CLEARING THE SLATE PART TWO: BRUTALITY

 Album Reviews  No Responses »
Dec 092025
 

(This is the second Part of what projects to be four record-review collections by DGR — collections of multiple reviews that are shorter by his standards than what you usually see from him — all of them intended to clear his slate in preparation for year-end lists to come.)

Part Two of this completely out of control yet still well-intentioned slate clearing comes to us as the result of yours truly realizing that a lot of his review collective consisted of some pretty overwhelming death metal albums.

On top of this, there’s still more but they’re being shuffled around as best I can because even then there were still one or two “surprise motherfucker!” late additions to the list that, in this case, served as good balance to the meteor impact albums that otherwise comprise this fucking monster of a collection. Knuckle dragging and neck snapping walk hand in hand among this collection, save for one surprisingly introspective battering in the middle, and it only clears the way for an even more steady pile of music to follow… and we haven’t even descended into the year end list depravity yet.

Send help. Continue reading »

CLEARING THE SLATE PART I: THE ADVENTUROUS (DESSIDERIUM, OMNIVIDE, MECHINA)

 Album Reviews  No Responses »
Dec 082025
 

(This is the first Part of what projects to be four record-review collections by DGR — collections of multiple reviews that are shorter by his standards than what you usually see from him — all of them intended to clear his slate in preparation for year-end lists to come.)

Here’s how this happens: Inevitably at some point in November, year-end lists start dropping and the reality of the fact that the year is ending suddenly feels more “real”. The compulsion to cover everything begins to vanish and the compulsion to grid everything instead becomes stronger, yet the same imagined debts to bands that you’ve been listening to throughout the year remains.

I swore up and down this year that I wouldn’t do many articles like this and I like to pretend I held to that promise. If I intended to review a band, they received the full investment and treatment, rarely broken out into these articles where the reviews are a little more freeform, freeflowing, and more casually written. It was meant to reflect that I was taking time with these bands, which is why articles like this one tend to frustrate me. For the reader they’re an obvious blessing, given that it’s a much quicker series of recommendations, but it’s a gap I can’t mentally jump just yet. Continue reading »

SHADES OF BLACK: SODALITY, GORRCH, THE RUINS OF BEVERAST, SAINTE OBYANA DU FROID

 Album Reviews, SHADES OF BLACK, SHORT BUT SWEET  3 Responses »
Dec 072025
 

(written by Islander)

Greetings on another Sunday morning. As you can see, I have only four selections to recommend for today, but that’s mainly because two of them are complete albums just released on Friday, and thus it took me some time to get immersed in those and try to wrestle my thoughts about them into some kind of order. I’ve positioned those two as bookends around singles from two forthcoming albums.

I can’t say these choices were the kind that put me in a fugue state. Each one is very different from the others, and the shifts are pretty dramatic, maybe especially the changes wrought by the last one, the debut release of a band I knew nothing about before listening (unlike the first three). But I think you’ll also discover a kind of through-line that ties all four selections together, and I’ll touch on that as we go.

As always, I hope at least one of the four, if not all four, will resonate with you in some powerful way. Continue reading »

SEEN AND HEARD ON A SATURDAY: NECROFIER, CONSUMPTION, EXIMPERITUS, DER ROTE MILAN, SMEARING, MARTIRIO

 Album Reviews, Metal News, RANDOM FUCKING MUSIC, SHORT BUT SWEET  No Responses »
Dec 062025
 

(written by Islander)

For you music lovers out there who just crawled out from under a rock, yesterday was a Bandcamp Friday, the last one of 2025. During those 24 hours we received more than 300 e-mails in the NCS in-box, at least half of them Bandcamp alerts, and that’s not counting the flood of digital traffic that rolled in the day before. Many of the messages were about music that had just been released.

I figure I have about a 50/50 success rate in getting new-music roundups posted on Bandcamp Fridays, which for obvious reasons would be an ideal time for them. Yesterday goes in the failure column. Just couldn’t get it done yesterday, what with other distractions getting in the way and the desirability of allowing Andy Synn’s list-week pre-launch to be our last post of the work-week.

I do feel guilty, but would have felt guilty anyway: Even rounding up a handful of new songs yesterday wouldn’t have made a very big dent in the wall of new tracks that slammed down this past week. Today’s roundup is just a modest dent too, but hopefully sufficient to start your weekend off with a dented skull. As usual, I’ll attempt to do additional cranial denting (of a more consistently blackened variety) tomorrow. Continue reading »

OBSCURITIES – VOLUME XXII: NOVEMBER TRANSFORMATIONS

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Dec 052025
 

(Daniel Barkasi has delivered another monthly collection of reviews, and in this installment he recommends six records released in November 2025.)

An occurrence that comes along with this time of year – other than a lot of holidays – is an uptick in touring and shows. For the last month, we could have gone to at least 3-4 shows per week if able – a fine way to bow out of the Sunshine state. One of the last of which was Cattle Decapitation’s headline run (you can read the review and see my photographer wife’s photos here at NCS). She’s damn good, and it’s a blast to cover shows with her. We make a great tandem, both in this scenario and every other. With the US Thanksgiving holiday in the rearview, this serves as a reminder that I’ve got a ton to be thankful for. Don’t take anything for granted, folks! Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): RAUMORDNUNG — “STEWARDS OF EON”

 Album Reviews, Premieres  No Responses »
Dec 032025
 

(written by Islander)

The German metal band Eremit has followed an unusual path. Beginning with their 2018 debut album Carrier of Weight, they have narrated an unfolding fantasy tale set in a universe created by the band’s mastermind Moritz Fabian. That tale has continued over the course of two more monumental albums and a pair of EPs. Fabian has also been writing the story in book-length “Pamphlets,” with each musical release providing multi-faceted soundtracks to various chapters of the evolving saga. Moreover, the artwork accompanying the records and other merchandise has all been equally integral to the narrative.

The album that we’re premiering in full today in advance of its December 5 release by four labels is an even more ambitious undertaking designed by Moritz Fabian. The name of this project is Raumordnung, and the project’s debut album Stewards of Eon is also a multi-media narrative that’s set in the same universe as Eremit’s albums and described as “a dismal, heart-breaking story,” but represented as a science fiction concept.

How ambitious is it? The Raumordnung collective includes the work of 20 artists of different crafts, among them a wide variety of musicians, as well as authors, photographers, visual artists, illustrators, models, and costume designers. The album is being released along with a graphic novel that provides insight into the album’s narrative.

And the music itself brings together elements of war metal, power electronics, dark ambient, psy trance, and even opera, drawing influence from such disparate acts as Lingua Ignota, Full of Hell, Tsutomu Nihei, Chelsea Wolfe, Caldon Glover, and Antichrist Siege Machine.

On paper, those genre references wouldn’t seem to work together very well — but remarkably they do, in mind-bending ways. Continue reading »

MATALOBOS: “PHANTASMAGORIA: HEXED LANDS”

 Album Reviews  1 Response »
Dec 032025
 

(This is DGR’s review of the third album by the Mexican band Matalobos, released by Concreto Records in February of this year.)

We cannot be the heavy metal spelunkers we imagine ourselves to be if we do not drive ourselves insane chasing after album after album. The result, admittedly, is a segment of blindspots so large that it often seems like we’re using a laser pointer to illuminate an underwater cave. We have one fine dot of light that we manage to cover and everything outside of there either doesn’t exist or is well within “here be dragons” territory.

It just doesn’t seem right, especially when we have a giant content dragnet absorbing potential releases throughout the year and now it seems as if by virtue of being caught in said net, we are driven to discuss something about said capture. That does however also afford us some tremendous opportunities to discover bands we would’t have otherwise crossed paths with, and if we are to live up to our imagined heavy metal Indiana Jones persona then this is something that is an exciting prospect every time.

Mexico’s Matalobos is one such group, a band who captured our eye by way of not just the album art of their third album, suggesting a pulpy goth adventure with tons of leather-draped swagger, but also by title alone. It’s not too often one is going to pass on the opportunity to at least try to listen to something with a title as grandiose as Phantasmagoria: Hexed Lands.

Otherwise, as metal fans, what the hell are we even doing here? Continue reading »

MARTRÖÐ – DRAUMSÝNIR ELDSINS

 Album Reviews  1 Response »
Dec 032025
 

(Andy Synn sneaks in one last review just under the wire before drawing a line under the year)

With this being my last review prior to next week’s take-over of the site for my annual round-up of “A Year In Review(s)”, I knew it had to be something special.

And what better than the long-gestating, and highly-anticipated, debut album from a band – or, to be more precise, a duo – who seem set to take their place as the tip of the spear in the ever-expanding, and ever-abrasive, sphere of “dissonant” Black Metal.

So, please, allow me to present Draumsýnir eldsins… a vision of fire that will soon burn itself into your brain.

Continue reading »

GONZO’S HEAVY ROUNDUP, NOVEMBER 2025

 Album Reviews  3 Responses »
Dec 022025
 

(Here’s Gonzo’s latest monthly collection of reviews, this time focusing on three albums released during November 2025.)

Historically, November has a distinct way of fucking up my yearly Listmania plans, and this year is probably no different. It hardly makes sense to even start the hilariously brain-melting exercise of compiling my yearly list before December 1 anymore, because some band will be inevitably lurking just out of sight until the sun starts setting before 5 p.m. every day, waiting to skull-fuck my carefully concocted assemblage of heavy hierarchy into oblivion.

How does this always happen? Am I asleep for 11 of 12 months of the year? Is everything a joke? Well, yes, but that’s another topic entirely. It’s a good thing heavy music even exists at all, otherwise I’d probably intentionally maroon myself on some remote island and hunt billionaires with a crudely assembled spear.

Right. I think we got off topic here. My day job is rapidly approaching “let’s revisit this after the holidays” territory, leaving me with more time to scream into these hallowed pages about death metal. At least two of the records I included this month have a nonzero chance of showing up in the vaunted list of lists next month, and we’ll get to that rotten task soon enough. For now, allow me to regale you with three albums that are all but guaranteed to leave an impression on unsuspecting family members if played loud enough at the Thanksgiving dinner table. Continue reading »

AN NCS EP PREMIERE (AND A REVIEW): SOREWOUND — “ESPANTO”

 Album Reviews, Premieres, SHORT BUT SWEET  1 Response »
Dec 022025
 

(written by Islander)

Like almost all genres of metal, sludge has evolved and branched in numerous directions since origins that saw hardcore bands slowing down and delving into doom. These days, calling a band’s music “sludge metal” is still useful in some measure, but still leaves a lot un-said because the musical variations within that broad genre have become so wide-ranging.

Which brings us to Sorewound, a Costa Rican band that seems bent on turning back the clock by a couple of decades. Their music, as represented in their debut EP Espanto, is by some current measures primitive and “stripped down,” ugly and corrosive, punk-influenced and capable of creating grisly harmonies that might be abysmal in one minute and feral the next — but always seem horrifying.

Here’s how Sorewound’s label, Cursed Monk Records, introduces the EP: Continue reading »

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