IN MOURNING: FULL ALBUM STREAM

 Metal News  5 Responses »
Apr 112012
 

You remember that album cover, don’t you? Sure you do. How could you forget it? It’s the Necrolord cover for The Weight of Oceans, the third album by Sweden’s In Mourning, which will be released by Spinefarm Records on April 18. It’s what we call a “highly anticipated” release here at NCS.

And beginning today, everyone can hear the entire album. It will be streaming between now and that April 18 release date at the Kaaoszine web site, which you can reach via this link.

I’ve only had time to listen to the first three tracks, but they justify our eagerness for the album. The lengthy album opener, in particular, warrants the over-used term “epic”. It’s called “Colossus”, and if you don’t have time for anything else, check that one out — it took me back to memories of Opeth’s Blackwater Park.

Of course, please come back here and let us know what you think.

EYE-CATCHERS: IN MOURNING

 Eye-Catchers, Metal News, RANDOM FUCKING MUSIC  22 Responses »
Mar 242012
 

THAT, my friends, is the cover art for the new (third) album by Sweden’s In Mourning, The Weight Of Oceans, which will be released by Spinefarm Records on April 18. The artwork is by none other than Kristian Whålin (Necrolord).

This is old news, since the album art and details about the album were released in late February — except I didn’t pick up on it until TheMadIsraeli started chatting with me about In Mourning earlier today on FB.

Necrolord has created so many stupendous metal album covers in his career, but this is definitely one of my favorites.  This excerpt from his bio at The Font of All Human Knowledge includes some info I didn’t know (and after the jump, I’ve got some music from The Weight of Oceans):

At the age of 17, Wåhlin formed Grotesque (as guitarist) with school friend Tomas Lindberg on vocals, Alf Svensson on guitar, and Tomas Eriksson on drums. The 1990 break-up of Grotesque would lead to the formation of At the Gates, who would be credited as instigators of the “Gothenburg Melodic death metal sound”. Wåhlin would collaborate with Lindberg and other At the Gates members a short time additionally in the death metal band Liers in Wait, and would go on to design the “Russian icon” cover-art of At the Gates’ cornerstone release, Slaughter of the Soul.

Dissection, who shared practice quarters with At the Gates, would display illustrations by Wåhlin on the cover of The Somberlain and also Storm of the Light’s Bane; the latter featuring the infamous scene of the “grim reaper horseman” in the middle of a snow-covered forest tundra. In the Nightside Eclipse, the debut of seminal Norwegian black metal band Emperor, would also be graced with his work on the cover. Wahlin would continue as an album artist for several other bands in the European death, black, doom, power and gothic metal collective throughout the 2000s.

Continue reading »

FIREANGEL’S FAVORITES FROM 2011

 Listmania  7 Responses »
Dec 142011
 

(One of the best things about operating NCS is the chance to make connections with metal-lovers from around the world. Because of our frequent focus on Finnish metal, I’ve made a connection with “fireangel“, one of the two creators of a very informative and entertaining Finland-based blog called Night Elves. I invited fireangel to write a post for our year-end Listmania, and here it is.)

Islander kindly invited me to share my favourites of 2011, knowing full well that my taste oscillates between “No Clean Singing“ and more often its mirror image, “No! Clean Singing!”, as it was so nicely put in the 2-Year-Anniversary-post, and that my suggestions would make a better fit with “Exceptions To The Rule” than the NCS Rule itself. Nevertheless, he thought he could live with that, so maybe you can, too. Even though this post is written by one person, it includes the musical favourites of both Night Elves.

I selected some songs that work as my personal pick-me-up for plenty of situations – feeling tired, sleepless, moody, etc – and can convert me into a decent citizen, at least for a limited time.

In order to test the boundaries even more, this post also includes songs that are not necessarily from 2011, but I listened to them on quite heavy rotation in this year. Continue reading »

 Newer Entries