Sep 152017

 

September 22nd is the first day of the Red River Family Festival in Austin, Texas, a three-day event that features an amazing array of bands (which you can check out here) — one of which is One Master from the northeastern United States. Timed to coincide with the commencement of the festival, Eternal Death and Red River Family Records will jointly be releasing a new split (digitally and on cassette tape) by One Master and the mysterious Ninhursag, whose domicile is The Sacred Mountain. Today we bring you a dual premiere — one song from the split by each band.

Sometimes split releases represent alliances between like-minded and like-sounding bands. And sometimes the music of the participants is distinctly different from each other, with the connection to be found in less obvious affinities. This split is in the latter category.

Jun 082017

 

Not for the first time, I had a discussion with a few of my NCS comrades at Maryland Deathfest about how much stuff I post most days. I think their feeling was that 4 posts a day at NCS should be considered adequate, and that more tends to result in reader/listener overload. While I think this is good advice for my exercise of editorial discretion, and undoubtedly would help relieve the frenzied stress levels of my daily existence, the sad fact is that I… just… can’t… fucking… help myself! I see or hear something that gets me excited, and I feel an apparently irresistible compulsion to share it.

And so, while today I’ve already posted an album review and plan to post three premieres (one of which is a full album, accompanied by a review), I also decided to compile this round-up. On the bright side, two of the following 10 items(!) only consist of artwork and news — and I could have made this soooo much longer, but I’m saving some new discoveries for this weekend.

INCANTATION

I was gob-smacked the first time I saw Eliran Kantor’s artwork for the cover of Incantation’s new album. Even now, seeing the piece with the band’s name and the album title on it, my gob is still smacked. The first single from the album has also proven to be a gob-smacker. But before we get to that, here’s Eliran Kantor’s explanation about the inspiration for his painting on the cover of Profane Existence:

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