Sep 272022
 

(Andy Synn delivers a Death Metal-centric edition of The Best of British)

The UK Death Metal scene is a fertile place, no doubt about it.

Of course, such a bountiful harvest does sometimes make it hard to separate the wheat from the chaff (here’s a little bit of advice – stringing together a few generic grooves and mediocre, mid-paced blastbeats does not make you “the next Bolt Thrower”) but that’s just the price you pay for living in such interesting times.

One thing that separates these bands from the rest of the pack – in my opinion – is that they don’t play it safe. Sure, they’re standing on the shoulders of giants (aren’t we all?) but they’re taking risks – some big, some small – and pushing themselves in an attempt to climb even higher, demonstrating a level of ambition that, honestly, I wish more bands had instead of just settling for being just another fish in an increasingly over-crowded pond.

Continue reading »

Oct 172019
 


Geist

 

(In this edition of Andy Synn‘s series on recommended releases by UK bands (presented by the letter “G”), the focus is on Geist, Gévaudan, and Godeater.)

Being a British writer for what is, primarily, a US-based (though not necessarily US-focussed) publication like NCS occasionally puts me in some odd, awkward positions.

For one thing, the level of autonomy afforded to me here is far greater than anywhere else I’ve written for, and, due to our location/reputation, there’s never any pressure on me to blindly “support the scene”, something which often forces other, UK-based, sites/zines to grit their teeth and find ways to be gratingly polite/positive even when they don’t really want to.

On occasion this “outsider” status has come back to bite me, for instance when a band (or their fans) decide I’ve not been nice enough about them, or when I’ve simply refused to cover a band because I didn’t think they were all that good, but, for the most part, it’s a very freeing position to be in, and not one I take for granted.

Hopefully it also absolves me of any accusations of bias or favouritism – I’m not covering these bands because I’m trying to ingratiate myself with them, or “the scene” in general, I’m doing it because I think our readers will want to hear them! Continue reading »

Aug 312018
 

 

The nature of the chemical interactions triggered by the following three bomb-makers differ from each other, but the results are uniformly explosive — and that’s the word of the day for this post.

GODEATER

I confess that I got an advance listen to Godeater’s new single well before its release today (and before its premiere a couple of days ago), and was able to go back to it whenever I wanted, which I did on those many occasions when it seemed like a more efficient and slightly less life-threatening way of juicing my brain, during its sluggish phases, than jamming a wet finger into an electrical socket. Continue reading »

Jun 072017
 

 

(Andy Synn prepared this review of the debut EP by the Scottish band Godeater.)

Although the band clearly haven’t fully found their own sound/voice/identity quite yet (these three tracks are positively littered with strands of DNA sequenced directly from all the usual suspects – The Faceless, Soreption, The Black Dahlia Murder, etc.), it’s impossible to deny that Outerstellar, the debut EP by Glaswegian Tech-Death tykes Godeater, is certainly a striking opening statement – in both ambition and execution – from a band with a hell of a lot of potential. Continue reading »