
(Andy Synn prepares to worship at the altar of Spirit Possession, whose new album is out on Friday)
Allow me to begin this review with a semi-spoiler, if I may?
Because, if nothing changes between now and December, there’s a very high likelihood that Spirit Possession‘s third album will be taking one of the highly-coveted slots in this year’s “Critical Top Ten”.
But, then, something like that has been on the cards for the Portland-based pairing of Steve Peacock (vocals/guitar) and Ash Spungin (drums) ever since their self-titled 2020 debut, with the subsequent release of 2023’s stunning Of the Sign… only serving to expose even more people to the band’s riveting and instantly recognisable blend of frenzied, finger-picked riffage and equally frenetic, effortlessly fluid, drum work.
And now, with the imminent release of Cathedral Speech, it feels as though the dynamic duo are, finally, right on the verge of being accepted as true masters of the black arts.


