The “post death metal” band Pandrador hail from Poland but for their forthcoming second album Seiðr (set for release by Pagan Records on May 26th) they have again drawn inspiration from the heritage of Scandinavian culture. But anyone who guesses they’re about to hear “Viking metal” needs to think again.
The narrative of the album is very much a contemporary heroic poem, not a pedantic leafing through the pages of ancient histories and poems or musical paeans to the glories of Valhalla but a challenging examination of tradition that uses it as a jumping-off point into disturbed reflections about human culture as it now exists (worldwide) and what the future might bring (if we have one).
It’s worth spending a few more minutes about Seiðr‘s conception, because this is one of those albums where the thematic content and the music aren’t really separable. As the advance press describes it: “They complement each other, set the pace and mood for each other. The album spirals through a spectrum of emotions, from unbridled rage, through denial, painful understanding and powerlessness in the face of one’s own tragedy, to the final statement – ‘too late.'” Continue reading »