AN NCS PREMIERE: ENGULFED — “CURSED ETERNITY”

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Mar 252024
 

The capacity to create sonic scenes of crazed and cataclysmic conflict, weaponized by technically eye-popping instrumental armaments and urged on by monstrous proclamations — these are among the achievements of the Turkish death metal band Engulfed, whose name encapsulates the experience of being caught and consumed by their ravenous music.

The engulfing savagery and racing technicality of the band’s music would by themselves be enough to put Engulfed on the global map, circled in red, but they also manage to insidiously infiltrate their music with mood-moving atmospherics both grim and grievous.

After only one album and a pair of EPs, Engulfed are already at the point when news of a new release whets appetites for angry and exhilarating music, and a new Engulfed release is what we’ll have on on April 19th when Me Saco Un Ojo and Dark Descent release the band’s second album, Unearthly Litanies of Despair.

So far, one song has erupted from the album, and today we un-cage a second one through our premiere of “Cursed Eternity“. Continue reading »

AN NCS PREMIERE: COFFIN CURSE — “REEKING FILTH OF AGES”

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Mar 222024
 

When is a curse also a blessing? The answer is Coffin Curse, the demon-spawned Chilean death metal band whose thoroughly evil new album The Continuous Nothing is now racing hell-for-leather toward an April 22nd release by Memento Mori.

We were blessed four years ago to premiere a song from this duo’s mortifying debut album Ceased to Be, and now we get to make another premiere today for the new album, presenting “Reeking Filth of Ages“. Continue reading »

AN NCS PREMIERE: CRAWL — “THRONE OF MOLTEN BONES”

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Mar 222024
 

Six years after their debut album Rituals and a year after their split-release with Feral, the Swedish death/crust band Crawl are making a rampaging return with their second full-length Altar of Disgust, which is set for release on May 3rd by Transcending Obscurity Records.

In listening to the new album, the phrase “if it ain’t broke don’t fix it” comes to mind, because Crawl still revel in delivering ugly, adrenaline-fueled mayhem and skull-busting punishment, steeped in an atmosphere of ghastly horror and well in line with a rich tradition of Swedish-style, punk-influenced death metal.

But that’s not to say that Crawl have stood still since their debut album. While still unmistakably a Crawl release, the songwriting is more nuanced and more adventurous, and as Transcending Obscurity correctly previews, they’ve brought a bit of blackening into the mix here and there as well. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): THE BLEAK PICTURE — “MEANINGLESS”

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Mar 212024
 

The image on the cover of the debut album from the Finnish duo The Bleak Picture is striking. It shows a group of people paused in their normal daily movements (except, perhaps, for the police) and staring at a dark hunched figure, or maybe two of them, on the precipice of some catastrophe, lost in either horror or mourning or both. The origins of the devastation are hard to decipher, but the ruination is apparent.

Gazing at the image, it does seem to connect with the title of the album — Meaningless — but the exact nature of the connection, even though it feels right, is as mysterious as the exact nature of the catastrophe in the cover image.

Well, it would have been an interesting question to ask composer/instrumentalist Jussi Hänninen and lyricist/vocalist Tero Ruohonen what that image depicts and why they chose it, but alas, the thought came too late. But maybe it’s for the best, because there are mysteries in the music too — and catastrophes and mourning and something like a search for meaning. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): ENDLESS LOSS — “TRAVERSING THE MEPHITIC ARTERY”

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Mar 202024
 

Through their first two releases, Australia’s Endless Loss opened the floodgates of words here that attempted to capture the exhilaration of being sonically destroyed and chilled to the bone.

We referred to their 24-minute 2016 debut demo, Solitary Starless Beast, as “a catastrophic demolition job”, with “dire and desolate melody slithering along through the maelstrom”. We characterized their 14-minute 2022 EP Bloodletting Narcotic Divination as “brutally bludgeoning and psychotically violent stuff, but also hallucinatory and esoteric”.

We spilled out a lot more words, but you probably get the point. This Adelaide duo’s amalgam of black and death metal was violently ruinous enough to appeal increasingly to fans of bestial war metal, but also displayed a kind of fiendish intelligence and ingenuity that gave the music more dimensions than unmitigated bombardment and evisceration.

And so, while the prospect of an Endless Loss debut album created the thrills that come to some of us when anticipating a slaughter-fest, it also created curiosity. Would Endloss Loss continue opening other dimensions through their music, and how effectively would they do that?

We and you have our answer today, because we’re presenting a full stream of that album — entitled Traversing the Mephitic Artery — in advance of its March 25th release by Nuclear Winter Records. Continue reading »

AN NCS VIDEO PREMIERE: INELEGANT MASS — “LOWER MYSELF”

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Mar 192024
 

Those of you who perused the daily news yesterday (though why would any sane person do that?) would have quickly halted in your tracks upon seeing this headline:

“500-pound mound of pythons found in Florida marsh”

Reading further, you would have found a photo and a description of a discovery made by a team of trackers (e.g., here) — a 7-foot wide mound of Burmese pythons in the midst of mating season.

Of course, it’s mere coincidence that this report surfaced just before our premiere of a song by a band named Inelegant Mass. Or is it? Continue reading »

AN NCS DOUBLE PREMIERE: HERXHEIM AND MANASSEH

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Mar 192024
 

Why do we have two song premieres from forthcoming albums paired together in this article? Here’s a multiple choice quiz for you:

a) the albums are being released on the same day
b) the albums are being released by the same label
c) both bands are the work of the same person
d) it makes it easier for us to melt your brains
e) all of the above
f) none of the above

Make your selection and find the answer after the jump. Continue reading »

AN NCS PREMIERE: GRIMTONE — “GRAINS OF SAND”

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Mar 182024
 


In the context of the song premiere we’re about to bring you now, it’s a relevant coincidence that today is the birthday of Wilfred Owen, one of the first poets to depict the horrifying realities of war, instead of writing glorified, nationalistic verse. He served in the British army during World War I and was killed in battle at the age of 25. Here’s his poem “Anthem for Doomed Youth“:

Continue reading »

AN NCS PREMIERE: VENOMOUS ECHOES — “OCULAR MALTOSIS OV SCHIZOPHRENIA”

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Mar 182024
 

(As you can see, we have a song premiere, but first, an album review.)

After listening to parts of Venomous Echoes‘ 2023 debut album, Writhing Tomb Amongst the Stars, this writer immediately spewed forth words while my mind was still boggled, among them such adjectives as “maniacal”, “freakish”, “insane”, and “demented”, and referenced the conjunction of “full-tilt demolition in the low end and spell-like alien wailings that seem to reach our shores from deep space”.

I also quoted a friend’s impressions: “If Choir meets Portal and Impetuous Ritual in Strapping Young Lad’s City is in your wheelhouse you can’t go wrong with this onslaught brought to you by Benjamin Vanweelden.”

Upon learning that Mr. Vanweelden had had recorded a second Venomous Echoes album that I, Voidhanger Records would be releasing this spring, I already knew that I would have to hear it, and that I would have to make sure before listening that I wouldn’t need my brain to function in even its usually disjointed condition for several hours afterward. No great shock to see that the album’s name is Split Formations And Infinite Mania.

Well, now I’ve listened, and I find myself in shuddering but exhilarated agreement with the label’s summing up of the new album as “an intimate and personal experience into a universal cosmic horror apocalypse”. Continue reading »

AN NCS PREMIERE: HERESIARCH — “NOOSE ABOVE THE ABYSS”

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Mar 152024
 

Seven years have passed since Heresiarch‘s last album Death Ordinance (reviewed here), a long gap in new music segmented only by a pair of splits in 2019 and 2020 (the second of which, with Antediluvian, we premiered here). Now, at last, Heresiarch‘s second album Edifice is on the way, with a release date of April 12th established by Iron Bonehead Productions.

Our review of Death Ordinance referred to the music as “belligerent and bestial”, “militant, violent, and ruthless”, “an obliterating war metal juggernaut”, a “fusion of bloodthirsty primitivism and inhuman mechanisation”, and “a genuine tour de force”, with emphasis on “force”.

Even seven years later, no one would expect Heresiarch to make peace with the world or with their listeners, and on Edifice they haven’t. But as we’ll explain in more detail at a later time, the album’s unforgiving assault on the senses is a multifarious as well as nefarious experience, and the song we’re premiering today — “Noose Above the Abyss” — is a vivid and extremely unsettling sign of that. Continue reading »

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