Islander

Nov 242024
 

(written by Islander)

I haven’t kept a running count, but I think a substantial majority of the music I’ve written about in these Sunday columns has consisted of singles, usually advance tracks from forthcoming albums. A couple of reasons for that:

First, I can put our spotlight on a lot more bands and records that way. In the time it would take me to listen to and scribble thoughts about one album, I can do that for pieces of six or seven albums.

Second, I don’t think I’m great at writing album reviews. I find it difficult to provide some kind of succinct discussion because I always feel like I’m leaving out important aspects of the music, and so I often get bogged down in the details. Even when an album is already out I feel that way, even though it might be a silly feeling since everyone can listen and discover the details for themselves.

All of that makes today’s collection a rarity, because today I’ve chosen to write about three albums that have already been released, and one new song (and video) that’s a bonus track for the vinyl edition of another album that’s already out. Continue reading »

Nov 232024
 


Grima (photo credit: Mikhail Yuyukin, Viktor Shkarov, Marat Zaborovskiy)

(written by Islander)

How’s your day going? Well, I hope. Here’s how mine started:

I woke up way earlier than I wanted. I made coffee and went out on my deck to start inhaling it, along with a few smokes. While doing that I read various lengthy narratives of the Game of Thrones series because my wife and I had started binge-watching it for the first time and I was both confused and curious about where it was going (though I’m still confused). I also read a moving and meaningful report on a ceremony in Gettysburg, PA last week to commemorate the 161st anniversary of Lincoln’s Gettysburg Address.

I was putting off a daunting task but finally forced myself to get to it, the task of trying to figure out what to put into this roundup, daunting because even though I managed two weekday roundups over recent days my list of candidates was still enormous. Continue reading »

Nov 222024
 

This collection is short in number, just three new songs, two of them with compelling videos — though those two are quite long. But that’s three songs I now don’t need to include in this weekend’s coming roundups, and thus I’ll have room for three others as I continue trying to winnow down my monstrous list of recent releases.

SAOR (Scotland)

I’ve chosen to begin with a video for the title song from Saor‘s new album Amidst the Ruins. Although the video starts with a majestic but haunting scene from the Highlands, it soon shifts to dramatic film of the band’s performance, appearing as dark silhouettes in the midst of rushing smoke or clouds. The music is equally dramatic. The drums attack and the bass heavily rumbles, but the music flows in sweeping and searing waves, glittering and glorious. Continue reading »

Nov 222024
 

If you’ve heard the first single released from Altar Ov Asteria‘s debut album you know these two German women (Satyra and Melpomene) aren’t cautiously feeling their way forward, haltingly trying to figure out who they are musically. They named that song “Kataklysm“, and a sonic cataclysm is what they made — a devastating, exhilarating, and wholly engulfing experience.

The rest of the album, entitled Éna, is equally self-assured, both in its music and in its conception. Altar Ov Asteria liken it to “a storybook of hellish Sodom”, imagining (as Dante and Homer did) “a world full of mysteries and realities woven into each other”, creating allegories of human dystopia through an intertwining of viscerally assaulting, immensely heavy black metal and unorthodox atmospherics.

What we have for you today is the premiere stream of Éna as a whole, all five songs, in advance of its release by the Dusktone label on November 29th. Continue reading »

Nov 222024
 


photos by Afra Gethoffer-Grutz

(On November 29th the Crawling Chaos label will release a re-recorded version of Entfremdet, the 2009 debut album by the distinctive German black metal band Nebelkrähe. What the production of that entailed, and how it came to be a reality, are among the subjects of the following interview by Comrade Aleks of Nebelkrähe‘s Morg.)

“Do not let your left hand know what your right hand is doing, so that your giving may be in secret”. This quote from the Bible just popped up in my mind, when we finished the interview with Nebelkrähe’s guitarist Morg a few days ago and I learnt that NCS prepared a track premiere as well.

Actually, I interviewed Morg one year ago, because these German black metal intellectuals just released their third album Ephemer (2023) back then, and I was excited with it (although they didn’t have any song based on Lovecraft’s stories). This year the trio of Nebelkrähe’s founders re-recorded their first album Entfremdet (2009), and they had their reasons to do that.

As always, Morg proved himself to be an interesting and focused conversationalist.

Continue reading »

Nov 212024
 


The Great Old Ones – Photo by Daphnea Doto/Solweig Wood

(written by Islander)

This week I’ve done a better than average job staying abreast of new songs and videos that have surfaced since last weekend which I thought would be worth checking out. The result is that my list of things to investigate is now 40 links longer than it was on Monday morning! Anyone who thinks the rollout of heavy new music slows down near the end of the year must have just awakened from a very long slumber.

Fortunately, I had some time this morning (which I usually don’t have on the weekdays) to make a small dent in that list and pull a few things together to get a head-start on my usual Saturday and Sunday roundups at our site. I confess that today I erred on the side of bands who I think of as “proven commodities,” just to make the winnowing process a bit easier — though I did decide to include one I’d never heard before. Continue reading »

Nov 212024
 

(written by Islander)

Over the course of two previous albums the Italian band LaColpa have musically and lyrically elaborated their philosophy of pain, “deeply rooted in the human condition of eternal suffering,” through “different stratifications of sonic nightmares.”

I’ve quoted there from the introduction provided by Brucia Records to LaColpa‘s recently announced third album, In Absentia Lucis. The label also describes the album as “a pitch-black magma of suffering in music, combining Sludge, Doom and Dissonant Black Metal with some of the most painful soundscapes of improvisational Noise and Drone.” Regarding the new record’s thematic focus, they say:

After having explored themes like guilt, awareness of own mortality and the condition of pain which inevitably grips our existence, In Absentia Lucis closes the circle by bringing back the reflection on our own condition of impotence.

We are lost in the immense solitude of our Ego, masters of Nothing.
We are the Lords of Nothingness.
Lost in Our Vast Loneliness. Continue reading »

Nov 212024
 


Dawid Figielek – KNIGHT (2013)

For another year we’ve raced through the ongoing firestorms of heavy new music without being thrown off and trampled, and so it’s time to celebrate survival again.

On November 21, 2009, I made the first post at this blog. On the 21st day of every November since then (except one year when I forgot to do it until a few days later) I’ve made a post commemorating our birthday.

In these annual posts I used to explain how I had no ambitions or expectations when I started the blog, nor any training or experience as a music writer, and that the sum total of my motivation was to create an enjoyable diversion for myself from the grind of daily life, and to indulge my burgeoning interest in heavy music. And there, I just did it again, albeit in fewer words than some earlier years.

In these annual observances I also tended to reminisce about how many things about NCS have changed from the early days, and about how surprising it is to me that we’re still here. Some of you remember the early days, because you were here with us then. Others who have begun checking in here more recently might yawn if I indulged in that kind of nostalgia, so once again I’m going to skip that and get right into expressions of gratitude and the annual tradition of mind-numbing statistics. Continue reading »

Nov 202024
 

Infernalivm is a new name, but one you will soon remember. A satanic death metal weapon from France, their lineup includes members of such notable and notorious groups as Novae Militiae, Merrimack, Benighted, and Ritualization. That info alone is enough to make extremist listeners pay attention to Infernalivm‘s debut EP, Conquering the Most High, and the music ruthlessly seizes attention too.

Sentient Ruin Laboratories, the label that will release the EP on November 29th, has described its four songs as a “dark and violent abomination with an immensely evil and antihuman atmosphere” — “dark, sanguinary, and inescapable,” “absolute sonic brutality,” “an authentic horror of creation.”

As you’ll learn through our premiere of the EP’s title track, those aren’t overstatements. Continue reading »

Nov 202024
 

(The NY death metal band Sorrow‘s first records were released in 1991 and 1992, and their third one followed decades later in 2023. How it came to be, and the dual meaning of its title, are among the subjects that Comrade Aleks discussed with three of the band’s members in the following very good interview.)

I think that I interviewed Brett Clarin for the Doom Metal Lexicanum project a few years ago, and for sure there was the interview with him here focused on his symphonic black/death metal band Journey Into Darkness. But his “main band” was the angry death-doom outfit Sorrow based in New York in the late ’80s and disbanded in 1993 after the EP Forgotten Sunrise (1991) and the LP Hatred and Disgust (1992).

A bad deal with Roadrunner Records disappointed the guys so much that they left without finishing the recording of the next full-length. And all of a sudden Sorrow’s original lineup returned in 2022 in order to complete that recording.

Andy Marchione (vocals, bass), Brett Clarin (guitars), Bill Rogan (guitars), and Mike Hymson (drums) released Death of Sorrow through Xtreem Music in August 2023, and I skipped it somehow. But support is never enough, and here we have the interview with Brett, Andy, and Bill discussing true death of Sorrow. Continue reading »