Sep 142012

Because I was too busy yesterday doing things I actually get paid to do and writing about vaginas, I didn’t get around to hunting the web for new shit to recommend until last night, by which point some of what I found had already spread around metal blogville like herpes at a swingers’ convention. But some people only seem to read this humble blog for their metal injections, so I’m including that stuff anyway. Also, because of my delay, I found way too many nuggets to cram into a single post, so there will be two this morning, this being the first. Here we go:


This is one of the items that spread rapidly around blogville. And here’s a back story about our connection to Philly’s ALOL:

Back in the day, I was massively hooked by their debut, A Great Artist. The intricate polyrhythmic interplay between the drums and the bass, the mid-range moaning of the guitar leads and assorted other guitar noise, and the high-end howling vocals made for a sweet combination.

I liked the next album, Hunter, even better — more deeply-carved Meshuggah-esque grooves, and even more incurably infectious riffs. I probably listened to that album as many times as I’ve listened to anything. The last album, 2007′s Iron Gag, was good, too, though I’d gotten so hooked on the band’s style that the musical course changes on it were personally disappointing — less Meshuggah and more Pantera, and a throatier vocal style from Bob Meadows.

Then, it appeared the band had broken up, and that was a huge bummer. But I discovered at the end of 2009 that ALOL wasn’t really history after all. At the end of that year, I read that the band was reviving and planned a new album in 2010 — and on the strength of that news, I put them on our January 1, 2010, list of the 21 albums I most wanted to hear in 2010.

Well, it took a bit longer than that. Continue reading »