men Guðs hond er sterk, I’ll be covering in this article. The band has been around since 2008 and won the Wacken Metal Battle competition in 2012, after which they’ve released two full-length albums, with this being their third, which will come out on March 22nd on Metal Blade Records.

I can’t say I’ve been overly familiar with this band before and mostly only knew them by name, but what really drew me to this record immediately was the title. Men Guðs hond er sterk or, in English, “but God’s hand is strong”, is for some reason one of those phrases that automatically make me very intrigued, as it’s filled with promise and romance.

If we take into account the harshness of the Faroes, the phrase is so much more impactful, as life on the islands can truly be rough and, from what I’ve seen and been told, it truly feels as if you’re at the mercy of some sort of a god and its whims, whether on land or in a fishing boat not far off shore, a lesson captured in the tragic 1915 whaling event that inspired the record. Continue reading »

Jan 172024
 

(Didrik Mešiček reviews of the new album by Lord Dying ahead of its January 19 release)

The utter nonsense of “new year, new me” is surprisingly somewhat true for me this year as I’m delving into some sludge metal, a subgenre I’ve not really followed much before.

I wasn’t aware of Lord Dying before they had a show here, in Ljubljana, and I was told they were very impressive live and that I should check them out.

It turns out that was a good suggestion and I’m now not at all bitter about missing them. Absolutely not. Continue reading »

Dec 212023
 

(Didrik Mešiček from Slovenia made his first appearance as a writer at NCS this past September, and has given us six reviews before 2023 has ended. In the feature below he shares his list of the year’s Top 20 metal albums.)

If 2022 felt like the year in which we recovered from the pandemic, 2023 really went into full bloom for me from a musical perspective. I’ve seen around 90 bands live, which is definitely my new record (that I, of course, plan on breaking next year). On the front of new releases, however, I can’t say I found it to be a particularly impressive year and would generally rank the pandemic years higher.

The notable shift for me personally though was that there are a lot more black metal inclusions than usual. Whether this is my personal evolution or a sign of the genre continuing to evolve in a positive manner, as I do believe it has in recent years, or a mix of both, I’m not quite sure. Without further ado, here’s a list of 20 albums that I’ve found either most impressive, most appealing, or just worth pretentiously talking about for one reason or another this year.

For those less gifted in the art of reading, here’s also a link to the Best Of 2023 (only about 6 hours of material) playlist, which is made up of my picks from the albums I talk about here plus a few extra songs that were also released this year: https://open.spotify.com/album/6ePCa1DxMuRWkjddULq6GW?si=zrG_Vu2QTR6IWYOaYptR5w Continue reading »

Nov 032023
 

(Here we present Didrik Mešiček‘s enthusiastic review of the just-released second album by the Russian black metal band Бѣсъ.)

Well, that’s a lot of signs we’ve not seen before, isn’t it? It turns out this is some sort of old Russian Cyrillic (possibly Old Church Slavonic?) that even I, as a Slav who can generally read Cyrillic, can’t decipher. (I found out after writing this intro that the band translates the album title to “Ov the Devil”.)

Behind the name hides a Moscow-based black metal band, founded as recently as 2019. I first noticed them with their debut album, Кощунства (2020) which already had some really cool tracks and ended up just missing my top 20 list that year. Ѿ Лукáвагѡ was released on October 27th independently. Continue reading »

Nov 012023
 

(Didrik Mešiček wrote the following review of the third album by the Vancouver-based trio Crystal Coffin, which was just released yesterday.)

In my continued search for black metal that’s not quite the typical ’90s second wave sound that we all love/hate (choose whichever applies to you) I’m often intrigued by qualifying words like melodic, symphonic, or folky before the name of the subgenre. This time it’s the Canadian Crystal Coffin that’s caught my attention, a band that supposedly falls into the melodic group, if Metal Archives are to be believed. Their new album, The Curse of Immortality, will be released independently on the 31st of October, two years after the band’s previous album, The Starway Eternal, and that’s what I’ll be talking about today.  Continue reading »

Sep 262023
 

(Below we present a review of the new album by the Irish band Primordial written by NCS contributor Didrik Mešiček.)

I’ve always found it a bit surprising that Ireland, given its significant influence on the rock scene, hasn’t really provided us with many well-known and successful metal bands. But there’s no denying Primordial have been one of the fiercest forces in the black metal spheres, and when you have a band like that not much else is needed.

The Irishmen will be releasing their 10th album, How It Ends, on September 29th on Metal Blade Records, five years after their previous album, Exile Amongst the Ruins. Continue reading »

Sep 202023
 

(Didrik Mešiček prepared the following review of a debut album by the Budapest-based band Grymheart. It will be released soon by Scarlet Records.)

You wouldn’t have thought so if you knew me today, but power metal was my entry point into metal and, for a while, probably my favourite subgenre, However, as years passed and tastes evolved I realised I’m not finding many new power metal releases that are interesting or engaging, yet alone complex enough to really satisfy my desires.

But once in a while something pops up that seems fun as well as actually musically interesting, which is why I’ll be talking about the debut album, Hellish Hunt, from the Hungarian Grymheart today, which will be released on the 22nd of September on Scarlet Records. Continue reading »

Sep 082023
 

(Having made his NCS debut yesterday, guest contributor Didrik Mešiček comes right back with the following review of a new album-length EP by Finsterforst, which is out today on AOP Records.)

Finsterforst first appeared on my radar with their previous release, Zerfall, which turned out to be one of the best (blackened) folk metal releases of 2019. The Germans insist on their rather complex musical style, which can seem daunting at first, but it’s very worth investing some time into their music as it does reward you with every listen.

This time the band are back with a new EP (although at 40 minutes, is it really an EP?) called Jenseits, which is really one song, divided into four parts. It will be released on September 8th on AOP Records. Continue reading »

Sep 072023
 

(We welcome guest contributor Didrik Mešiček, who makes his first NCS appearance with the following review of a new album by Portland-based Uada which is set for release by Eisenwald on September 8th.)

I didn’t know I liked Uada up until this spring. Sure, it was vaguely alluring, with a sense of a woodland ritual and thus I had respect for the band, but their music never truly grabbed me. However, I got to see them live in March and while the sound was actually really bad, it was still very enjoyable.

In the following weeks, having listened to the setlist a few more times, I realised I absolutely adore their melodic and ritualistic black metal sound, and that means this album could not be released at a better time for me. Crepuscule Natura will be released on the 8th of September on the Eisenwald label, almost exactly three years after their previous album, Djinn. Continue reading »