I suppose that among our regular writers it may seem that I have a more pronounced weakness for the kind of metal that tries to claw your guts out and eat the gall bladder (because it thrives on bile, yes it does). But you can relax — somewhat — before you listen to the four songs collected in this post. There is beauty in this collection (along with the clawing).
Myrkur is the name of a one-woman black metal band from Denmark (it reportedly means “darkness” in Icelandic). You probably haven’t heard of Myrkur before, but I’m highly confident this won’t be the last time you hear the name — partly because Relapse Records is now behind the band and partly because the music is strikingly good. Despite the fact that Myrkur has released no music before a self-titled EP that Relapse now plans to release in September — and has done nothing to publicize her existence as far as I can tell — both Pitchfork and Stereogum were lavishing praise on her yesterday, and it won’t stop there. I know this because I’m about to do the same thing right now.
One of the seven songs on the EP became available for streaming yesterday and its name is “Nattens Barn” (“Night’s Child” in Danish). Myrkur’s pure a cappella voice, layered to create the sound of a choir, is immediately arresting, and so are the wolfish, ripping howls that come forth later. The powerful waves of dark guitar melody that roll in like a storm front are hugely appealing, and so is the combination of jagged, jabbing riffs and rippling tremolo streamers that shimmer above them like an aurora borealis.