Jan 302024
 

It may have been the English writer Jonathan Swift (he of Gulliver’s Travels) who was the earliest source of the proverb that, as time passes, everything old is new again. Or it might have been Ovid. But whoever first coined the phrase was surely right.

The members of the Greek metal band Sarcastic Obedience aren’t that old, but they are new again. They look very young indeed in photos of them taken when they released their debut EP Internal Disturbance in 2013.

But now they’re more than a decade older, and they have their first record since that EP now on the horizon, a self-titled album that will be released on February 14th by Chaos and Hell Productions. New again, but man, for them that horizon must have seemed like it was receding farther away with every step they took toward it. Continue reading »

Jan 292024
 

By sheer coincidence, this marks the second premiere we’re hosting today from a band who are returning with a new recording seven years after their last one. This time the band is the Dutch quartet Morvigor, coming back from their hiatus with a new EP named De Spiegel that will be co-released on February 26th by Onism Productions and Vita Detestabilis.

We also hosted a premiere in the run-up to Morvigor‘s last album, 2017’s Tyrant. At that time, having overlooked the band’s full-length debut (2014’s A Tale of Suffering), we didn’t know what to expect. But when this same writer first heard that song we premiered, I wrote that “it felt like someone had stuck a live power line straight into my brain stem, by which I mean it is an absolutely electrifying surprise — one of the best new discoveries of this rapidly waning year”.

Having been stunned by Tyrant, this time it will be more difficult for me to come away surprised by Morvigor‘s multi-faceted, genre-bending sounds and their adventurous approach to song-writing. But that doesn’t make De Spiegel any less startling, as you’ll discover for yourselves when you listen to “Midden in de wereld“. Continue reading »

Jan 292024
 

A long seven years after their last album (Nex Nihil), the Mexican black metal band Hacavitz are returning, with a tremendously powerful new album named Muerte that’s now set for release on February 9th by Vomit Records.

Muerte is the sixth full-length overall from Hacavitz in a career that now spans 20 years. Their name is well-known to devotees of dark metal, and their absence has been felt, even with a couple of splits dropping during the album gap.

But this new album abundantly compensates for the band’s absence, and you’ll quickly learn why when you watch and listen to our premiere of a lyric video for the album’s first song, “Muerte Primera“. Continue reading »

Jan 262024
 

(We present Christopher Luedtke‘s introduction of our premiere of two songs from a forthcoming 12″ vinyl split set for release in February by Redscroll Records, one each by the bands Doom Beach and Chop Chop Chop Chop Chop Chop Chop.)

It is not just a good day because it is Friday and the weekend is so close some of us can already hear the siren call of free time choice paralysis, but today we also have not one but two song premieres. Today is a double dose of blown-out Connecticut rage from Doom Beach and Chop Chop Chop Chop Chop Chop Chop (or Chop7x if you’re nasty) from their upcoming split to be released early next month on Redscroll Records. Continue reading »

Jan 262024
 

This isn’t our site’s first encounter with Norway-based Defect Designer. The last time, in the context of premiering a track from their 2022 EP Neanderthal, we attempted to prepare people by explaining that the group “revel in severely discombobulating their listeners, and beating them almost senseless”.

Even Ian Miller‘s utterly bizarre cover art for that EP was only a hint of the sounds behind it, a “mutated and marauding amalgam of grindcore and death metal that’s as relentlessly head-spinning as it is viscerally obliterating”.

Now Defect Designer are returning, with a third full-length named Chitin that’s set for release on March 14th by Transcending Obscurity Records. What can you expect this time? In a nutshell, more madness, but mutated yet again. Continue reading »

Jan 252024
 

Dyssebeia‘s debut album Garden of Stillborn Idols was released last November by Transcending Obscurity Records. Like a chameleon in a hot house of flowering plants, its musical colors constantly shifted, revealing flashing shades of prog metal, melodic death metal, and black metal, richly embellished with technically impressive twists and turns by all the performers, animated by wild vocal savagery, and loaded with bursts of battering-ram groove.

With a clean yet powerful production behind it, the album incorporated swaths of beguiling melody, head-spinning fretwork fireworks (including glorious guitar soloing), frequent changes in tempo and mood, and the kind of rhythmic punch that might leave a listener checking for bruises and hairline fractures.

Fluid and elegant one moment, jarring the next, and spectacularly racing the next, it was (and still is) a thoroughly exciting roller-coaster ride of adventurous extremity, capable of rocketing to exhilarating heights and plunging to breathtaking depths, while veering around head-whipping turns with both abandon and aplomb.

It still is an album very much worth your time if you haven’t taken the full ride. As a reminder of its marvels for those who might have overlooked them, today we present a video for one of the album’s prize tracks, “Hatch“. Continue reading »

Jan 242024
 

Metal navel-gazers such as us here and many of our friends could probably kill hours debating whether “Vampiric Black Metal” is really a genre. It’s certainly a term we see thrown about in descriptions of music, but does it really mean anything?

It certainly has lyrical and inspirational meaning for some bands, who relish tales of the ancient undead and their horrid nutritional needs. Those tales are sometimes rooted in the folklore of an artist’s native region, but regardless of geography they’re also attractive to misanthropes who smile at the idea of human beings as cattle to be consumed, and to people drawn to visions of deepest nights and full moons, to graveyard mists and red eyes shining in the dark.

But the question remains, is there anything we can point to beyond lyrical themes and fonts of inspiration as a way of defining “Vampiric Black Metal”, anything in the music itself? Continue reading »

Jan 232024
 

After a break of nearly 20 days in our daily publishing of premieres due to this writer’s submergence in the awful pits of his day job, we mark our return to the sharing of new music in truly spectacular fashion, with a jaw-dropping sonic spectacle from a forthcoming EP by the Venetian blackened death metal band Obscura Qalma.

From the beginning, Obscura Qalma have done nothing by half measures. If it is worth doing, they seem to think, it is worth doing in ways a listener can’t possibly overlook, on scales that dwarf the daily scrabbling of human ants and with the kind of power that overwhelms. Their lyrical themes have been equally far from the mundane.

Some might suspect that what you’ve just read is linguistic hyperbole, especially if you haven’t yet encountered this band’s heavily orchestrated amalgam of black/death, but the song we’re presenting today — “Ophidian Enthronement” — should banish any such doubts (along with any sluggishness that might be afflicting your minds). Continue reading »

Jan 042024
 

Last month we did doing something we almost never do — premiered brief excerpts from songs off a forthcoming release, just a teaser of the full thing to come. The release in question is a 7″ split called Divinations that will be released by Sentient Ruin Laboratories on January 5th.

The split includes one song each from the U.S. black/death metal bands Aberration and Diabolic Oath. It is a timely release, not only because it helps kick off 2024 in obliterating fashion but also because the spring of 2024 will bring us new full-length albums from both bands, Aberration’s Refracture and Diabolic Oath’s still secretive but completed second full-length, and so the split functions as a precursor and taste of horrific things to come.

If you heard the teaser, you’ll probably understand why we agreed to share it despite our usual reticence to premiere anything but complete songs or full releases. But if you caught that teaser premiere, you also know that we promised to stream this split in full when the time was right. And the time is right now. Continue reading »

Jan 042024
 

Every day around the world vast numbers of people leave their home countries and migrate to another one, sometimes legally and sometimes illegally, sometimes easily and sometimes at the risk of their lives. There are thousands of reasons, but in every case emotional trauma undoubtedly accompanies such a fateful decision, with a sense of loss accompanying the desire to find something better.

That sense of loss probably accompanied the Iranian musician who calls himself Atash (a name that translates to “Fire“) when he left his homeland for Norway several years ago at age 16, but rage and rebellion were also in the emotional mix.

In his case, he sought a place where he could express himself musically in ways that were severely constricted by the oppressive religious totalitarianism imposed by the current regime in Iran. Where he found his own musical fires was black metal, and his solo project Kaaboos (کابوس), which stands for “Nightmare” in Farsi/Persian, has become the vehicle for that expression.

On Friday the 13th of October last year Atash performed black metal in front of the Iranian embassy in Oslo, as a public form of protest. One film of his performance, a cover of Taake‘s song “Nordbundet“, has already surfaced, and today we present another video from that protest performance — an electrifying original Kaaboos song called “Wrath of Gods“. Continue reading »