Oct 092025
 

(We present Comrade Aleks’ interview of Riccardo Conforti, which focuses on his band Lights of Vimana and their debut album Neopolis, released in June of this year on the Dusktone label.)

Lights of Vimana is a new project of musicians known by a lot of doom fans. It features Jeremy Lewis, current guitarist for Pantheist and Mesmur, and Riccardo Conforti, drummer and keyboardist for the epic Italian project Void of Silence. On vocals is Olmo Lipani, aka Déhà, who has performed with Clouds and… well, he’s got about twenty other active projects and bands, ranging from the ambient drone band Slow to the cutting-edge black metal band Cult of Erinyes.

In short, there are only three members, but they’re all experienced and well-rounded. It’s hard to say who’s in charge in Lights of Vimana, but the rich, cinematic keyboard arrangements evoke similarities between Neopolis and Void of Silence‘s albums, so it seems as if Riccardo deserves credit for the music. On the other hand, the divinely inspired guitar melodies and progressive compositional structures are clearly the work of Lewis. Déhà, as a vocalist, has complete freedom of expression, and the album’s five tracks provide ample space for both growls and clean vocals.

Needless to say, this is a project I couldn’t skip easily, so we got in touch with them in order to shed some light (of Vimana) on Neopolis. Continue reading »

May 192025
 

(written by Islander)

Lights of Vimana is a new multi-national band that unites three known talents from realms of extreme music: Riccardo Conforti from Italy (Void of Silence) on drums and synths, Jeremy Lewis from the U.S. (Mesmur, Pantheist) on guitars and bass, and Déhà from Belgium (Slow, Cult of Erinyes) on vocals. Their debut album Neopolis is now set for release by the Italian Dusktone label on June 13th.

In previewing the album, Dusktone has characterized the music as “atmospheric/progressive doom metal,” and as “a deeply cinematic and textural sound that diverges from the members’ heavier roots, instead weaving together influences from Hans Zimmer, Porcupine Tree, and My Dying Bride.” They add: “Déhà’s predominantly clean, expressive vocals lend a raw, human element to the album’s brooding, futuristic soundscapes, while Conforti’s ambient synth layers and Lewis’s expansive riffs create a dynamic interplay of beauty and desolation.”

And we’ll add one further quote from the previews offered on behalf of Dusktone, because it really rings true

The album paints a vivid portrait of a dystopian world – cold, vast, and haunting – where shimmering atmospheres meet the crushing weight of doom. It is a journey through collapse and transcendence, where every note feels like a flicker of light in the ruins of tomorrow.

One memorable song from the album has already been revealed, and today we present a second one: “Nowhere“. Continue reading »