BURIED REALM: “THE DORMANT DARKNESS”

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May 262025
 

(Our old friend Professor D. Grover the XIIIth returns to NCS to sing the praises of a new album by Colorado-based Buried Realm that saw release in April of this year.)

“Who the hell is Josh Dummer?”

Greetings and salutations, friends. The above question was what I asked myself upon hearing Buried Realm’s 2020 album Embodiment Of The Divine, a surprisingly polished platter of modern melodeath in the vein of Scar Symmetry and Bloodshot Dawn, two bands whose output I greatly enjoy.

Dummer is the sole member of Buried Realm, handling all songwriting, guitars, bass, and vocals, with the exception of a number of notable guests on each album (more on that in a moment). I was impressed at the level of skill present on Embodiment, to the point that it ranked as my number 7 album of 2020. 2022’s eponymous follow-up was equally impressive, with a better sound, and ranked as my number 10 album of the year in a very strong crop of albums.

Now, Dummer returns with The Dormant Darkness, and I have thoughts. Continue reading »

CYTOTOXIN: “BIOGRAPHYTE”

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Apr 222025
 

(On April 11th the German destroyers in Cytotoxin independently released their new album Biographyte. For our friend Professor D. Grover the XIIIth it was one of his most eagerly anticipated albums of the year, and now we have his review of it.)

Finally, it is here. Rejoice!

Greetings and salutations, friends. My early exposures to Cytotoxin generally revolved around me hearing the early moments of the Gammageddon album, with its overwhelming flurry of guitar notes and pig-squeal vocals, just enough for me to decide that this sort of brutal tech probably wasn’t my kind of thing. It wasn’t until I dove into 2020’s Nuklearth, an album that sanded down a lot of brutal death metal’s rough edges, that Cytotoxin really clicked for me, and while it finished fourth on my year-end list for 2020 (a fascinating read four years later, and one that would likely undergo some restructuring with current hindsight), in the years that have followed it’s easily the album from that year that I’ve listened to the most.

My initial misgivings with brutal death metal stemmed from the more over-the-top elements of the subgenre: the ridiculousness of the ultra-low guttural or pig-squeal vocals, the pinging snare drums and rough mixes in general, the gratuitously violent and sometimes misogynistic art and lyrics. Nuklearth had basically none of these, but still married brutality with tech-death precision into something not quite like anything else I had heard. From there I branched out, starting with the rest of the Cytotoxin discography, then to adjacent bands like Katalepsy, Benighted, Unfathomable Ruination, and Analepsy. I still avoid most of the genre, but my horizons have broadened anyway. Continue reading »

clipping. — “DEAD CHANNEL SKY”

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Mar 262025
 

(This is our friend Professor D. Grover the XIIIth‘s review of the latest album by the clipping. trio from L.A. and their guests, which has been out on the Sub Pop label since March 14th. And it’s actually the second mention of them in our pages; the first time, almost six years ago, was here.)

Greetings and salutations, friends. There’s a very good chance that you’re not familiar with the noise hip-hop trio clipping., or if you are you may be wondering why they’re being discussed here on No Clean Singing. The answer to that question is because Islander said I could review their new album, mostly, but also because their music is uncompromising and esoteric and has plenty to offer to metal fans who are a little more open-minded.

The trio, comprised of multi-hyphenate rapper-actor-Broadway star Daveed Diggs (best known for filling the roles of Thomas Jefferson and the Marquis de Lafayette in the original stage production of Hamilton and the Snowpiercer TV series) and producers William Hutson (Rale) and Jonathan Snipes (Captain Ahab), recently released their fifth full-length album Dead Channel Sky, the album I am here to discuss. Continue reading »

LISTMANIA 2024: A YEAR-END LIST BY PROFESSOR D. GROVER THE XIIITH

 LISTMANIA 2024  1 Response »
Dec 242024
 

(Our friend Professor D. Grover the XIIIth (ex-The Number of the Blog) has been joining us this time of year for many years to share his diverse year-end lists, and does so again now. There’s a lot here, and, once more, it truly is diverse.)

Greetings and salutations, friends. Here we are again, poring over a year’s worth of music and taking stock of our thoughts about it. I always enjoy the opportunity to reflect on what I’ve heard throughout the year, to see how my music taste has evolved from years past. It’s been a busy year for me, working while trying to adapt my schedule to the sports activities of three kids, but I’ve still found plenty of time to check out a solid number of albums.

As always, I’ll start with some honorable mentions. This is not an exhaustive list of everything that I’ve heard through the year, of course, but it is most of the albums that caught enough of my attention to warrant at least some attention. Many of these could have made my final list, but then said list would have been absurdly long, and I just don’t have the time for that. Unlike last year I’m not dividing them into categories, either, but rest assured, I enjoyed all of these albums a great deal. Continue reading »

THY CATAFALQUE: “XII: A GYÖNYÖRÜ ÁLMOK EZUTÁN JÖNNEK”

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Oct 252024
 

(Professor D. Grover the XIIIth rejoins us today with his review of Thy Catafalque‘s latest album, which will be released on November 15th by Season of Mist.)

Greetings and salutations, friends, and a happy impending Thy Catafalquemas to all who observe. It is at this point all but an official position of mine here at No Clean Singing as Guy Who Reviews The New Thy Catafalque album, a duty I relish. It is established canon at this point that Thy Catafalque are one of my favorite bands of the last two decades, an opinion bolstered by their consistently excellent output and clockworkesque album release cycle. Impressively, even with bandleader Tamás Kátai solidifying Thy Catafalque as a live entity, this new release (XII: A gyönyörü álmok ezután jönnek, or “The Beautiful Dreams Are Yet to Come”) comes only a year after its predecessor, Alföld. Continue reading »

PRONOSTIC: “CHAOTIC UPHEAVAL”

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May 252023
 

(Professor D. Grover the XIIIth returns to our site with the following enthusiastic review of the second album by Montreal-based Pronostic, which was released in mid-May.)

Greetings and salutations, friends. The fretless bass holds an impressive position in the history of death metal, especially as it pertains to death metal’s more technical sub-branch. Present at the subgenre’s inception thanks to legends like Steve DiGiorgio and Sean Malone, the fretless bass has become especially popular with the current popularity of tech death, thanks to modern practitioners like Dominic “Forest” LaPointe, JP Thesseling, Linus Klausenitzer, and Hugo Doyon-Karout. LaPointe probably set the high water mark for absolute fretless mastery on the most recent First Fragment album, a performance that may never be surpassed.

If this seems like an odd way to start off a review, I say all of this because Pronostic‘s new bassist, Xavier Sperdouklis (also of the excellent Killitorous) has definitely added himself to the conversation on this new Pronostic record Chaotic Upheaval. Continue reading »

THY CATAFALQUE: “ALFÖLD”

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May 022023
 

(Thy Catafalque‘s latest opus Alföld will be released by Season of Mist on June 16th, and today we present a review by our old friend and ardent Thy Catafalque student Professor D. Grover the XIIIth.)

Greetings and salutations, friends. It is once again my favorite time of year (well, my favorite time of every two or three years): Thy Catafalque season. That’s right, my favorite Hungarian multi-instrumentalist and musical genius, Tamás Kátai, has maintained his reliable release schedule and graces us once more with a new Thy Catafalque album. While the core principles of the musical project remain the same (Kátai is the sole member, supported by a sizable rotation of guest musicians lending their talents in various capacities), the Thy Catafalque sound continues to evolve, aided by a significant musical development.

If you’re a fan of the band, or happened to read my top album list from last year, then you’re likely aware that Kátai took a huge step on the past year or so by taking Thy Catafalque into a live setting for the first time. The band’s first live performance was recorded and released as a live album, and there have been a handful of other live performances since, with a shifting lineup appropriate to the band’s history. While Kátai‘s involvement in the first live show was surprisingly limited (only playing bass on a handful of songs), he has in subsequent shows taken up full bass duties, and it feels as though performing live has affected the tracks on this new Thy Catafalque album Alföld. Continue reading »

GOROD: “THE ORB”

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Feb 222023
 

(Professor D. Grover the XIIIth returns to NCS with the following review of Gorod’s new album, which is set for release on March 7th.)

Greetings and salutations, friends. If you’re reading this, I can only hope that you are familiar with French tech-death masters Gorod, whose career now spans two and a half decades (counting their early years as Gorgasm). The Orb is only their seventh full-length release, with a pair of EPs (and a couple early demos) sprinkled in, but at this point in their career their work has reached legend status in certain corners of the metal world. In my humble esteem, Gorod have for me represented the gold standard of modern tech-death ever since Process Of A New Decline, the album that truly got me interested in tech-death in the first place, and while that release remains my favorite to this day their output has been consistently high.

Gorod‘s style has evolved incrementally with each release, with the biggest shifts generally following a change in the band’s lineup. While the band have been spearheaded from the beginning by guitarist Mathieu Pascal and bassist Benoit Claus, the additions of guitarist Nicolas Alberny and, later, drummer Karol Diers have contributed to the band’s growth. The most notable change came with the additional of current vocalist Julien “Nutz” Deyres after the release of Process, and he made his presence and expanded vocal range felt immediately on the Transcendence EP, especially on that release’s 15 minute title track. ‘Transcendence’ brought with it an expanded focus on progression that paired exceptionally well with the band’s technical prowess and knack for writing catchy hooks and grooves, and the band has further explored that progression on subsequent releases. Continue reading »

MAJESTIES: “VAST REACHES UNCLAIMED”

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Feb 102023
 

(Professor D. Grover the XIIIth returns to NCS with the following review of the debut album by Majesties, which is set for a March 3rd release by 20 Buck Spin.)

Greetings and salutations, friends. It is well-established canon at this point that your friendly neighborhood professor is a great fan of Tanner Anderson and his work in Obsequiae. Aria Of Vernal Tombs stood easily as my favorite black metal album and I was skeptical that anything could equal it, and honestly nothing did until Obsequiae‘s follow-up, The Palms Of Sorrowed Kings. Asked now, and I swear to you that I could not choose a favorite between the two, as they are both absolutely brilliant.

I tell you this because when I heard first of Majesties, I grew excited nearly to the point of arousal. Driven by my initial impression of the first track released, ‘The World Unseen‘, it seemed that Majesties was essentially Tanner Anderson and friends performing Lunar Strain-era In Flames-style melodeath, an impression bolstered by the release of a second track, ‘In Yearning, Alive‘. My friends, let me tell you, that seemed like a perfect combination, like the genius who first combined chocolate and peanut butter. And then I got to hear the entire album. Continue reading »

LISTMANIA 2022: A YEAR-END LIST FROM PROFESSOR D. GROVER THE XIIITH

 LISTMANIA 2022  1 Response »
Dec 262022
 

(Our friend Professor D. Grover the XIIIth (ex-The Number of the Blog) has been joining us this time of year for many years to share his diverse year-end lists, and does so again now.)

Greetings and salutations, friends. As another year ends I find myself trying to sift through everything I listened to with the intention of compiling a list of everything that I enjoyed, and as usual I realize that I listened to a whole lot of music.

Oddly, this year I thought I was going to have a difficult time filling out a real list, only to wind up with a list of 77 albums that I had to narrow down. Anyway, because they can’t all go on the list, here’s the honorable mentions that didn’t quite make the cut. All of these albums (and let’s be honest, more beyond this that I didn’t even list) could have made the main list. It really was that close. Continue reading »

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