Oct 082026
 

(written by Islander)

“Demiricous died (again) after the release of Chaotic Lethal – and out of those ashes arose RITUAAL. A festering, scumfuckin, riff driven, nightmare of a death metal band from the dregs of Indianapolis IN.”

Their words, not ours, but they do get your attention, don’t they? This band, whose lineup also includes current or former members of Acid Coffin, Redivider, Flesher, Tombstalker, and Skeletonwitch, also got a lot of people’s attention with their 2024 debut EP, Elimination, Extermination, Eradication. (For example, it made our Todd Manning’s year-end list of his favorite EPs from 2024.)

And now we’re happy to help announce that Rituaal will be releasing a debut album named Nightmares Of A Damaged Mind, and today we’re premiering one of its new songs as a teaser of what the album holds for all of us. Its name is “Soulless Machine“. Continue reading »

May 212013
 

What drew my attention to Rituaal were the band’s members: They consist of guitarist/vocalist Justin Stubbs from Father Befouled and Encoffination, drummer Jake Rothlisberger from Nashville’s Mourner, and vocalist/guitarist Mike Meacham from Loss — killer bands, all of them. That trio formed Rituaal a little over a year ago and recorded two songs in September 2012 that will be released as a 7″ vinyl EP by Portland’s Parasitic Records this summer. Recently, Rituaal put up both songs for streaming on Bandcamp — “Ordo Walpurga” and “Datura at the Astral Sabbat”.

Imagine a musical black hole deep in a gravity well that’s inexorably sucking all light and matter down into its powerful vortex, and that will give you some sense of “Ordo Walpurga”. It’s a massive, groaning dirge of distorted chords and ponderous drum and cymbal hits, emanating a morbid melody and echoing with the cavernous roars and disemboweling shrieks of the vocalists.

“Datura at the Astral Sabbat” vibrates with unholy blackened energy. What begins as a ritualized chant of abraded vocals and thumping percussion accelerates into a buzz of tremolo-picked guitars and then slows to a crawl, still shrouded in distortion and breathing with the life of shimmering occult melody. This trade-off between ghastly doom/death and blackened misery continues until this beast gasps its last horrific sound. Continue reading »