SHADES OF BLACK: ARIDUS, MAGNITUDO, COME HORRID SIGIL, NEKROFILTH, RUNESPELL

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Aug 132023
 

Sorry for whining about my damn cold yesterday. I did feel better as the day rolled on, good enough to spend a lot of time listening to music. This morning was better still, so I kept at it. Maybe all the sleep has helped.

Feeling hopeful that maybe this nasty bug is finally on the run, maybe I’ve also bitten off more than I can chew for today’s selections. There’s a lot here, and some of it is a bit outside the usual black metal boundaries, but to be fair, those boundaries have always been fluid, hence the name of this column.

ARIDUS (U.S.)

This first album isn’t outside the usual boundaries, but it’s an unusual pick for a different reason: Rather than a forthcoming record or one that was very recently released, it’s been out since early May (on the Eisenwald label). Like so many other albums, I had it on a long list of things to check out and never found time to get to it. But a friend happened to remind me of it yesterday. Continue reading »

SHADES OF BLACK: BLACK BIRCH, BLOOD ABSCISSION

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Aug 062023
 

I don’t feel great, thanks for asking. Within an hour after finishing yesterday’s roundup it became evident that I was coming down with a cold. (My spouse brought it home with her last week, so I don’t blame yesterday’s bands.) By dinnertime last night I felt like fresh shit, and didn’t sleep worth a shit either. I don’t think it’s much worse this morning but it’s not any better either. One of the few things that makes me look backward with fondness on covid is that I went two years without a cold. Staying away from human germ-carriers was a big silver lining.

I was tempted to just blow off this usual Sunday column and instead wallow in misery. Didn’t seem quite fair to share my thoroughly clogged and befogged headspace with innocent bands, or to interrupt their performances with ugly hacking and explosive blasts of sneezing, even though I was able to re-listen to the parts that were interrupted with rail-gun blasts of snot.

Well, but the world is not a fair place. It brings colds and music writers who don’t know when to shut up, and I thought forging ahead with this column might temporarily take my mind off my miseries. So it did.

BLACK BIRCH (Sweden)

Black Birch describe themselves as an “Atmospheric Black Metal duo from Southern Sweden” (the two of them are Gina Wiklund and Ulf Blomberg), with an ethos that is “Antifascist & vegan”. I see on their Bandcamp page that they’ve been releasing a sequence of seven singles since January of this year, and on September 1st they’re going to release a self-titled EP on vinyl and digital formats that includes two of those previous singles and two new songs. Continue reading »

SHADES OF BLACK: NIDARE, COLLIER D’OMBRE, GRIFT, ATGEIR, VOIDMÏLKER

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Jul 232023
 


Nidare

Why would any sane person wake up at 4:00 a.m. on a Sunday morning, which is what I did today? Was it too hot to sleep in our un-air-conditioned bedroom? Not at all — it was a delicious 55°F (12.7°C) outside (eat your hearts out all you hell-dwellers in the rest of the sun-broiled world). It may have been that I limited my Saturday-night intoxicants to one ice-cold martini. Possibly I was subconsciously anxious because I had made no start on the writing of this column yesterday.

I don’t recommend this kind of behavior. I see no evidence that the early bird gets the worm. Instead, it turns the brain wormy… or at least very foggy. I went in search of music to function as a pesticide (the more forever chemicals, the better) and a bitter wind to blow away the fog. Here’s what I found:

NIDARE (Germany)

Late last year we premiered a song from Von Wegen, the then-forthcoming debut album by this German post-black metal band, and it pulled me headlong all the way into that album. It’s a very good thing, then, that we haven’t had to wait long for a follow-up, which hit the streets on July 12th in the form of a stunning EP named Naehe und Flackern (via Through Love Records). Continue reading »

SHADES OF BLACK: IMPERCEPTUM, PLEŃ

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Jul 172023
 

Yesterday I had ambitions to make the Shades of Black column a two-parter, but in a rare display of wisdom I didn’t call it that, because I wasn’t sure I would have time to finish the second part. But I did, even though I didn’t finish Part 2 in time to post it Sunday. Here it is now.

Yesterday’s first installment was devoted mainly to advance tracks from forthcoming records. Today’s just focuses on two recent albums.

IMPERCEPTUM (Germany)

Imperceptum is one of those bands I’ve been eagerly following and writing about for a long time, beginning with this Bremen-based project’s debut album Collapse of Existence, released in early 2016. Two EPs and four more albums have come out since then, the latest of which (until now) was 2020’s Entity of Undead Stars (reviewed here). Eight days ago we got another full-length, and you’ll find the stream below. I found it extraordinary. Continue reading »

SHADES OF BLACK: DANTALION, SATÓN, ANTI-GOD HAND, MAZE OF TERROR, EMINENTIA TENEBRIS, STANGARIGEL

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Jul 162023
 

If I’ve said it once I’ve said it 100 times (probably closer to 200): I have another job whose demands are very unpredictable. It interfered with my ability to prepare a roundup yesterday, unexpectedly so for me — because I just fucking forgot about a big online meeting that had been scheduled for months (rude surprises have many causes). It started early and went on for 2 1/2 hours (come on, it takes time to coordinate production of pocket-sized fusion reactors!).

I thought about just pretending that today was Saturday and proceeding with a cross-genre roundup, but then thought again, and decided to stick with the usual plan and focus on the blacker arts today. Still, your creaky wagon won’t get stuck in any ruts – these selections will cause it to careen all over the en-thorned dirt road (or so I hope).

DANTALION (Spain)

I decided to start with a quintet of songs from forthcoming releases and then turn to just one recent EP. The first of the advance tracks comes from the ninth album by the long-running Spanish band Dantalion (which my addled brain always tries to read as “dandelion”, though there’s nothing about their music that connects with such an image, unless the flower is dead). Continue reading »

SHADES OF BLACK: SZNUR, DISCORPORATE, A//PLAGUE, ANONYMOUS SKULL, NIGHTGOAT INVOKATE THE STARS, AUTGER

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Jul 092023
 

Over the last few days, in between other things, I wandered down an underground musical path that took some very unexpected turns. Rather than focus on names that might be well-known, I focused instead on obscurity. I did recognize two names whose new music I explored (they begin and end today’s collection), but most I had never before.

In each instance, something about the music grabbed me, even when in some instances it initially seemed to pose a rude challenge to my ear drums. I hope you’ll find it an interesting musical odyssey, as I did, straight through to the fascinating surprise that’s waiting at the end. I don’t expect everything will appeal to everyone, but what does?

SZNUR (Poland)

As noted, I’m beginning with a name that already resonated well with me thanks to my discovery of the band’s third album, Dom Człowieka, soon after its release by Godz Ov War Productions about two years ago (which I enthusiastically reviewed here). Now Sznur‘s fourth album Ludzina is on the way from the same Godz Ov War. I haven’t yet heard all of it, but the two tracks currently streaming are high-octane fuel for the reptile brain. Continue reading »

SHADES OF BLACK: KRIEG, DEATHMOOR, PORTA NIGRA, ZIGOTA

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Jul 022023
 

Here we are again, ready to blacken the Sabbath with some new things you might not have heard, the kind of things that would ruin most people’s days but I hope will turn yours into warming bonfires. Well, maybe not warming, more like incinerating, but still welcome I hope. What’s ahead is a new stand-alone single, a couple of tracks from a forthcoming album, and two just-released full-lengths.

KRIEG (U.S.)

Neill Jameson has made a name for himself as a music writer, often wise-cracking, irreverently cynical, and creatively foul-mouthed but with a finely-honed and widely respected taste that makes lots of people pay attention to his recommendations of underground gems. We’ve benefited from that here ourselves, usually through his year-end lists for our site but also at other times when he’s been moved to send something our way.

But before he made a name for himself in those ways, he and his band Krieg made a name for themselves in the annals of U.S. black metal. Krieg‘s musical output, beginning with their debut album in 1998 (recently reissued by The Devil’s Elixirs Records), ran in a hot, year-after-year torrent through 2018, mostly splits and EPs but with 7 more albums also scattered along the way. Then there was a four-year pause before 2022 brought forth a split with Crucifixion Bell, which demonstrated in electrifying fashion that although Time may have aged Krieg‘s members, it definitely hasn’t dulled their knives or moderated their musical savagery.

And now we’ve got a new Krieg single named “Bone Whip,” which is captured on one of those flexi-discs in the new issue of Decibel magazine (the one with Mizmor on the cover, available for purchase here). As disclosed at Decibel’s site, the song was recorded during the sessions for Krieg‘s next album (the name of which is Ruiner), but won’t be included on that album. Continue reading »

SHADES OF BLACK (PART 2): G.N.L.S., SACRENOIR, VITAPHOBIA, D.R.E.P.

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Jun 252023
 

As forecast in Part 1 of today’s collection of blackened sounds, this Part compiles a small mountain of music — three complete albums and one complete EP. As also forecast, the music is nightmarish in different ways — some of it capable of causing skin to crawl, some of it blistering the flesh, and some of it accomplishing both objectives. But I also think the music is just as fascinating as it is frightening. I hope you’ll feel the same way.

G.N.L.S. (Greece)

Two weeks ago I wrote (here) about an album named Asphyxiating Late Night Sessions, which was a collaboration between Dødsferd‘s mastermind Wrath and m.Sarvok. But it wasn’t the sole result of their working together. Even earlier this year they released another collaborative album under the name G.N.L.S. (Geometric Nictation of Lament’s Space), and it’s a very different experience from the more recent release. Continue reading »

SHADES OF BLACK (PART 1): IMPERIAL CRYSTALLINE ENTOMBMENT, WYRGHER, ASUNDER

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Jun 252023
 

Yesterday my spouse left me home alone for most of the day (the feline creatures were still there but they mostly left me alone too). That allowed me the time to do some deep diving in a search for music to write about today. Purely by coincidence, much of what I found turned out to be… nightmarish. Some of the songs make the skin crawl, others blister it, some do both, and almost none of it seems connected to what passes for reality in our world.

What I chose adds up to an unsettling but electrifying trip of significant proportions — three individual tracks (two from forthcoming records and one standalone single) and then a plunge into the depths of longer-form madness with three complete new albums and a new EP. Hopefully you won’t find this an endurance test but instead a relentless journey of mind-altering discovery.

To get things started before too much of the day gets away, I’ve divided it into two Parts, launching the individual tracks now so I can then turn back to finishing the much larger second installment, which will come later today Continue reading »

SHADES OF BLACK: SAMMATH — “GREBBEBERG”

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Jun 182023
 

In yesterday’s round-up of new music I mentioned a risk that might imperil today’s column, and the risk became a reality. It’s a minor miracle that it’s here at all, though it’s shorter than I planned and comes much later in the day. In fact, it’s limited to thoughts about a single new album, which I hope you will find worthwhile.

And by the way, Happy Father’s Day to any fathers who happen to drop in here (it’s a U.S. holiday, but the good wishes extend to good fathers everywhere).

SAMMATH (Netherlands)

Sammath are a true rarity — rare in part merely because they have survived for nearly 30 years as a band. As we all know, life expectancy is low for bands in the metal underground, where no one can make a decent living doing it and even minor obstacles thrown up by life can rapidly derail promising futures. But Sammath are an even greater rarity: They haven’t just survived and persisted for such a long stretch of time, but somehow they’ve just released an album that I dare to say is the finest one of their 30-year career. Continue reading »

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