Apr 152025
 

(written by Islander)

First impressions do matter, even if our younger selves grew tired of hearing that stern advice from parental figures. In the case of how we spend our time around here, we see how bands and record labels choose singles to make first impressions of albums that the public can’t yet hear.

Sometimes those choices turn out to be misleading, like the strained politeness of a wild child being introduced to a stranger, or often like the forced and feigned wildness of someone who turns out to be really very dull. No wonder people usually wait to hear everything before making a purchase decision, unless it happens to be a band whose previous music they know well, but sometimes even then because even the best of us make mis-steps.

In the case of the Portuguese black metal band Vetus Sanguis, the first impression we had of its debut album Capítulo I – Dimensão Horrenda was “Trombetas Diabólicas,” a song that you won’t reach until nearly a third of the album has gone by. The impression it made was startling. When we premiered it, we advised listeners to take big gulps of air before listening. Continue reading »

Apr 142025
 

(written by Islander)

Fighting their way forward since 2017, the Dutch black metal band Hellevaerder made their first large mark with a 2022 debut album (In de nevel van afgunst) and followed that with their appearance in Verloren vertellingen, a 2023 split with fellow members of the Zwotte Kring circle — Asgrauw, Schavot, and Duindwaler. And now they return again with a second full-length, Fakkeldragers (“Torchbearers”).

The album will be released on June 19th in a variety of formats by a triumvirate of labels — Void Wanderer Productions (NL), War Productions (PT), and Zwaertgevegt (NL) — and they recommend it for fans of Darkened Nocturn Slaughtercult, Emperor, Mayhem, and Sargeist.

What we have for you today, as a preview of the delirium and damnations the album brings, is a first listen to the album track “Handen geketend in ijzer” (which might be translated as “Hands chained in iron”). But first, here’s some background about the album’s thematic conception — which continues a narrative Hellevaerder began in their first album: Continue reading »

Apr 142025
 

(written by Islander)

In an age when online porn is as easy to get as water from a faucet, the Silesian band Sexmag‘s name seems like an anachronism. Does anyone buy sex mag’s any more? Does anyone still publish them? Maybe there’s a museum for them somewhere?

It’s fair to say that the band’s music is also a throwback, in the sense that it summons the old spirits of bands like Sarcófago, Tormentor, Bulldozer, and Destruction. But don’t think listening is like wandering through a heavy metal museum or a museum of quaint publications with pinups in the centerfold. It’s more like being thrown into a filthy, blood-spraying orgy where the degenerate participants are vicious devils and demonesses.

But as you’ll already know if you threw yourselves into Sexmag‘s 2021 EP Sex Metal (which we gleefully premiered here), there’s more going on in their music than lewd and crude pentagram-draped romps, and that’s even more evident on their new album Sexorcyzm, whose title track we’re premiering through a video today.

And by the way, though we’re having fun with their name, they reportedly chose it in honor of an important old Polish heavy metal band named Kat (the Polish word for “executioner”), who recorded a song named… “Mag-Sex”. And based on that song’s lyrics, which tell a tale of a man raised by witches, its title might be better understood as… “magic sex“. Continue reading »

Apr 112025
 

(written by Islander)

Pay no attention to the name of our site. We don’t really mean it. Well, honestly we mostly do mean it, but not all the time. Some of the time we hear singing that just makes us shake our heads in wonder and are helpless to bar the door against it. Today is one of those times. (So, for those few snarks who can’t resist yelling, “But there’s clean singing in this song!”, just choke that down or you’ll prove you’ve never been here before.)

What we have for you today is the premiere of a song named “Kob” off the thrilling new album Ambis by the Croatian epic doom band Elusive God, which will be released on May 9th by the always-interesting Personal Records. Continue reading »

Apr 112025
 

(written by Islander)

We’ve had a few occasions in previous years to froth at the mouth about the extravagant music of the Russian black metal band Malist, on one occasion summing it up as “…blazing and boisterous… thrusting and thunderous… moody, melancholy, and mysterious at times, but mainly explosive and exhilarating (and highly addictive)…”

Now we learn that the Russian musician behind Malist, Nick Kholodov (Ovfrost), has a new project named Crimson Crown and a debut album for the project entitled Vae Victis that will be out next month. Like Malist, Crimson Crown is devoted to black metal, but there must be differences, mustn’t there? Else why create a new project? Well, let’s find out together as we listen to a song from Val Victis named “Burn the Chains With Unholy Fire“. Continue reading »

Apr 102025
 

(written by Islander)

The marauding black/thrashers Ancestor of Kaos have followed a long and winding road, a twisting and turning path that now leads to the April 18 release of their new album Animal Ritual by Horror Pain Gore Death Productions.

They began as a black metal band formed in Havana, Cuba in 2005 under the name Ancestor. Under that name they released a first demo, a split, and two albums. In 2013 the band moved to the U.S following an invitation to play at South by Southwest that same year. Initially they were based in Miami and were active on stage, opening for such bands as Deicide, Acheron, and Goatwhore, among others.

We’re told that from 2015 until 2020 the band went into a brief hiatus where they changed their name to Ancestor of Kaos. In 2022, after resuming activity, they released their Ancestor of Kaos album, which consisted of new versions of old songs, re-recorded in Las Vegas, Nevada. And then, in 2024 (with a renewed lineup) they began releasing singles that would lead to the discharge of this new album. Continue reading »

Apr 102025
 

(written by Islander)

Today we encounter once again the term “dark metal“, which is how two labels are describing a debut album they’re releasing from the Cypriot band Ka’aper. It is one of the most amorphous genre descriptions you can find in the realms of metal, most often used (it seems) when none of the other more established and more descriptive labels fit very well, even the multiply-hyphenated ones.

What it means in the case of Ka’aper and their first full-length While Flows The Nile is a subject we’ll explore today through our premiere of a song from the album named “Eyes Of Ka’aper“. But first, a bit of background about what has motivated the band. Continue reading »

Apr 092025
 

(written by Islander)

Those of us who first came across the Italian death metal band Sonum through their 2021 EP Divide et Impera encountered a head-spinning array of wild musical adventures, a free-wheeling experimentation in which death metal was only one of many stylistic twists and turns. They followed that with their somewhat less genre-bending but still multi-faceted 2022 debut album Visceral Void Entropy, and now they’re returning again with their new full-length The Obscure Light Awaits, set for release on April 11th by the Dusktone label.

Since their last album, Sonum‘s lineup has dropped from five members to three, and by some measures their music has become more streamlined as well, certainly more carefully structured and cohesive.

But let us quickly banish any thought that Sonum have become “conventional”, in any sense of the word. This is an ingeniously elaborate and thoroughly dazzling album of progressive and atmospheric death metal (though its varying moods are quite dark), and heads that lean into it won’t stop spinning until it’s over — as you will learn for yourselves through our premiere today. Continue reading »

Apr 082025
 

(written by Islander)

Like other genres of extreme metal, a good case can be made that black metal in its earliest stages evolved from punk rock. But black metal continued to evolve in ways that essentially left punk behind. Some bands did not completely cut the tie, but many did, and so the fundamental tropes of subversive “second wave” black metal as they took shape in the early ’90s, and which persist to this day, bear little resemblance to where things started.

Yet in more recent times, maybe most notably over the last decade I’d say, we’ve seen a new emergence of punk influence in black metal, not really a rolling back of the clock to the earliest days but a hybridization of punk, hardcore, or crust and second wave Scandinavian black metal.

Many bands have embraced that hybrid form, and Final Dose from the UK are one of them, and one of the best. But they have also evolved, bringing other stylistic ingredients into their mix besides those two main ones in order to better express the emotional torrents that fuel their work.

The results are vividly on display in their viscerally powerful new album Under The Eternal Shadow, which we’re premiering and reviewing today in advance of its release on April 11th by Wolves of Hades. Continue reading »

Apr 072025
 

(written by Islander)

Samiarus took shape in the SF Bay Area among current and past members of Abnutivum, Meth Sores, Flesh Dungeon, Doomsday, Slaughteruin, Abstracter, and Mentor. The name they chose was intended as a reference to “the Arabic name of the leader of the Watchers in apocryphal abrahamic scriptures, a rebel angel who shared knowledge with men and birthed the Nephilim, becoming a danger to divine power and law and turning into the absolute usurper.”

First impressions of their black/death terrors arose from their Demonstration demo, released in January of this year, which included one original song, a cover of Absu‘s “Descent to Acheron”, and a recording of a live rehearsal. It brought to mind full-blown war zones, episodes of unhinged violence and splintering sanity, but infiltrated by ingredients not wholly dependent on antecedents like Blasphemy and Archgoat.

Now we have a Samiarus EP looming ahead of us, a 23-minute onslaught named Reign Destroyer that will be released by Sentient Ruin on April 25th. What we have for you today is the premiere of one of its 7 tracks, “Crushed By Inferior“. Continue reading »