Nov 032025
 

(Andy Synn highlights six gems from October you may have overlooked)

I’m going to say something controversial here, but… if you see someone talking a big game about how they “listened to 500 albums this month” they’re probably lying.

Ok, maybe not lying (though some are probably doing it just for clout and clicks) but definitely stretching the truth a little, because there’s a big difference in my book between hearing an album and actually listening to it.

Don’t get me wrong, I really do wish I had time to listen to that many albums each month, and I’m sure there are other writers/reviewers out there who legitimately rack up bigger numbers than I do, but chances are that anyone making a hyperbolic claim like that isn’t giving the albums in question the time and attention they deserve… especially if they’re a writer/reviewer who is supposed to actually be offering some insight into the albums/artists in question (something which takes more than just a couple of cursory spins to do).

So while I can’t, at the moment, give a full-throated and whole-hearted recommendation to everything I heard last month – the ones I’ve chosen to feature here are the ones I feel most qualified to comment on, but there’s still many more I need to spend time with and process properly – I would encourage you, once you’re done with this article, to go check out the latest releases from Galge, Scorching Tomb, and Torture Machine (if you’re of a Death Metal-y persuasion), Haeresis, Scalding, and Sunken if you’re more into Black Metal, and Mriodom and Stonebirds if you’re looking for something on the groovy, Stoner-y side of things.

Before then, however, here’s some albums I definitely can recommend to you.

Continue reading »

Sep 302025
 

(written by Islander)

Let’s begin with these words from Transcending Obscurity Records, because they effectively create justifiable intrigue about what you’re about to hear:

Drofnosura from Canada are a strange beast and they’re comfortable in their own iridescent, translucent skin. They have taken elements from multiple styles such as sludge, doom, black, and even post metal, finely ground them, and used the material to sculpt a new body entirely. The influences are not as distinct any more but the entity nonetheless is able to shape-shift and display the tendencies of those styles.

That passage is part of how T.O. introduces Drofnosura‘s second album Ritual of Split Tongues, which will be released on October 24th. They also characterize the music as “whimsical, rhythmic, and elegant,” but as you ponder those adjectives don’t lose sight of the album’s cover art, because like that ghastly image the music is also quite capable of becoming horrifying — as you’ll soon learn for yourselves. Continue reading »