Islander

May 042026
 

(written by Islander)

On May 8th the Italian metal band Ivoire will release their debut album Uragano. It began a long process of taking shape more than four years ago through a series of personal reflections written by the band’s founder Nicolò Lenoci, and then gradually evolved as he sought musical expressions for those ideas — musical expressions that ultimately moved between post-metal, sludge, and black metal influences.

When the time arrived for fully fleshing out the music and recording it, Nicolò (performing guitars and bass) was joined by vocalist Antonio Caggese, drummer Giovanni Solazzo (Turangalila, Duocane), and some guests whose contributions we’ll identify a bit later. Afterward, the band found its definitive line-up for live performances, with members we’ll also identify below.

Here is how Nicolò introduces the album: Continue reading »

May 042026
 

(On April 24th Testimony Records released the long-awaited and quite crushing eighth full-length by the German death metal band Resurrected, and that provided a timely reason for our contributor Zoltar to arrange an interview with the band’s sole remaining original member, Thomas Granzow. It was a very good discussion, as you can now see for yourselves.)

Thanks Satan for Germany. Let’s face it: back in the mid-’90s when listening to death metal became as fashionable as eating rusty nails for breakfast, they seemingly were the only ones to care – next to Poland and the Czech Republic to be fair, but a whole different level.

Since the hey days of MORGOTH, they may have failed to produce A-list contenders (and don’t get me started on what ATROCITY turned into post-Hallucinations will ya?) but the underground scene was nevertheless striving with blue collar defenders of the faith who had no problem whatsoever doing songs about zombies and serial-killers while covering early DEATH, like OBSCENITY, ANASARCA, MANGLED TORSOS, BLOOD, TORCHURE, PURGATORY…

 Many were quite derivative, most of them lasted an album or two before drifting away without anybody noticing, but on this desolate battlefield, surrounded by many of their fallen comrades, RESURRECTED – or more precisely their guitarist and main songwriter Thomas Granzow – soldiered on, no matter what. Continue reading »

May 032026
 

(written by Islander)

As you can see, I have selected the music of six bands today, all of them coincidentally brandishing one-word names. I’m leading off with a group of singles from forthcoming records and concluding with a recently released EP that I think qualifies as “saving the best for last”.

In the case of those singles, I arranged them in a way that creates some musical connections (at least in my own head) between the opening pair and then a different kind of connection in another pair, with a ruinous barrage standing between the two groupings.

I’ll also take this opportunity to inform visitors that the coming week at NCS will create a bit of a break. Beginning on Wednesday I and my old friends Andy Synn and DGR will be in Seattle working on Northwest Terror Fest (they will be doing a lot of heavy lifting while I provide essential supervision and autographs). Continue reading »

May 022026
 

(written by Islander)

My selections today were guided by strong memories, many of them quite distant and others more recent. And the music below is strong enough to make new memories. I’ll explain as we go along.

P.S. Be forewarned: There’s more than a little singing in this Saturday’s collection, especially in the closing segments, and it’s all very good! Continue reading »

May 012026
 

(written by Islander)

Initially formed in 2012 as a studio-only black metal band, Arrogant Destruktor from Birmingham (UK) eventually expanded into a full line-up and have released three albums and a few shorter releases in the ensuing years.

Since the release of their 2023 album Written in Blood from the Blade, they’ve enlisted a new vocalist, and the current lineup now has a fourth album — The Old Spirit Remains — set for release on June 19th by Satanath Records (Georgia) and The End of Time Records (Ireland).

What we have for you today is the premiere of a video for the new album’s dark and daunting title song. Continue reading »

May 012026
 

(Today Willowtip Records is releasing a new album by the UK band Cognizance, and that means it’s time for our tech-death-addicted scribbler DGR to hold forth on its abundant merits.)

A two-year turnaround on a Cognizance album is exciting news. The UK-based group have been one of tech-death’s semi-unsung heroes since they started releasing full albums in 2019 after having existed prior on a string of EPs. They play a style of tech-death so tightly wound and with such precision that – as has been a constant worry – one would think that even the slightest change would be the equivalent of a butterfly landing on a car aiming to set a landspeed record, even the slightest weight sending the thing toppling end over end and into fiery collision. Sometimes, one can listen to a Cognizance song, hear how surgically precise they are, and think that such a thing might even happen within the boundaries of the same song.

Which is why it is impressive that on a first pass with Cognizance’s newest album In Light, No Shape – soon to be released by Willowtip Records – you would never guess that the band were now operating as a four-piece with long-tenured vocalist Henry Pryce having stepped down, because on In Light, No Shape, Cognizance sound just as fierce and knife-sharp as they’ve ever sounded for 10 songs and thirty-seven-and-a-half minutes of deft guitar work, head-twisting drums, and ground-cracking bass, all punctuated by an equally surgical vocal attack on top of it. Somehow, the machine that is Cognizance remains as tightly wound as ever. Continue reading »

May 012026
 

(written by Islander)

Two steadfast standard-bearers of vampyric black metal mysticism and nocturnal transcendence have joined forces on a new album-length split that will be released on May 5th by the Lithuanian label Inferna Profundus Records. These two are Wampyric Rites from Ecuador and Noirsuaire from France, and the authentic name of their split is Consecration Of Nocturnal Entities.

Each band has forged three songs for the album, for a total of 34 minutes of galvanizing, glorious, and grievous music, and it truly is a union of kindred spirits. On this Bandcamp Friday we’re giving everyone a chance to listen to all of it. Continue reading »

Apr 302026
 

(Today is the day when Xtreem Music releases a new album by the band Grond, and to coincide with that long-awaited event we’re publishing Comrade Aleks’ in-depth interview with Grond frontman and founder Kist. Below you will also have a chance to stream the album in full.)

Moscow-based Grond are stalwarts of the death metal underground and dedicated worshipers of Lovecraftian Horrors. After a huge break the band returns with a new full-length album, and needless to say it’s their most mature, most sophisticated, and most cold-blooded work to date.

Xtreem Music gave Grond the green light, and The Temple, a concept album based on Lovecraft’s story with the same name, but the guys are true to themselves and they offer you their own interpretation of the master’s classics. We interviewed Grond’s frontman and founder Kist, and I’m excited to share this interview with you. Continue reading »

Apr 292026
 

(written by Islander)

Today we’re a bit like a caboose pulled along at the end of a powerfully surging freight train, the train being the Canadian death metal band Goreworm rushing forward to the June 12 release of their second album Miasmic Solitude by Transcending Obscurity Records.

We’re a bit like the last car because three songs from the album have already debuted and we’re now premiering the fourth one — “No Reprieve” — though of course Transcending Obscurity might release more before we hit the June 12 mile marker.

On the other hand, the surging freight train analogy doesn’t completely fit the picture, because Goreworm’s music isn’t a straight-ahead, all-wheels-on-the-rails kind of affair, as you’ll soon witness if you haven’t already. Continue reading »

Apr 292026
 

(Here’s Wil Cifer’s review of the latest album, released last week via Flatspot Records, by the L.A. hardcore band Terror.)

Yeah, I know this is a metal blog, but Terror crosses over enough to give hardcore-leaning headbangers what they are looking for. The focused intention this album (Still Suffer) hits you with is something that would be amiss to not recognize. Ten albums into their career, the band’s origins date back to the band Buried Alive from the ’90s. The caustic elements in motion here are well-balanced for all the thrash metal embraced by the guitar riffage; there are more than enough gang vocals, and the attitude of the lead vocals makes it clear these guys are hardcore.

This band is perhaps even more harcore than most of the bands claiming that title in 2026. Taking you back to the ’90s, when that scene had a vital energy that made you feel like you were a part of something bigger than music. The title track sets the tone with a more groove-driven riff. When you hear it from the safety of your home, you still know this would be a brutal pit. The songs are concise one-two punches, rarely feeling the need to venture over three minutes. Continue reading »