Islander

LISTMANIA 2025: BANDCAMP DAILY’S LIST OF THE BEST METAL ALBUMS OF 2025

 LISTMANIA 2025  No Responses »
Dec 152025
 

(written by Islander)

Reading year-end lists that someone other than you made tend to provoke mixed feelings of validation, perplexity (which sometimes verges into anger), and discovery. The opportunity for discovery is the main reason we here at NCS devote so much space to our annual LISTMANIA extravaganza, even though we know those other feelings will also be in the mix of reactions. The list we’re re-publishing from Bandcamp Daily will probably be no different in any of these respects.

Bandcamp, of course, has become a vital platform for the digital release of music of all stripes (and physical merchandise as well) since its founding in 2007. Bandcamp used to release an annual compilation of performance statistics, but I haven’t found a similar report since the one they released for 2017. However, the main Bandcamp page today reports that “Fans have paid artists $1.63 billion using Bandcamp, and yesterday alone bought 71,170 records.”

Those are staggering totals, and some part of those enormous sums has been the result of Bandcamp’s laudable decision to continue the monthly tradition of “Bandcamp Fridays” that they began during the height of the pandemic. The last of those for 2025 occurred 10 days ago, but Bandcamp has already announced that they will continue this over the course of eight Fridays in 2026 (hoorah!). Continue reading »

LISTMANIA 2025: STEREOGUM’S LIST OF THE 10 BEST METAL ALBUMS OF 2025

 LISTMANIA 2025  1 Response »
Dec 152025
 

(written by Islander)

For many years as part of our annual LISTMANIA orgy we’ve shared Stereogum’s YE list of the best metal releases. For all of those years (until now) it was assembled by the writers of Stereogum’s monthly Black Market column. In last year’s list it was announced (to my dismay) that the Black Market column would be ending, to be replaced by a column called Breaking the Oath written by Brad Sanders, who had been responsible for Bandcamp Daily’s metal column.

Sure enough, Breaking the Oath’s initial appearance at Stereogum occurred last January and has appeared monthly ever since. If you try to catch up on those columns now, you’ll need to pay Stereogum a subscription fee. Simply registering with an e-mail and password isn’t enough, as I discovered to my chagrin.

However, Brad Sanders has continued Stereogum’s tradition of publishing a list of the year’s best metal, and it’s not pay-walled. Interestingly, he has also continued to write the monthly metal column at Bandcamp Daily, another platform whose YE lists we’ve been sharing for some years, and will do again in our next post today. It shouldn’t shock anyone that today’s list and that one overlap… significantly. Continue reading »

AN NCS VIDEO PREMIERE: ELEVATE THE VIRUS — “THE GROWTH OF DECAY”

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Dec 152025
 

(written by Islander)

Today we welcome to our site Elevate the Virus, a deathcore band from Saint John, New Brunswick, a place latitudinally close to our site’s Seattle-area HQ but roughly 3400 miles (5500 km) to the east of us. They formed up in 2012, and began making a name for themselves in the Maritime Provinces and elsewhere in Canada through their live performances, and eventually through a continuing sequence of releases starting in 2014.

The band’s latest release is a five-track EP named The Growth of Decay, which was discharged on November 13th. To help spread the word about it, what we bring you today is an official video for the EP’s title song. Continue reading »

AN NCS PREMIERE: SADAEL — “ERASURE”

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Dec 152025
 

(written by Islander)

More than 20 years ago Sadael began life in Yerevan, Armenia as the death/doom metal brainchild of multi-instrumentalist and vocalist Vahe Soghomonyan. Since then Sadael has amassed an extensive discography that includes 20 albums and many shorter releases.

Vahe now lives in Austria, but the changes in Sadael’s life include more than the geographic shift. For Sadael’s newest album, Paralytic Thrall, he recruited experienced U.S. vocalist Andrew Gossard (Nekrofade, Putrefaction), changed the logo, and created a conceptual underpinning for the album as well as alterations in musical style.

The new album is now set for release on December 28th by a trio of labels, and they preview the album this way: Continue reading »

ARALLU: “DMOON FROM THE ANCIENT WORLD”

 Album Reviews  No Responses »
Dec 152025
 

(We welcome Israeli metal writer Rafi Yovell to NCS, and for his inaugural review he brings us the following discussion of a new album by the Middle Eastern Black Metal band Arallu which was released by Arallu and Satanath Records on October 31st of this year and comes recommended for fans of Melechesh, Al-Namrood, and Behemoth.)

20 years ago, Israeli black/folk metal band Arallu released Demon from the Ancient World, which many fans consider to be among the group’s finest work yet. Since then, most of their earlier albums got remasters, so it seemed making one for Demon from the Ancient World was only a matter of time. But instead, this Halloween, we got hit with a full-blown re-recording under the title DMoon from the Ancient World.

That begs the question, however: how does it compare to the original? Is it a worthy remake, or just another failed experiment?

You know the drill by now. Stick around and find out! Continue reading »

SHADES OF BLACK: PRISON OF MIRRORS, ERZ, MOTLJUS, LEBENSSUCHT

 Album Reviews, SHADES OF BLACK, SHORT BUT SWEET  No Responses »
Dec 142025
 

(written by Islander)

When you live with another person during “cold and flu season” there’s always the risk that one of you will get sick and then sicken the other a few days later. However, my wife and I gradually began getting sick at the same time last week and yesterday we both simultaneously had full-blown colds.

We’ve tried to figure out who we were both around outside the house when we got infected earlier this week (we’d hate to murder the wrong person). It was probably when we went to our local sports bar for drinks and dinner, but we know lots of regulars there plus the waitstaff, and we don’t remember anyone sounding sick so it’s tough to pin down the culprit. I suppose we could resort to the maxim attributed to Arnaud Amaury during the Battle of Béziers in 1209, but we’re both atheists so the faith-based solution doesn’t seem right. Oh well, guilty people often escape retribution. Continue reading »

SEEN AND HEARD ON A SATURDAY: NO/MÁS, NOICE AHOLIC, VREID, TANIN’IVER, DE L’ABÎME NAÎT L’AUBE, SINDRE NEDLAND

 Album Reviews, Exceptions to the Rule, Metal News, RANDOM FUCKING MUSIC  No Responses »
Dec 132025
 

(written by Islander)

I’m kicking off this week’s roundup of new songs and videos with a preview of what’s coming at NCS between now and year-end, mainly for newcomers to our site since the old-timers know what the drill will be.

First, we still have a few year-end lists from “big platform” sites and zines that we’ll share. I have two of those in hand now, which I’ve written about for posting on Monday. I suspect next week will bring at least one more, and then we’ll be done with that aspect of LISTMANIA.

Second, having just completed a week’s worth of Andy Synn’s year-end lists, on Monday I’ll also start posting lists from other NCS writers and special guests. I have X of those in hand at this point, and more will roll in. My plan is to spread those out a bit, with the goal of completing the posting of them by the first week in January.

Third, beginning in January I’ll again roll out the one list I’m responsible for, my choices (with lots of assistance from our readers and other writers) of the year’s Most Infectious Extreme Metal Songs. On that note, if you want to make nominations for those awards, you can still do that by leaving a Comment on this post. Continue reading »

THE AMERICAN OBSERVANCE TOUR MMXXV: PRIMITIVE MAN, OTAY:ONII, TODAY IS THE DAY, AND GUILTLESS (ANAHEIM, CA)

 Concert Reviews  No Responses »
Dec 122025
 

(Last week our friend Ben Manzella attended the Anaheim stop of the American Observance MMXXV tour with Primitive Man, otay:onii, Today is the Day, and Guiltless, and he sent us the following written report accompanied by his own excellent photos of the experience.)

While I needed to check the dictionary to confirm, patience and endurance are considered synonyms of one another. With a tendency to seek out music that focuses on darker themes or subject matter and is played at a loud volume, I sometimes describe my favorite music to seek out as endurance music.

Primitive Man is a band I’d immediately categorize as endurance music, and unlike a variety of things in life, the endurance is rewarded, in my opinion. Their latest full-length record, Observance, brings to mind a quote that has been a favorite of mine since high school, when I learned about it through the Machine Head record, The Blackening. The original quote by Jean Puget de la Serre is, “The mirror which flatters not.” I’d say the last thing in the world that is needed right now is flattery, and I welcome all musical reminders of that. Continue reading »

AN NCS VIDEO PREMIERE: EYELESSIGHT — “VUOTA SOLITUDINE”

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Dec 112025
 

(written by Islander)

The Eyelessight duo from Pescara, Italy present themselves as manifestations of the name they chose — blindfolded and bloodied, as if their sight had been destroyed by violent events, and their visions must now come from some other means of perception.

The pair have lived together in music since the project’s inception in 2011. The following years brought forth a demo, a live album, a collaborative release with Imber Luminis, and two albums — Mantra per sopravvivere inutilmente (2014) and Athazagorafobia (2018).

Originally released on CD, Athazagorafobia is now receiving vinyl treatment by Talheim Records Germany. The vinyl reissue will occur on December 17th, and it will include two bonus tracks, one of which we’re now premiering with a visualizer video. The song’s name is “Vuota Solitudine“. Continue reading »

CLEARING THE SLATE PART III: THEMES FALL APART

 Album Reviews  No Responses »
Dec 112025
 

(This is the third Part of what projects to be four record-review collections by DGR — collections of multiple reviews that are shorter by his standards than what you usually see from him — all of them intended to clear his slate in preparation for his year-end lists to come.)

Just four albums after the shovelfuls of music you’ve been flinging at us already? What sort of madness is this?

At one point I swear I had a theme going for this particular grouping of albums. I cannot for the life of me remember what that theme was. I think at one point it was just me archiving September releases but that fell apart quick. The other was an attempt to cover bands that’ve been long-running but have somehow not found much footing here at the olde’ NCS cliff wall, but that too kind of hit a snag.

Finally, the ever-constant moving cogs of the metal machine assured that releases would shift back and forth and my review archive would soon resemble a crayon box after an attack by a toddler. An interesting swatch of color all splattered around places you don’t necessarily want them to be. Thus, as Part three of four, my inevitable “organization can get fucked” mindset finally kicks in. Ballast must be launched, otherwise this review boat is going down. Continue reading »

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