Andy Synn, Author at NO CLEAN SINGING

Andy Synn

MISÞYRMING – MEÐ HAMRI

Dec 222022

(Andy Synn chooses the new album from Iceland’s Misþyrming as his final review of the year)

It’s crazy to think, now that I’m forced to reflect upon it, how long my (admittedly one-sided) relationship with Misþyrming has been going on.

After discovering them just prior to the 2015 edition of Inferno Festival (where I was fortunate enough to see them perform as part of a truly stacked three-band line-up of them, Sinmara, and Svartidauði), I’ve since written glowingly about them multiple times (and included both their previous albums in my annual “Great” list without hesitation) and also caught them live on several subsequent (and, arguably, superior) occasions.

And now, once again, Misþyrming have returned – almost without warning, and with very little fanfare – with a new album (and a new drummer) to give us all the punishment we deserve.

2022 – A YEAR IN REVIEW(S): THE PERSONAL TOP TEN

LISTMANIA 2022 17 Responses »

Dec 162022

(Andy Synn finishes off “List Week”, as always, with a list of his ten favourite albums of the year)

You might expect my “Personal Top Ten” to be an easier list to make than my “Critical Top Ten“… and for the most part you’d be right. But also wrong.

Because while the top three have been pretty much set in stone for a while, the question of how to rank the rest was far more difficult, as the differences between most of these albums was often just a matter of degrees, meaning any order I had one day was likely to be completely wrong by the time I woke up on the next.

This was particularly problematic around the #10 cut off point, with the result being that there are several albums (like Krallice‘s most-excellent Psychagogue, and Feral Light‘s fantastic Psychic Contortions) that, in another timeline, could just as easily have been included if things had only been slightly different.

So what can you expect this year?

Well, while it’s definitely a Metal list (if you want to know what my favourite non-Metal album of the year was, then check this out) you can expect to see a lot of Hardcore and/or Hardcore-influenced stuff here, as well as some long-time favourites of mine whose new albums immediately shot to the top of my list, and stayed there.

It’s definitely not the coolest or most “kvlt” collection of recordings you’re going to read this year, but it’s full of artists and albums I love and hope to still be listening to years from now.

2022 – A YEAR IN REVIEW(S): THE CRITICAL TOP TEN

LISTMANIA 2022 11 Responses »

Dec 152022

(Is it possible to capture the very best of an entire year in just ten albums? Of course not… but that isn’t going to stop Andy Synn from trying!)

This one’s for all you new people… let me explain how this works.

Unlike tomorrow’s “Personal” list, the “Critical Top Ten” is my attempt (emphasis on attempt) to inject some sort of objectivity into the proceedings by identifying ten albums which I think represent the cream of this year’s metallic crop, across as wide a spectrum of styles and sub-genres as possible.

It’s not ranked (as I’m sure you’ll notice) as it’s meant to be more of a representative sample of the year – although, I have to say, ten albums is never enough to properly cover all the bases (for example, I’d love to have included Inanna‘s Void of Unending Depths, but simply didn’t have the space).

Interestingly, this year feels like the first year in a long time where at least a couple of my selections actually align with the wider consensus, and while I’m sure there will be some complaints about the list not being trve/kvlt/underground enough as a result, for me it just says that sometimes, on very rare occasions, I’m not as out of step with the rest of “the scene” as I think I am.

PS – as always (since it’s seemed to have gone down well in previous years), I’ve included a little bonus recommendation alongside each of my main choices, just to increase your potential enjoyment!

2022 – A YEAR IN REVIEW(S): THE GREAT

LISTMANIA 2022 36 Responses »

Dec 142022

(Andy Synn presents his selections for this year’s top-tier albums)

What more is there to say?

If you’re one of our long-time followers then you likely already know the score, and if you’re new to the site (welcome, by the way) then… well, it’s probably pretty self-evident right?

The albums featured here are all records which I feel achieved a form of greatness in their own way – maybe they pushed their particular genre forwards, maybe they combined different styles to create something even stronger than the sum of its parts, maybe they just did it better than everyone else – and which I think represent the cream of this year’s metallic crop.

Of course, as I’ve stated elsewhere already, it’s not comprehensive or definitive – no list can be, and anyone who tells you otherwise is just lying, to you and to themselves – but the level of quality is extremely high all the same, and I’d put any of these selections up against any other year in a heartbeat.

2022 – A YEAR IN REVIEW(S): THE GOOD

LISTMANIA 2022 17 Responses »

Dec 132022

(Andy Synn kicks “List Week” into gear properly with a hefty collection of albums which, while maybe not top-tier – though some come very close – all have something to offer to the discerning metalhead)

Those of you who’ve been with us for a while will already be aware, but the primary purpose of this article is to serve as a resource for albums that you may not have been able (or willing) to listen to over the course of the last twelve months. It’s not ranked (obviously) but it is broken up into sections that should, hopefully, help you navigate by whatever different styles or sub-genres you’re most interested in, with links provided so you can listen to them at your convenience.

To save you any surprise, I’ll let you know right now that you’re not going to be seeing many of the “big” names – Arch Enemy, Amon Amarth, Behemoth, Decapitated, Machine Head, etc – here, both because they don’t really need any attention for us (I’d much rather focus on bands who don’t get even 1/10th the same amount of coverage) and because, to be brutally honest, I didn’t think any of them were particularly good…

You’ll also note the absence of some of the year’s most hyped releases (Chat Pile, Lorna Shore, Obsidious, Callous Daoboys) that, to be quite honest, just didn’t do anything for me, and I’m sure there are heaps of other albums that are going to be missing too, including a few (most notably the new Misþyrming) that I’m hoping to get around to writing about in the next few weeks.

That being said, if you don’t see something here that you expected, then don’t fly off the handle just yet… there’s still tomorrow’s list of the “Great” albums to come, and you might be pleasantly surprised as to what I’ve included in the top tier this year!

Until then, however, here’s 250-ish albums here for you all to check out, all of which have at least something to offer if you’re willing to give them a shot.

2022 – A YEAR IN REVIEW(S): THE DISAPPOINTING

LISTMANIA 2022 12 Responses »

Dec 122022

(Andy Synn begins his annual List Week with a collection of albums which perhaps failed to reach their full potential)

As I always like to stress, around this time every year, this particular article is not an excuse to be a troll or a hater (or whatever word “the kids” are using these days). Nor are we attempting to farm for clicks or cause controversy for controversy’s sake (and I’m sure at least a few of these picks will be controversial).

Because the truth is, I don’t hate any of these albums. Some of them I even think are pretty good, despite some obvious (and occasionally massive) flaws.

But in a world of (metallic) media that often seems loathe to offer even the mildest of criticisms – whether through fear of the resultant online backlash or an unwillingness to risk losing their precious access to the bigger, more famous names (who, let’s be honest, tend to get treated with kid gloves when, really, they should be being held to even higher standards) – I think it’s important to acknowledge that sometimes the bands we love don’t live up to our expectations… or their own potential.

In that spirit, then, let’s consider this a safe space, one where we can acknowledge that no band is perfect, and being disappointed by their new release doesn’t necessarily make you any less of a fan, even if it hurts a lot when it happens.

So, please, put down your pitchforks and douse your torches… and remember that we’re not here to hate, we’re here to heal.

2022 – A YEAR IN REVIEW(S): THE EPs

LISTMANIA 2022 4 Responses »

Dec 092022

(Andy Synn kicks off his annual “List Week” a few days early)

Let me make one thing clear – what you’re about to read is in no way a “definitive” list of the “best” EPs of 2022.

Rather it’s just a round-up of all the various short-form releases – EPs, splits, and even the occasional “album” which I felt wasn’t quite LP sized when all was said and done – that I’ve had the pleasure of listening to over the last twelve months.

That’s something to bear in mind when you read all of my articles over the next week… there’s no such thing as a “definitive” or “exhaustive” list, not even here at NCS where we do our best to cover everything we can. There’s simply too much music released every year for any site, let alone any individual writer, to cover all of it.

Still, I’ve tried my best (even though, I have to admit, I didn’t write about anywhere near as many EPs as I actually listened to this year) and I hope you all enjoy the following collection of recommendations, including my personal favourites of the year.

DØDSENGEL – BAB AL ON

Album Reviews 1 Response »

Dec 072022

(Andy Synn dedicates what may be his last review of 2022 to our old friends in Dødsengel)

Let’s face it, I may not be great at predicting what bands are going to become big and successful… but I’m pretty good at predicting which bands are going to become great.

Of course, by the time I discovered Dødsengel they were already great – I might even go so far as to call their titanic 2012 album Imperator a “masterpiece” if only that word hadn’t been bastardised beyond repair – but I’d be lying if I said that a part of me wasn’t always hoping to see them achieve the same level of acclaim and appreciation that bands like Batushka and/or Zeal & Ardor have received in their stead.

That was, honestly, never going to happen though. Dødsengel have always been a little too weird, a little too out-there (despite their increasingly melodic, borderline gothic, tendencies and uncanny vocal charisma) to ever achieve that sort of cross-over success. But that hasn’t stopped them continuing to be great, even if they’ve had to do it in (relative) obscurity.

OBVURT – TRIUMPH BEYOND ADVERSITY

Album Reviews No Responses »

Dec 052022

(Andy Synn sneaks in another review prior to his annual year-end round-up week)

I’ve said it before, and I’ll say it again… “Technical Death Metal” and “Tech Death” aren’t the same thing.

Sure, they’re related – no-one is denying that (well, almost no-one) – but “Technical Death Metal”, in my book, refers to bands that build on a more traditional Death Metal framework while adding an extra dose of technicality, whereas “Tech Death” tends to incorporate more influences and inspirations from Prog and/or Melodic Death Metal and/or Deathcore to create more of a hybrid sound with the technicality at the centre.

Of course, then there’s also “Brutal Technical Death Metal”… but let’s not go there right now.

All of this, in the end, is a long-winded way of getting round to saying that while the debut album from Obvurt is being released on a label most people probably associate more with “Tech Death” the record itself is technically much more of a Death Metal album, with all the massive heaviness and merciless aggression that implies.

THE SYNN REPORT (PART 152): GET THE SHOT

THE SYNN REPORT No Responses »

Nov 302022

Recommended for fans of: Employed to Serve, Power Trip, Misery Index

This has been a big year for Hardcore, Metallic Hardcore, and Death Metal-meets-Hardcore… and I, for one, have been absolutely loving it.

So much so, in fact, that I’ve decided to dedicate the final Synn Report of 2022 to Canadian crushers Get The Shot (whose new album, Merciless Destruction, was released just last month).

Of course, while there’s been a lot of digital ink spilled about the resurgence of Hardcore-influenced-Death Metal recently, Get The Shot clearly come at it from the opposite direction… sure, they’ve got a distinctive Death Metal side (especially on their more recent stuff) but they’re a Hardcore band at heart, which gives their howling vocals, hammering riffs, and hefty, chug-heavy rhythms a slightly different flavour to the Creeping Deaths and Gatecreepers of the world (although fans of those bands will definitely want to give GtS a shot, trust me).

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