Feb 172021
 

 

Musicologists have spilled millions of words tracing the twisting and twining path of underground and popular music from R&B to rock ‘n’ roll, punk, metal, and elsewhere. Over time, and in different ways, the connections often seem to snap apart, producing music that seems severed from distant roots, even as the overaching ethos of “outsider” music might remain intact. Blast-beats, for example, diverge sharply from back-beats and d-beats, and the blazing or freezing aggression of tremolo’d riffing seems alien to head-nodding three-chord progressions, just as incomprehensible screaming veers dramatically from a voice that carries a melody.

But even with regard to black metal (perhaps the paragon of severed connections such as those mentioned above), punk was deep down in its early roots, and it’s still alive and well in the music of some segments of black metal who are kicking up sonic storms in the here-and-now. The music of the Finnish quintet Qwälen is one such example, as reveled on their debut album Unohdan Sinut, which is set for release by Time To Kill Records on February 19th, and which we’re premiering in full right now. Continue reading »

Jan 312021
 

 

What you have before you is a selection of advance tracks from forthcoming releases and, at the end, the stream of a new EP. If that weren’t enough to occupy you (and it probably is), I have in mind a second part to this column that includes a bunch of complete new releases, most of which I found stupendously unsettling but also fascinating. Since I haven’t put that Part together yet, I can’t confidently say when you’ll see it, but by tomorrow at the latest.

WESENWILLE (Netherlands)

The first track I’ve picked, “The Descent“, exhibits some favorable developments as compared to this Utrecht duo’s first album, which caught our attention in 2018 and is still worth your time. The new song is a scorcher but also adventurous, creating moods that are dismal and twisted, as well as maniacally glorious and chillingly hallucinatory. The tempos and riffing are in constant flux, while the vocals are perpetually unhinged in their fury. The blazing yet bleak finale is downright breathtaking. Continue reading »