Nov 012023
 

(Andy Synn offers his effusive recommendation for the debut album of Norway’s Rosa Faenskap)

While common wisdom will tell you that making music isn’t a competition – in that you’re not directly trying to “beat” other bands – that assertion doesn’t necessarily tell the full story.

Make no mistake about it, being in a band means that you are, inevitably, “competing” in some way for people’s attention, for opportunities, for coverage and column inches… all of which, like it or not, are limited resources. In the end, there’s only so much of them to go around.

Case in point, while multiple outlets were quick (perhaps a little too quick) to heap praise upon Agriculture‘s self-titled album earlier this year (although my/our review was a little more critical than most) there’s been much less written about Jeg blir til deg, the certifiably unorthodox and certain-to-be-divisive debut from Norwegian trio Rosa Faenskap.

Which is a damn shame because, out of the two bands, it’s the latter who arguably deserve, and live up to, all the hype.

Continue reading »

Nov 012023
 

In the late spring of this year the Belarusian raw black metal band Pa Vesh En released its fourth album Martyrs. Ever-prolific, Pa Vesh En is already returning with a fifth album, this newest one named Catacombs, and it’s being released today by Inferna Profundus Records.

What Pa Vesh En does from album to album is never entirely predictable, but one can predict that whatever variations might be introduced, the results will still be frightening, and so it is with Catacombs. Continue reading »

Nov 012023
 

(Our old friend and former NCS writer Austin Weber is returning to our page today with the second part of a multi-part series of reviews that we plan to run day after day until completed. You’ll find Part 1 here.)

Despite the incredible volume of music covered here at NCS, there remains a plethora of noteworthy releases yet to be shared in this space. Chalk it up to how much damn good stuff deserves the limelight and doesn’t get it because we all know this site already covers more than most as is.

As I’ve done in the past, join me for another multi-part feature that touches on music I strongly believe you should listen to—or at the very least, stuff worth checking out at a minimum. You be the judge. Onwards! Continue reading »

Nov 012023
 

(Didrik Mešiček wrote the following review of the third album by the Vancouver-based trio Crystal Coffin, which was just released yesterday.)

In my continued search for black metal that’s not quite the typical ’90s second wave sound that we all love/hate (choose whichever applies to you) I’m often intrigued by qualifying words like melodic, symphonic, or folky before the name of the subgenre. This time it’s the Canadian Crystal Coffin that’s caught my attention, a band that supposedly falls into the melodic group, if Metal Archives are to be believed. Their new album, The Curse of Immortality, will be released independently on the 31st of October, two years after the band’s previous album, The Starway Eternal, and that’s what I’ll be talking about today.  Continue reading »