Oct 212024
 

(Andy Synn presents a brand new single… by his own band)

As it turns out, Islander, DGR, and I were all so busy this weekend that none of us had any time to prepare anything for NCS today.

So when the boss man asked if I wanted to take the opportunity to promote something of my own – which I generally feel a little weird doing here – I decided, for once, to take him up on the offer.

Because today we released a brand new single, a cover of Sting‘s 1987 anti-war anthem “Fragile“, and I’d love for you all to check it out!

Continue reading »

Oct 182024
 

(written by Islander)

Once again we gaze upon the mindless marauding of the mighty Becer, the foul and ferocious avatar of the troglodytic Sicilian death metal band Becerus.

The last hideous vision of that rampaging creature graced the cover of the debut Becerus album Homo Homini Brutus in 2021, and if anything, Karl Dahmer‘s artwork for the band’s new album is even more berserk than what he did that first time (as you can see).

Homo Homini Brutus, which we helped introduce through not one, not two, but three premieres, was indeed brutish and bludgeoning — caveman death metal with primordial appeal — but the songs were also full of twisting and turning surprises, demonstrating that Becerus were fully capable of violently erupting like Vesuvius with turn-on-a-dime suddenness and surgical precision.

And so I’ve been greedily and greasily rubbing my hands together in anticipation of this band’s new album-length depravity. Aptly named Troglodyte, it will be released by Everlasting Spew Records on December 20th, just in time to ruin Christmas, and once again we’re helping introduce it with a premiere today — of the new album’s title song. Continue reading »

Oct 172024
 

(written by Islander)

In the nearly 15 years of our site’s existence our changing cadre of writers have listened to a mountainous quantity of metal, but if any of us have spent time with the music of the Romanian band Cursed Cemetery we must have kept our thoughts to ourselves. Because until last month, their name has not been mentioned in any of our 15,918 articles, despite the fact that since 2007 they released four albums.

But now Cursed Cemetery are on the eve of releasing a fifth album (on the Dusktone label), and finally we’re paying attention, and wondering what we missed across the years when the first four dropped.

The new album, Magma Transmigration, is a mountainous piece of music itself, a massive and daunting range with four imposing peaks, just four songs but each of them exceeding 10 minutes in length and two of them topping 15. Continue reading »

Oct 162024
 

Sweden’s “avenging witches of black metal,” Völva, opened a lot of eyes and ears with their 2020 debut EP Promises Unfold as Lies, and they will open more with their forthcoming debut album Desires Profane, now set for release on November 28th by Grind To Death Records (CD) and Fiadh Productions (vinyl).

The album is described as “ten hymns to the lost souls of their persecuted sisters, incinerated upon the murderous bonfires of Christianity,” as “a scalding assault of vehement rage,” and as a pursuit of “themes of Satanic feminism both in a spiritual cosmic sense as well as using your free will, body and lust as vessels to sin for a higher purpose”.

As a vivid sign of what the new album brings, today we premiere a video of Völva performing a song called “The Tower,” which opens the album, filmed in the setting of Studio Quaalude, a recording studio located in Malmö. Continue reading »

Oct 162024
 

On November 15th the Quebec-based melodic symphonic metal band Trollwar will release their fifth record, an EP named Tales from the Frozen Wastes. It doesn’t take much guesswork to assert that the EP’s cover art will seize the attention of listeners, even those who haven’t yet encountered Trollwar‘s previous releases. In addition to depicting a fantastic setting it also connects to the album’s music.

As Trollwar have explained (and as you can see): “The artwork represents the journey to the underworld, with a desolate land, ruled by a higher force, where darkness looms over all. Yet still, through this evil sky, light can be seen piercing the night…. This visual representation perfectly captures the essence of Trollwar’s music – epic and hopeful, yet dark and malicious.”

You will have a good chance to investigate these claims today through our premiere of a song from the new album named “Bane of the Underworld“. Continue reading »

Oct 162024
 

(written by Islander)

When the Greek metal band Eldingar released their debut album Maenads in 2021, our own Andy Synn extolled it in his review as embodying a “sense of seminal spirit and elemental exuberance which dates all the way back to the dawn of the Hellenic scene.”

He called it an album that “sits proudly at a nexus point between Black Metal, Melodic Death Metal, and good old Heavy Metal, and practically revels in its hybrid identity,” a “tribute to the metallic majesty of a bygone era” and one that might “also help return it to its former glory.”

We are thus fortunate that Eldingar will soon return with a second album, and its name is Lysistrata. What Andy wrote before holds true again. As before, the music is stylistically multi-faceted and emotionally powerful, viscerally affecting in many ways. Also as before, it’s rooted in compelling philosophical concepts that have a current-day relevance, even though often expressed through ancient Greek traditions and mythologies. Eldingar‘s label describes the themes this way: Continue reading »

Oct 152024
 

(written by Islander)

Detest the Sun is a Louisiana-based one-man project started by Howl in 2023, devoted to “the true spirit of southern melodic black metal”. Following a two-song demo self-released last April, Detest the Sun will now see the release by Void Wanderer Productions of the project’s first album (or EP, depending on how you consider a half-hour runtime).

The new record is named Moonspells and Everlasting Sorrow, and Void Wanderer portrays it in these terms:

“As darkness claims over the Earth, with it Detest the Sun unleashes its debut album of pure cold, melancholic grimness. With the beauty of melody behind the ice, wielding invective curses behind each verse, you shall be locked within a trance. A trance so abysmal as a buried spirit beneath the deepest cavern, but with this trance, you shall become victim to its nocturnal rite.”

As a more tangible sign of what the album encompasses, we’re now premiering one of its X tracks, a song named “Silent Suffering“. Continue reading »

Oct 152024
 

(written by Islander)

The debut album from the Polish band Deamonolith is unusual. First, it comes with cover art by Michał “Xaay” Loranc (based on a concept by the band’s two founders) that will stop most people dead in their tracks when they see it.

Second, the album is just a single song — a single track that’s 35 minutes long.

Third, and most important, although the members of Deamonolith have been active in the metal scene since the 1990s and have made death metal the core of their first album, it’s far away from some kind of “OSDM” re-tread. Instead, it’s an enormously ambitious and thoroughly jaw-dropping extravaganza that pulls freely from multiple genres of music, both within and outside of extreme metal.

That’s a conclusion you might infer when you discover that the album’s music includes such ingredients as saxophone, classical guitar, piano, clean male and female vocals and choirs, and dark ambient accents. But you needn’t rely on inference, because today we’re premiering The Monolithic Cult of Death in its entirety, just a few days away from its co-release by Godz Ov War Production and Ancient Dead Productions. Continue reading »

Oct 142024
 

(written by Islander)

Following up their 2020 debut album Infernal Comedy (released by Lavadome Production), the hellish French death metal band Ad Vitam Infernal have completed a new album named Le Ballet des Anges that’s now set for release on November 8th by Dolorem Records.

On the new album the lyrics focus on the Book of Enoch. As the band explain: “It is in this work that the origin of demons and Nephilim is told, as well as the origin of fallen angels such as Semihazah, who was the angel at the head of the Watchers and the instigator of their descent to earth to teach sciences forbidden to Man.”

And it is “Shemihazah the Great” that is the central figure in the song from the new album that we’re premiering today. Continue reading »

Oct 142024
 

(written by Islander)

Many of our visitors, probably most, are well aware of From the Vastland. Even just focusing solely on our site, we’ve been avidly following and writing about the band’s music for more than 11 years (witness all these reviews and interviews), beginning with a review of the band’s first live performance at Oslo’s Inferno Festival in 2013.

But for those who might be encountering From the Vastland for the first time, it’s the black metal brainchild (and heart-child) of Sina Winter, a project he began in his homeland of Iran in late 2010 and then carried forward to greater heights after moving to Norway, where he has been accompanied in live performances and recordings by an impressive collective of allies.

Since 2010 From the Vastland‘s discography has grown to seven albums, released by an array of respected labels, and an eighth one is now on the horizon. This new one, Tenebrous Shadow, is set for release on November 1st by the German label The Crawling Chaos, and today we’re hosting the premiere of a song from the new album called “99999“, accompanied by an official lyric video. Continue reading »