May 222025
 

(Serenity in Murder‘s Timeless Reverie has been out since the end of February on Apostasy Records, but it won’t let go of DGR, and so even now he feels compelled to sing its praises.)

One of the joys of being an internet dork such as we are is that we get to witness regional scenes and tastes sprouting up across the world and then attempt to archive it. While the language barrier is always a little daunting, depending on the country, the need for loud aggression is more universal. It’s not surprising that the semi-permanent poverty and extreme artform of heavy metal has held appeal across the world in that regard.

Sometimes you need to just yell and share your band’s name with a Slayer song, and whatever gets filtered through that particular point in time is transformed based on the person’s ambition. It’s why you can have some of the most musically inclined and smartest people in the world playing essentially the dumbest fucking thing possible – either in an attempt to elevate the artform or the more commonly cited reason of “it’s just fun”. Continue reading »

Apr 062015
 

 

(In this post Dan Barkasi continues his monthly series recommending music from the month just ended.)

Welcome, welcome, to the March edition of essential entries. February was a decent month, highlighted by stellar releases by Crypt Sermon, Devouring Star, and Sarpanitum. Overall, it wasn’t as solid as January, and I listened to a ton of music for February. There were plenty of strong albums, but also a lot of “decent, but not great” sort of releases. Everything included here, however, is top-notch, of course!

March, however, was loaded with a metric ton of great albums. As a result, there were a few difficult omissions, but that’s a good problem to have. The following turned this guy’s head the most.

Antagoniste – The Myth of Mankind

Hailing from France – the land of oddball experimental metal – is another entry of this sort by Antagoniste. A one-man avant garde black metal project, this is the debut release, and it’s nothing short of beastly. The vocals vary wildly, with a mix of menacing growls and chants. It’s heavy, a bit out there, quite catchy, and all quality. Continue reading »