AN NCS ALBUM PREMIERE (AND A REVIEW): ATERRIMA — “A NAME ENGRAVED IN COLD SOIL”

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Dec 052023
 

Near the end of this past summer we had the pleasure of premiering (and reviewing at length) a fantastic new album named For the Good of the Realm by the Idaho metal band Weald and Woe, whose medieval-inspired music brought to mind the likes of Obsequiae, Véhémence, Darkenhöld, Immortal, and Ensiferum.

Two of the members of Weald and Woe (Brent Ruddy and Isiah Fletcher) are also members (along with Ted Clements) of a very different band named Aterrima, and they too will be releasing an album this year — in just a few days — via the same Fiadh Productions that helped usher For the Good of the Realm into the world.

Aterrima‘s first full-length is entitled A Name Engraved in Cold Soil, and we have a full stream of it for you today. Continue reading »

AN NCS PREMIERE: ETERNAL STORM — “LONE TREE DOMAIN”

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Dec 052023
 

It’s already quite evident that as good a year as 2023 has been for metal, 2024 is going to start off with a big BANG! as a new universe of annual music begins another rapid expansion. Part of the early-year explosion is a new album by the Spanish progressive/melodic death metal band Eternal Storm that’s set for release by Transcending Obscurity Records on February 10th.

The album’s name is A Giant Bound to Fall, and it follows Eternal Storm‘s very impressive first full-length, 2019’s Come the Tide, which our own Andy Synn reviewed here, calling it “a brilliant album, from start to finish, and one which might just restore your faith in the Melodic side of Death Metal”.

To help pave the way for the new record, Transcending Obscurity has released two singles so far, and today we’re bringing you a third one — “Lone Tree Domain“. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): DEEMTEE — “STRANGE AEONS & DELIRIUMS”

 Album Reviews, Premieres  1 Response »
Dec 052023
 

Every durable edifice, even a musical one, must have a solid foundation.

Well, that’s what some people say, probably including most listeners. But music whose foundations are constantly shifting and skidding, as if caught in an earthquake or morphing like some hallucinatory vision, can be far more interesting, even dazzling, if the architect is as talented as the person behind the Spanish band Deemtee.

This observation certainly held true for Deemtee‘s debut album, the aptly named Flawed Synchronization With Reality, which we premiered and reviewed (at great length) four years ago. In attempting to describe it we shared comparative references to Deathspell Omega, Oranssi Pazuzu, Valborg, Blut Aus Nord, and Ved Buens Ende — and repeatedly emphasized how unpredictable (and extraordinary) it was.

Now it’s time for foundations to liquify again, because Deemtee has a new album coming our way on December 7th via the Spanish label Darkness Within (a sub-label of Darkwoods), It also has a very apt title, given the nature of the songs: Strange Aeons & Deliriums. Continue reading »

AN NCS VIDEO PREMIERE: UNDEAD — “FEAST FOR THE WORMS”

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Dec 042023
 

If you’re a slobbering fan of supernatural chainsawing death metal you’re about to have more fun than most things you can do with your clothes on. Ghouls are also invited to participate, with or without clothing.

The source of the fun to come is our premiere of a video for “Feast for the Worms“, a virally infectious, massively mauling, and magnificently eerie song off the latest album by the unholy Spanish death metal band UNDEAD. It was filmed in a very special graveyard, where the dead must have been stirred to ghastly new life as they witnessed the event from below. Continue reading »

AN NCS PREMIERE: KRVNA — “WHAT GREAT LENGTHS”

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Dec 042023
 

We are very happy today to revisit the daunting visionary music of the Australian black metal band Krvna, although the band’s creations have been anything but happy, and indeed so emotionally harrowing and so wholly engulfing in their power that they take the breath away.

The occasion for our revisiting of Krvna today is the planned January 10 release by a trio of labels of the project’s new half-hour EP The Rythmus of Death Eternal. It includes three extravagant new original songs, plus covers of songs by Abigor and Viking-era Bathory, and we have the premiere of one of the monumental new songs today — “What Great Lengths“. Continue reading »

AN NCS VIDEO PREMIERE: WITCHGÖAT — “REJECTED BY THE DEMIURGE”

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Dec 012023
 

Composed of four members with extensive resumes in extreme metal, the Salvadorean band Witchgöat made their advent with the 2018 demo Umbra Regit and then soon followed that with their 2019 debut album Egregors of the Black Faith.

Now, on the other side of lockdown times, they’re returning with a second full-length of black/thrashing mayhem. Entitled Altars of Necromancy, it’s set for release on the last day of this year by Morbid Skull Records (El Salvador) and Deathrockersorrow Records (U.S.). To help spread the word, today we’re revealing a lyric video for the song “Rejected by the Demiurge“. Continue reading »

AN NCS VIDEO PREMIERE: MUSIC IN LOW FREQUENCIES — “THIS CORPSE”

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Dec 012023
 

Today we’re presenting one of the most intense, most wholly absorbing, and most uncomfortable audio-visual experiences we’ve encountered this year. The song itself is overpowering, and shattering. The video magnifies that experience, like turning up the dial on electrodes in your spine that are already delivering tremendous voltage.

The song is “This Corpse“, and it’s one of seven on a new album named Catharsis by the Portuguese trio Music in Low Frequencies. It will be released on December 8th by Raging Planet Records. Continue reading »

AN NCS EP PREMIERE (AND A REVIEW): ABYSSAL TOMB — “BURIED”

 Album Reviews, Premieres, SHORT BUT SWEET  No Responses »
Nov 302023
 

We’re ghoulishly happy to help spread the word today about a new Australian death metal band, Abyssal Tomb, and their debut 5-track demo Buried, which will officially be released tomorrow.

Though the band is new, the members aren’t newcomers. The lineup consists of songwriter and multi-instrumentalist Stuart Callinan from Galaxy and Sylvan Awe (whose fantastic new album we premiered here just yesterday), lyricist/vocalist Rohan Buntine (Battlegrave), and drummer Tim Wright (Munitions / Blunt Shovel).

They describe their aspirations simply and directly — to “celebrate death metal in one of its early forms, honouring bands such as Obituary, Morta Skuld and early Six Feet Under“. Continue reading »

AN NCS PREMIERE: SOLBRUD — “SJÆLESKRIG”

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Nov 302023
 

The number 4 is a recurring theme in the new album by the Danish black metal band Solbrud, which is set for release in February by Vendetta Records. It is the band’s fourth album, and thus its title is IIII. In addition, the band has 4 members, and for the new album they altered their usual compositional process by having each member individually compose music and write lyrics for one vinyl side each (though the full band performs all the songs) — and yes, the new album consists of 4 vinyl sides.

Moreover, the 4 classical elements of Wind, Water, Earth and Fire are vital parts of the album’s universe, and each member’s compositions thus constitute one element each.

One song from the album (“Tåge“) has debuted so far, and today we’re presenting a second one, an instrumental piece named “Sjæleskrig“. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): SYLVAN AWE — “PILGRIMAGE”

 Album Reviews, Premieres  1 Response »
Nov 292023
 

The artwork on the front of Sylvan Awe‘s new album Pilgrimage (their third) is one that will make most people stop in their tracks and stare for a while. It’s a slightly cropped and inverted image of a 1920 painting by the German artist Ferdinand Leeke, who died three years after completing it. The title is “Parsifal on the Way to the Grail Castle“.

Leeke seems to be best known for his depiction of scenes from Wagnerian operas, most of them commissioned by Richard Wagner’s son Siegfried after his father’s death. “Parsifal on the Way to the Grail Castle” doesn’t seem to be one of those 10 commissioned paintings, but may have been similarly influenced, given that Wagner did compose an opera called Parsifal, based on the legend of the Grail Knight.

What that legend has to do with Pilgrimage is open to conjecture, though Parsifal himself engaged in a pilgrimage back to the sanctuary where ailing Grail Knights kept watch over the Grail, after Parsifal vanquished the necromancer Klingsor and retrieved from him the Holy Spear (which pierced the side of Jesus as he died on the cross), ultimately reuniting it with the Grail. Continue reading »

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