Nov 152024
 

(written by Islander)

We have a hell of a good story to share with you, one that’s probably well-known in the environs of Gothenburg, Sweden, but probably less well-known elsewhere, including here in North America. It’s the kind of story which reminds us that some of today’s best-known and most influential metal bands first seized attention decades ago as teenagers.

And, in addition to a hell of a good story, we’re also sharing one hell of a good song and video that features the young Gothenburg-based thrashers Hostilia.

First, here’s the story: Continue reading »

Nov 142024
 

(written by Islander)

In April of this year the Trondheim-based “black psych metal” project Furze released a new album named Caw Entrance, its first full-length in six years. (We featured some crazed insights about it in our Comrade Aleks’ interview of Woe J. Reaper last July.)

Surely some significant amount of time would be necessary before he did something else under the banner of Furze, some period of recovery before his head could begin spinning again, and spinning ours — but NO! He quickly began musically self-medicating again, and the result is a second Furze album that’s now set for release tomorrow by Devoted Art Propaganda and Polytriad Fingerprints.

The new one is named Cosmic Stimulation of Dark Fantasies, which is a good description of the music and its apparent intent. You’ll see, because here on the eve of its release we’re presenting all the songs. Continue reading »

Nov 142024
 

On Monday of this week we hosted the premiere of a song from Malevolent Lycanthrophic Heresy, the forthcoming third album by the Pennsylvania-based black metal band Luring that’s coming out December 13th on Iron Bonehead Productions. Luring is a member of “the Order of the Broken Sword,” a group of musicians who’ve apparently known each other for about 20 years. Another member of that circle, Azathoth’s Dream, released their debut album Nocturnal Vampyric Bewitchment on IBP last year, and we also hosted a premiere for that one.

And now we come to yet a third entity within the same circle, a duo who took the name Wuldorgast. They too now have a debut album set for release by IBP on December 13th, one named Cold Light, and today we’re again hosting a song premiere in support of the album. The title of this track is “Cold Light of Reason“. Continue reading »

Nov 132024
 

(written by Islander)

Four years ago we premiered a couple of songs from Where Paths Divide, the eye-opening debut album of the Swedish death metal band Toxaemia that was ultimately released by Emanzipation Productions. We began one of those premieres with the following paragraphs, which four years later are still relevant:

“What causes a cult Swedish death metal band to come back to life after almost 30 years of silence? Not fame and fortune, at least not in the case of Toxaemia. Their roots go back to 1989, and their early demos and other recordings in 1990 and 1991 can legitimately be considered part of the pioneering sound of early Swedish death metal, but they’re not a household name in 2020. Rather than trying to cash in on a name, it’s a much better guess that this revival was spawned by one thing and one thing only: passion for the music.

“Sure, you might guess that nostalgia had something to do with it, but when you hear the music they’ve now made on a debut album that gestated this long, what you feel is fire and fury.”

Why are those words still relevant? Because the creative fire that fueled Where Paths Divide didn’t die away to embers. If anything, it has blazed higher in a new Toxaemia album named Rejected Souls Of Kerberus that we’re proud to present today, in full. Continue reading »

Nov 132024
 

(written by Islander)

The Polish band Narrenwind was started by Ævil and Klimørh back in 2018, and since then they’ve released four albums and a few EPs through Pagan Records and Ævil‘s Wheelwright Productions. In that time the style of their music has changed through experimentation with different facets of metal, and it will change again with the release of their fifth album, Gorzkie Plony, which the band call “a return to the spirit of our inaugural work”.

What we have for you today is the premiere of the album’s first single, “Koniugacja“, which will be released across most streaming services on December 15th. Notably, it features session drum-work by Anti-Christian, known for his work with Doedsvangr, Beaten to Death, and formerly Tsjuder.

The song draws attention for other reasons as well, including the lyrics, which are unusual for a blackened heavy metal band, and we’ll start there. Continue reading »

Nov 122024
 

(written by Islander)

Perhaps especially to those of us whose hair is now majority-gray, it’s always inspirational to see people who first started making metal when they were still “wet behind the ears” get that itch again many decades later — but most especially when they scratch the itch in ways that should make people of any age sit up and take notice. And that’s what happened with the three Finns who make up August Moon.

As teenagers, they first came together (along with other friends) in 1992, and under the name As Serenity Fades they put out a trio of demos and an EP from ’93 to ’96. But in that same period two of those people formed August Moon as a second band with a third friend, and that also resulted in a pair of demos in ’93 and ’94.

But both bands faded away… until the August Moon trio of bassist/vocalist Mikko Sorja, drummer/vocalist Tom Henriksson, and guitarist Peter Viherkanto started writing music again in 2014. This time, it took 10 years to release anything.

The first signs of what they’ve done in their revival were manifested in a four-song EP self-released this past January, and then a further single the month after that. And now they have a debut album, Something Eldritch and Macabre, set for a December 13 release by the distinctive Personal Records. Continue reading »

Nov 122024
 

(written by Islander)

The Hexenbrett duo of Josto Feratu and Scarlettina Bolétt are returning with a second album entitled Dritte Beschwörung: Dem Teufel eine Tochter. According to Google Translate, this means “Third Summoning: A Daughter to the Devil”.

In the PR materials for the album, it’s described as a “devilish and drama-filled rollercoaster ride through cult metal and cult cinema alike,” and as “a wide panoply of sounds and sensations [that] swarm the listener, wrapping them in a wild and bewildering but above all kaleidoscopic headspace that easily avoids simple categorization.”

That all proved to be a good preview of the video for the album’s first single, “Um Mitternacht” (which translates to “At Midnight“). You’ll see the basis for the cult (horror) cinema references in the film excerpts. As for the music, it’s a wild hybrid, or maybe I should say hydra, pulling together ingredients of black metal, gothic horror, psychedelia, and classic heavy metal and rock. Continue reading »

Nov 112024
 

(written by Islander)

Today we happily help spread the word about Malevolent Lycanthrophic Heresy, the forthcoming third album by the Pennsylvania-based black metal band Luring.

For those listeners who haven’t yet encountered Luring‘s previous releases, the album’s name and cover art may point you in one direction of expectations, perhaps envisioning raw and racing lo-fi viciousness, perhaps laced with sounds of ancient horror that cause the skin to crawl.

Such expectations aren’t completely off-base, but the song we’re premiering today is proof that there’s a lot more to Luring‘s new album than those facets.

What “Born With the Devil’s Markings” reveals is a band capable not only of launching malevolent full-bore assaults, but also creating captivating melody, muscle-moving punch, and mood-moving atmosphere of an unearthly origin. Perhaps unexpectedly, there is (dare we say it) an elegance and refinement in key components of this song — as well as indomitable thrust and lycanthropic savagery. Continue reading »

Nov 082024
 

(written by Islander)

The Polish blackened sludge metal band Fiasko gave the world the first tastes of their new album AMOK ꓘOMA through videos for two of the album tracks, “Wniwecz” (“Into Naught”) and “Sztuczne kwiaty” (“Fake Flowers).

In the first of those, Fiasko showed their current colors in a slow-moving display of miserably moaning and wailing melody, backed by gut-punching percussive blows — and then they shock the listener with a sudden detonation of blasting drums, frantically swarming riffage (which still sounds dismal but vastly more deranged), and furious screams.

In that typhoon surge of sound you can still detect the grim opening melody, but it has been spun up into something substantially more frightening, and as the riffing evolves, it becomes both more feverishly unhinged and more disturbingly agonized. Even the sudden singing sounds emotionally shattered, elevating into screams again. Continue reading »

Nov 072024
 

(written by Islander)

The last time I attempted to find words for the music of Auriferous Flame I deployed adjectives such as “dire and deleterious,” “hypnotic” and “mystifying,” “deranged and dervish-like,” “molten” and “exotic.” The occasion then was an album named The Great Mist Within, released by True Cult Records in the summer of 2022. Now we have a new occasion because of a new album by this Greek black metal entity, which is one of the several guises assumed by the masterful Ayloss (with Spectral Lore being the best-known of those).

The new album, The Insurrectionists And The Caretakers, will be released tomorrow by the same True Cult Records. It is three songs long, and its overarching subject is revolution. Continue reading »