May 082024
 

(DGR has detoured off most of our well-beaten paths to bring us his review of the latest offering from the Norwegian band Gothminister, which was released late last week by AFM Records.)

I recently crossed the twenty-year mark of following Norway’s Gothminister, the result of an initial missing of the musical bus years ago and then a hurricane-force tour through their specific music scene way back in 2004 – courtesy of a gentleman I used to play Twisted Metal 2 PC online with. Having been sent “The Holy One”, it was difficult to not get hooked on Gothminister‘s hybrid of dancy-electronics and industrial metal.

It’s a hybrid that has held on strong too, even throughout a good-sized handful of lineup shifts over the course of the band’s career. They’ve become a comfort-food band for me, the music not overwhelmingly challenging and metal enough to scare the ‘normies’ among us but otherwise digestible near-pop in its assault. Sing-song worthy with a march to them, Gothminister have been a group that – for me anyway – are a tremendous amount of fun in their embrace of camp and caricature.

Since we have a little bit of free space in the release calender there was a goblin-esque part of me that declared ‘what if you did manage to get them on to the front of the site?’, knowing full well they’d likely be spaced in between death metal heavy enough to collapse buildings or black metal sharp enough to scrape concrete smooth. “What if…,” said goblin proclaimed, “we just reviewed the group’s most recent release even though there’s been little to no mention of them before on the site?”

“But it’s a sequel album,” I said. “We’ve never even covered the first Pandemonium“. “Even more funny,” stated goblin-DGR, “because now people have to wrap their heads around the idea of Pandemonium II: Battle Of The Underworlds with little to no explanation or context of what preeeded it”

And alas, here we are. Continue reading »

May 022024
 

Tomorrow is another Bandcamp Friday, and I had enough time to get ahead of the game today with a few selections that might help drain your bank account tomorrow. Actually, it’s more than a few — new singles and videos from 11 bands, spanning a very broad spectrum of music.

GAEREA (Portugal)

We begin with an intense new stand-alone single from Gaerea. As the band explain, “‘World Ablaze‘ tells the story of a man who has lived all his life inside a cage. He knows that one day he will be set free and experience the world with its true colors. Unfortunately, he also knows that day will be his last hours alive. It’s a song about desire, hope and freedom. A dance between life and death, hope and despair”. Continue reading »

May 012024
 

The Italian artist Selvans probably needs no introduction to those who regularly visit our site, but for those encountering Selvans for the first time today, we’ll share a few words from Selvans‘ label Avantgarde Music:

The singer and keyboardist Selvans, plays black/heavy metal with prog-rock influences. Lyrics and concept are inspired by Italian folk-horror tales and imagery. After two full length albums, Lupercalia (2016, Avantgarde Music) and Faunalia (2018, Avantgarde Music) in 2021 he released The Dark Italian Art EP, an artistic manifesto that sees the team-up with the horror writer Luigi Musolino.

We can also share that Selvans will be following The Dark Italian Art with a new album. Though a release date hasn’t yet been announced, we’ve all been given a preview of what it will bring through Selvans‘ recent release of a single named “Il Capro Infuocato“. To help spread the word further, today we’re presenting a lyric video for the song. Continue reading »

Apr 272024
 

In considering what to do for this weekly roundup of new songs and videos I felt like a rabbit surrounded by wolves at every point on the compass rose, scrambling and darting this way and that. Too many wolves, not enough space to escape. Wild-eyed, here’s what I decided to do.

CAINITES (Italy)

The cover art for Cainites‘ new album is a very good clue to the music in the album’s first single, “Darkness Awaits“. The feverish riffing, which rings and swarms, is an evil, hungering manifestation, and you can feel its famished heart beating in the drumwork as it snarls and gasps.

But the song is a shapeshifter. The music mysteriously soars and haunted singing (haunted, but still sinister) comes around the corner, and around another corner the music rings like chimes and the creature sings again, forlorn. More changes come, with fast-throbbing guitars and beleaguered doom-ish chords. Continue reading »

Apr 062024
 

Saturdays after Bandcamp Fridays should be named just like hurricanes. I’m left staring hopelessly at the wreckage of the NCS in-box and the high-water marks left by the musical flood, which still hasn’t really receded.

In case you were wondering, an international committee of the World Meteorological Organization maintains and updates the annually rotating list of hurricane names, with one name for each letter of the alphabet, except for Q, U, X, Y, and Z. This year the list begins with Alberto. However, I see no reason not to use the letters omitted by the WMO, so let’s call this Saturday Quorthon.

Let’s listen to these 12 songs, all but the last of which breached the surface of the flood during the last week, while we wait (hopelessly) for the carpet to dry out. Continue reading »

Apr 042024
 

Albums such as the one we’re presenting today tend to invoke thoughts of tapestries, kaleidoscopes, or panoramas — visual metaphors of change, often rich in detail and sometimes startling, that occur as the scenes pass across our eyes.

In the case of Icosandria‘s new album, the title itself invokes an unusual vision — A Scarlet Lunar Glow. Like the title, the music kindles the imagination into its own glow, though the glow also becomes fire as the manifold changes unfold. Continue reading »

Mar 082024
 

No long-winded introduction today, nor any long-winded impressions of the songs and videos either, because… there are so many of them!

Most of these choices (though not all of them) are from bigger names in the extreme metalverse. Most of them were also suggested by my NCS compatriots, because I didn’t do a great job of keeping up with new releases this week. I do plan to have another roundup on Saturday, as usual, and will dig deeper into obscurities, of my own choosing.

ULCERATE (New Zealand)

This first item is a rarity, just a news item without any music to go along with it. But it’s exciting news, and so I couldn’t resist. Continue reading »

Dec 242023
 

For reasons explained yesterday, this is likely to be the last Shades of Black column until we reach Sunday, January 21st, when I hope I can then resume.

I barely have time for this one before the iron hand of commerce rudely forces my nose down to the grindstone again, even though the nose is already ground down to a nub. So let’s get right to it.

P.S. If you don’t see something here you wish I had included, see yesterday’s explanation and then feel free to mention the release in a comment and share a stream link. Continue reading »

Nov 272023
 

If you include yesterday’s Shades of Black column, this makes four days in a row that I’ve been able to pull together a round-up of new songs and videos. That’s a rarity, explained by a confluence of events I won’t bore you by describing.

I’m not sure it’s a welcome rarity, because it may just add to a feeling of being overwhelmed by the volume of music that each week (hell, each day) brings. But that’s not my problem, is it?

Is it? Well it is, because I also feel overwhelmed. Join the club. This pleasant misery needs company.

UNAUSSPRECHLICHEN KULTEN (Chile)

You don’t really need any preparation, just a listening device, working ears, and a finger putting pressure on a digital arrow. But I have to further justify my existence, so… Continue reading »

Nov 212023
 

The odds are high that once you’ve seen the painting above by Paloma Pájaro that adorns the cover of TodoMal‘s new album The Greater Good, you won’t forget it. The odds are also high that it may perplex you. The choosing of the art was obviously unconventional, but then again, so is the music.

The Greater Good is the second full-length by the TodoMal duo of Christopher B. Wildman and Javier Fernández, following the release of Ultracrepidarian in 2021. As they conceive it, the new album follows dark paths, “where doubts about what is right or wrong, what we do in this world to earn redemption, or why we have a nefarious tendency to destroy what we love are depicted against a smoldering forest”. “The journey continues,” as they say, “despite the obstacles”.

And so we have a Spanish band whose name means something like “all is evil” or “all is wrong” ambitiously seeking “The Greater Good”. They put a lot of thought and work into making it a continuation from their first album that would both expand their ambitions and manifest them more precisely, and today you’ll be able to hear every minute of what they achieved in advance of its release on November 24th by Ardua Music. Continue reading »