As explained on Sunday, the surprise release of the new Kriegsmaschine album de-railed my plans for the regular SHADES OF BLACK column, causing me to move the music I’d originally picked into the second part of what had suddenly become a two-part post. And for other reasons I won’t both you with, I couldn’t finish Part 2 on Sunday. Once the whirlwind of Monday began, I couldn’t finish it for yesterday either.
There was a lot of new music I had planned for Part 2, including three full releases — and I still haven’t finished writing about those, given the volume of premieres I’ve been writing about yesterday and today. Rather than delay further, I’m just going to include the individual tracks and videos from Part 2 here and come back to the full albums as soon as I can.
My interest in folk metal, which many years ago was once eager, became nearly moribund when I felt like I was hearing very similar Celtic melodies over and over again, regardless of what country they were coming from. Granted, the original Celts spread their culture over a wide swath of Europe, from what we’d now call “The British Isles” to what we now call Turkey. Still, the sameness of the music began to grow tiresome, or maybe I just wasn’t exploring as much as I should have. I still prize ethnic melodies when they’re less familiar to my ears, but in general I’m at the point when I’m hard to win over.