Apr 032016

Rearview Mirror


Tons of metal bands have mined the works of J.R.R. Tolkien for everything from band names to album and song titles and lyrics. Few have excavated his writing as extensively as Austria’s Summoning, in part because the band have been plying their trade for such a long time. Since their formation in 1993, Summoning have produced seven albums (the last of which was 2013’s Old Mornings Dawn), three EPs, and an assortment of early demos and splits.

Summoning are probably best known for creating an epic, atmospheric, synth-heavy sound that captures the mythic, heroic sagas that have often inspired them and that have been reflected in their lyrics. But the album I’ve chosen for this Sunday’s look back at metal’s past — 1999’s Stronghold — is the first one in which the lyrics were not all derived from Tolkien (according to this source), and it’s often referred to as one that marked a change in the band’s sound, one that even Summoning have described (here) as “much more guitar orientated with more compact keyboard-melodies”. And this further statement about Stronghold appears on the band’s official site:




“So Stronghold maybe could be seen as the most ‘commercial’ album of the band. For the first time female vocals have been used (done by ‘Tania B‘ from ‘Die Verbannten Kinder Evas‘). On this release Summoning went on to experiment with spoken word samples; in this case from the movie Braveheart again and Legend.

“What many people didn’t recognize is that the intro melodie is the same one as the outro, but pitched down a few notes and manipulated a bit.”

Speaking of the intro, the first track “Rhûn” (the Elvish word for “east”) is what motivated me to select this album for today’s Rearview Mirror installment. A friend of mine from overseas remarked to me on Facebook yesterday about this track: “Whenever I hear an intro of a black metal band, I always think of this one, can it get better?” And it is indeed a great beginning — followed by a real grabber in “Long Lost To Where No Pathway Goes”. But this whole, dark, more riff-centric album is wonderful. Here’s the track list with time counts for the album stream below:


1. Rhun 3:25
2. Long Lost to Where No Pathway Goes 7:23
3. The Glory Disappears 7:50
4. Like Some Snow-white Marble Eyes 7:20
5. Where Hope and Daylight Die 6:29
6. The Rotting Horse on the Deadly Ground 8:26
7. The Shadow Lies Frozen on the Hills 7:01
8. The Loud Music of the Sky 6:48
9. A Distant Flame Before the Sun 9:00




  1. I’ve always meant to dive into Summoning’s work, but never have gotten around to it. I can say that this album is sounding pretty cool on first listen.

    • I’m in the same boat – I picked up Old Morning’s Dawn and always meant to check out some more; liking what I’m hearing here.

  2. I really love these guys and this style of epic metal. Worth noting that they have strong links to Abigor.

    As well, some of my other faves of this style are last years Utstott record, Hjorungavagr and Caladan Brood – Echoes of Battle, which is, in fact, my very favorite of this style of metal. It involves the mythology of the Malazan Book of the Fallen as opposed to Lord of the Rings. Any fantasy readers out there would be doing themselves a great service to read the Malazan series.

    • Agree, Caladan Brood are fantastic! But my fave album in this style is ‘Let mortal heroes sing your fame’ (the follow up to Stronghold). And isn’t that the best album title ever?

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